This is the last book in the Bigend Trilogy, and thus sequel to Pattern Recognition and Spook Country. While I loved the former and thought the latter was pretty good, I found Zero History to be a total yawner. We follow once again the odd adventures of Hollis Mason and Milgrim as they chase down obscure pop culture details for Hubertus Bigend.
It’s all very cool and trendy, with the excellent cutting edge prose that is Gibson’s trademark. Unfortunately it is also very soulless and uninteresting. Taken individually, the scenes in this book are splendid. Elaborately crafted little vignettes, meticulously describing a setting and the actors inside it. As a narrative, I felt it didn’t seem to go anywhere. This is the first Gibson book I have actively disliked. I gave up about halfway through since I honestly couldn’t work up the least motivation to pick the book up again.