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A human pilot finds out that the moon is in fact a giant warship left there by the mutinous crew that turns out to have originall colonized the Earth. Our hero inherits an age old conflict. The premise is way out there, but these three books are good military science fiction, and a great deal of fun. The series consists of:
The three books have now been republished in the Empire from the Ashes omnibus.
A retired commando goes after the pirates who killed her family. Good, clean, space marine fun.
This novel is all about (you guessed it!) an expedition to the center of the Earth. High adventure in great style.
A timeless classic, it has aged very little and is still eminently readable today.
A couple of Golden Age classics that have aged very badly. Often published in one volume.
In the sequel to Red Thunder and Red Lightning, we yet again skip ahead a generation, this time to Podkayne, granddaughter of Manny and Kelly. Martian born and bred, she is drafted (as all are) into service with the Martian Navy. The book starts by ridiculing Earthies (those who live on Earth) as generally helpless and whiny. It is hard to find too much fault in that assesment, but more about that later. As is sometimes the case with Varley, he writes more chronicle than anything else, and thus we follow the meanderings of Podkayne. It isn’t until the second half that things really start to happen. By then a very gloomy post-9/11, post-Katrina view has settled onto the book. If it weren’t for cheery Podkayne, this would not be a very cheerful book. In the end, the protagonists make a big decision, and there is a happy ending, of sorts.
While Red Thunder was a very positive book, and Red Lightning was at least mildly optimistic, Rolling Thunder paints a very bleak picture of Earth’s future, with billions dead and the planet rendered uninhabitable. Certainly the catastrophes depicted are not man made (unlike in Red Lightning) but it is clear that mankind had already started the processt”. Podkayne is a serviceable protagonist, but she is no Manny or Ray from the previous books. The end, and I won’t give away the surprising development there, feels a bit too much as if Varley wanted to tie up the loose ends any which way. I do love reading Varley, and this was, as always, entertaining. His voice is mesmerizing and his insights into human character are always interesting and novel. However I do feel that this was not on par with most of his work. Or perhaps he just gave me a bit too much of the blues.
This collects all of Varley’s short fiction to date. What really makes the book shine, though, are the introductions to the stories. Eminently readable little anectodes from the author’s interesting life. Even with only the introductions and no stories, this would have been a great (albeit rather short) book. The stories are wide ranging from drama to action, with Varley’s sublime characterization always front and center. A great book.
Demon jumps ahead another 20 years after Wizard. Robin has returned to her home in the coven habitat. Chris has remained on Gaea, and is slowly turning into a creature more and more like a Titanide (a centaur race native to Gaea). Cirocco is still around, but no longer does Wizard work. Gaby is dead, but keeps returning to Cirocco in dreams. Gaea has gone completely nuts, prancing about as a 15 meter Marilyn Monroe while making and screening movies in her own bloodthirsty fashion. Meanwhile, back on Earth, the final war has begun. Humaniy is destroying itself in nuclear fire. Not in one big conflagration, but in a staggered series of bursts. Refugees flock to Gaea, who has provided transportation but no regulation. Newcomers are robbed and enslaved by some of the humans already there. Amidst the chaos, Robin returns, together with her 19 year old daughter Nova and her newborn son Adam. She had to leave the women-only coven since she had a son, and both children seem to be Chris’, despite the two never having had relations. Gaea’s trickery again. It is soon clear that the final confrontation with Gaea is at hand, with Cirocco reluctantly at the helm of the forces arrayed against the mad habitat mind.
While better than Wizard, this one also left me unsatisfied. Varley simply isn’t that good at writing about military matters, and it shows. There are some surprising developments, but the surprise ending was too unexpected, and not supported very well by the story that went before it. I’m all for surprise endings, but this one felt as if it was hardly connected to the rest of the book. Decent Varley but only for the die-hard fan. It’s a shame that this series went downhill after Titan.
Wizard picks up about 80 years after the events in Titan. Cirocco is now a Wizard for Gaea, meaning she’s a troubleshooter. Gaby is sometimes her sidekick, and sometimes just does freelance work. They are both paid with extended lifespans. Since Titan, plenty of humans have emigrated to Gaea. There is a limited quota for free trips, and through this program, two new travelers, both prone to periodic seizures, arrive in Gaea. One is Chris, a rather shy and geeky young man from Earth. The other is Robin, who comes from an ultra-radical sect of witches (in the Wiccan sense) living in a habitat on the far side of the Moon. The sect is made up entirely of women, and holds men to be evil. Robin has never met a man, and has some strange conceptions about them. As they arrive, Gaea tells them that she can cure their ailments, as long as they do something heroic. They join up with Cirocco and Gaby on a circumnavigation of the habitat wheel. The wizard and her sidekick have a hidden agenda, though. Gaea is becoming ever more senile and crazy, and the two are looking for allies in a coming war against her.
The adventures of Chris and Robin make for a coming of age tale of sorts. The scenery is still wondrous, and Varley has added much to the richness of his world. The prose is excellent and the characters are rich and alive. Despite all that, I was still somewhat disappointed. The story sets up the next and final book (Demon), and develops the characters, but the plot isn’t that interesting. There seems to be little sense of where the story is headed. While this is often the case in long sections of many Varley books, in this one there weren’t any other really stellar bits to compensate. Varley is never bad, but it was an ultimately unsatisfying read.
Varley’s Big Dumb Object story, and the first in his Gaea trilogy. The first expedition to the Saturn System encounters an enormous spinning habitat (Gaea). As they approach, the ship is captured and destroyed. Some undetermined amount of time later, the expedition members, including Cirocco Jones, the Captain, emerge quite literally from the ground at various points on the outer rim of the habitat. They have all changed somehow, some having acquired new skills (such as being able to talk to some of the denizens of Gaea), some being depressed, some introverted. Cirocco Jones and what for all intents and purposes is her sidekick, Gaby, set off on a quest towards the center of the habitat to find some answers. Since Gaea is spinning, the center is “upwards” in their frame of reference.
A common misconception about this book is that it book is fantasy. It certainly does have some fantasy tropes, but is firmly in the science fiction section. The world building is ingenious and entertaining. Varley is excellent at characters and character interation, and so his Gaea, not unexpectedly, serves as the backdrop for character development and conflict. The ending is, as usual with Varley, both somewhat unexpected and viscerally satisfiying, even if in this case it also has to serve as a setup for the next two books in the trilogy. All in all a good read, but not stellar Varley.
A time machine is found next to a preserved mammoth in northern Alaska. A scientist and an elephant keeper are accidentally sent back in time, returning with a few mammoth. There is a a tycoon and there is a troubleshooter.
Into this deceptively simple idea Varley injects his sharp wit, his well rounded and interesting characters, his irreverent prose. The conclusion is perhaps foregone, but the ride is enjoyable. Varley has a way of making you love his characters, for they are imperfect humans like us.
This short story collection showcases Varley at his most Varley. Not a lot of action, but quite a bit of character driven plotting. Light reading but nevertheless enjoyable and in some cases thought provoking. I did find it uneven, and some of the stories were maybe a little bit too focused on just showcasing the Eight Worlds Universe. The title story, “The Persistence of Vision”, is a departure and a wonderful tale of identity seeking.
The premise behind this book is, ahem, simple. Fifty thousand years from now, humanity is dying off as the result of plagues, toxic chemicals and radiation. However, time travel has been discovered and the “Gate Project” is kidnapping people who were going to die anyway in the past. For example passengers from the Titanic, victims of air crashes and so forth. These abductees, who are far more healthy than their short lived and sickly descendants, are put in storage for a future repopulation of the Earth. The story initially revolves around an impending mid-air collision between a 747 and a DC-10 over California. The two protagonists tell their stories in first person format more or less alternately. Bill Smith is the head of the crash investigation in the 20th century, and Louise Baltimore is the head of the “Snatch Team” from the Gate Project in the future.
So far so good. The characters are, as is typical for Varley, deeply flawed and authentic. The story is laid out as logically as possible, although the mechanics of time travel make this tricky. Once Varley has established the premise, the plot is about a developing temporal paradox that threatens the already bleak future with complete annihilation.
The first four fifths of the novel are quite enjoyable. It is clearly laid out where it could easily have been confusing and Varley skillfully ensures that the doomed humanity theme carries over into the characters and the story. The references to old fashioned computers don’t distract since Varley is always about the people, not the technology. The ending did annoy me a bit, since I dislike deus ex machina. But I must admit Varley pulled it off very well, especially by inserting a quite literal meaning in the whole thing.
John Varley’s first novel, and also the first one in the Eight Worlds Universe, has an interesting and intricate, premise. Four hundred years previously, enigmatic aliens invaded the Earth, and most of humanity died off. Humans now live scattered around the solar system, dependent at least in part on technological know-how beamed from faraway Ophiuchi. No one knows who or what is beaming the data, except that it is finely attuned to the needs of humans. Lilo, a genetic engineer condemned to death for taking her reasearch into unethical directions, is embroiled in a plot to retake the Earth for humanity. Her multiple journeys throughout the Solar System are mirrored by journeys of discovery into her own humanity. As multiple clones are branched off, Varley explores how Lilo’s personality differs given her environment, and yet retains its basic values.
This one is clearly written during the seventies, as there is a lot of nudism and casual sex.
The book seems to beg the question: “What’s the point of retaking the Earth when life is an eden out here?” The ending does take the clear stance that we have to proactively defend our existence, and not take our survival as a spieces for granted. I very much enjoyed this book, which packs a lot of story into a mere 170 pages.
This is the first book in the Jon & Lobo series. Jon is a man with a troubled past. His planet was destroyed and he was subjected to experiments that left him nanotechnology enhanced. Such enhancements are thought to be impossible and he needs to keep them a secret from those who might profit from them. Suffice it to say, he is a sort of super-soldier. He takes on the task of freeing a kidnapping victim. This simple act entangles him in a complex web of intrigue involving powerful corporations and governments. Along the way, he picks up an assault vehicle known as “Lobo”. The vehicle can handle anything from underwater to deep space. It is also a deeply sarcastic conversationalist.
This novel reminds me a little of the Stainless Steel Rat books. A lone hero and a plot that seems made up as it goes along. Jon is not unlikeable, but his tribulations tend to be long winded and after a few such passages I started losing interest. The characters are straight from central casting, and the locales are even worse. Cookie-cutter, forgettable places that made the plot hard to follow. As our hero jumped to a star system, I struggled to remember what had happened there earlier. The plot is decent, but I couldn’t make myself care very much whether Jon succeeded in his exploits or not. Things are going really well until they go really badly, at a point in the novel that is far too predictable. The hero is supposed to have setbacks, but this one is far too expected. The paraphernalia is pretty cool. In good Bond fashion, the right tools for the job always seem available to our hero. This is fine for comedy, but this book is not going for laughs.
And yet, there is some attraction here. If one can look past the stilted prose the stock characters and the unoriginal plotting, there are hints of potential for this hero. The machine communications are funny and interesting. The universe is engaging enough that it is worth revisiting.
Alternate military history anthology. The quality is mixed, and it requires at least a passing knowledge of the incidents the stories are based on in order to extract full appreciation. A passable light read if you’re into military science fiction.
In this alternate history novel, the year is circa 2001. The Nazis won the Second World War, then conquered America a generation later. Jews are hiding in the midst of the Third Reich.
So, what’s the book actually about? As far as I could figure out, not very much. I kept wondering when something would actually happen. Unfortunately I reached the end and nothing had, unless you count interminable games of bridge while the characters wonder who is having unfaithful thoughts.
Turtledove had a great idea for the premise, but this novel is mind numbingly dull. The portrayal of everyday life under the shadow of the Germanic Empire is fascinating for about ten pages, and the hints of change intriguing, but the rest is one long yawner.
Time-traveling South African white supremacists go back to the American Civil War and equip the confederates with AK-47’s. Well, it’s a cool idea. Unfortunately, Turtledove gets lost in the details, so to speak. Too many protagonists, and not enough focus. This is a fun little book, but it could have been so much more.
This non fiction book is about how to speak in public and visual aids to that end. The author’s name is a bit worrying and in fact Toogood comes across much as he describes himself: “a fairly facile, somewhat sophisticated Eastern Ivy League City Slicker”.
Don’t let that faze you! This book (or most of it, at least) is a real gem if you ever need to speak in public, or even in a small group in a corporate setting. The tips and tricks, techniques and anecdotes are excellent. Anyone in working life can benefit from this quick read, and I highly recommend it.
There are unfortunately some small factual errors in the examples, but that doesn’t detract from the usefulness of the book. Toogood is undoubtedly a good speaker, but he sometimes gets carried away with his examples to the point of making errors.
While The Silmarillion felt like a pretty well connected series of tales, this book is not of the same quality. It gives a lot of background to the history of Middle Earth, but only the really dedicated Tolkien fan will enjoy it.
After Tolkien’s death, his son Christopher set about compiling all the notes and stories he had left behind about Middle Earth. The Silmarillion is the most well know result of this work, and chronicles the story of the elves in times long before the events of The Lord of the Rings. It takes the form more of a historical chronicle than a novel, and so feels rather removed from the action. Only for the dedicated Tolkien fan.
The sequel to One Day on Mars takes place a few years after the events of that book. We are rather disconcertingly thrown straight into the action of a new “24“-like tale taking place within a short time span. United States forces are attacking a separatist base in the Oort Cloud. At the same time, the president (Senator Alexander Moore from the previous book) and his family are being attacked by every automaton at Disneyland (no, really). Finally, a secret agent emplaced at the separatist home planet in the Tau Ceti system gets into trouble.
The action (and there is a LOT of action) is fast, furious and for the most part well written. It annoyed me, though, that there was little or no introduction to events. It was all rather confusing at first. The story, once it is revealed, is in fact quite engaging. So it was annoying that there was so much action in the way in the first part. The other thing about this book that bothered me was that far too much space was given to confusing mecha/fighter battlescenes. The abundance of characters and the sheer overdescription of so many aspects soon made me skim through these scenes. They are supposed to be “cool” and “kick-ass” I suppose, and in many respects they are, but I could have done with a few less descriptions of hair raising maneuvers and how many gees the pilots are pulling. Conclusion: mixed bag. Nice action book, not great. Very intriguing macrostory unfortunately muddled by a great many less than relevant action sequences.
The entire plot is set, not entirely unexpectedly, during one day on Mars. The United States is now a Solar System wide government that even extends to a few extrasolar colonies. However, a nation of separatists exists in a “reservation” on Mars. On this day, the separatists attack the United States. The book follows the military actions, and the unexpected plan of the separatists.
As a military science fiction action book, this is a pretty good one. Stuffed with action scenes involving futuristic weapons like shape-shifting robots (think Transformers that can become fighter plane, robot, tank), the book drags you along at a furious pace. So far so good. The backstory, filled in over the course of the novel, is interesting, telling how the United States has become ever more detached from its original ideals of true democracy and representation. The president runs instant polls to figure out how to deal with crises instead of making decisions on his own. The separatists don’t shy away from atrocities. They also decry the current United States, and see themselves as defenders of the freedom of individuals to make their own choices. One thing that bugged me was the sub-par editing, especially in the first half of the book. There is an excess of spelling and grammatical errors, as well as some poor style. This is especially irritating given Baen Books’ typically high standards in that department.
Computer geek Steven Montana was left alone in the world after the secret war in Warp Speed. Life is looking up as he gets a job for the government working on top secret stuff. Then it all goes to hell as he is abducted by aliens (again, as it turns out). At that point, the story changes scope significantly, as Steven hooks up with the protagonists of Warp Speed and they fight a war for the survival of humanity in a hostile galaxy.
This format of this novel is Heinleinian romp straight out of the Golden Age of Science Fiction. But there are differences. All the science is cutting edge, with quantum entanglement, computer agents and nanomachines to name but a few things. The generally positive outlook on humanity and charming naif tone from the prequel remain. Steven is an archetypal good guy who gets the intelligent and pretty girl (how the latter happens is a bit unusual, but still). It is also a novel of how opportunity for personal growth and turning yourself around can lurk behind the most unlikely corner.
Just like it’s predecessor, this one was immensely enjoyable. It is pure, shameless fun. The characters are perhaps a bit over the top but it feels as if the author does this very much on purpose, with a glint of mischief in his eye. All the Golden Age clichés are treated with respect and irreverence both, as this book harkens back to a simpler time, reminding us that goold old fashioned heroes can help us navigate today’s more complex moral landscape.
Our hero, Anson Clemens, invents a warp drive, falls in love with a shuttle pilot, goes to space to try the warp drive and starts World War III, just to name a few things. There certainly is a lot of action, both up close and personal and on the macro scale.
At least in the beginning, the plot of this novel is somewhat similar to The Getaway Special. It also has similarities to The Trigger in that a revolutionary new technology has consequences unforeseen in both type and magnitude. The main character has much in common with the main character of Ringo’s Into the Looking Glass, for which Taylor and Ringo co-wrote the sequels. And then there are the quite overt Heinleinian nods. Taylor should not be thought of as a copycat, however. He simply took his inspiration from some very good places. I was pleased to see the connections, even if I don’t think that all of them were intentional.
The beginning of the book was unauspicious. I felt a vague dislike for the main character and his almost cliché existence (supersmart physicist, mountain biker, karate champion, quirky sense of humor, distracted scientist persona) but that soon passed. Taylor has even been accused of fanservice with Anson Clemens. I will agree with his rebuttal that there are quite a few amazing people out there and that heroes do not tend to be average and that there is a indeed place for real heroes. Anson Clemens and the astronaut Tabitha Ames are definitely such exceptional people. The people surrounding them are equally pretty amazing. This may seem like a bit too much of a coincidence, but I don’t think so. Really smart people will surround themselves with other smart people. If they can work as a team, fantastic things tend to pop out the other end. Just look at the Apollo Program. Was there ever such a large collection of supersmart geeks anywhere? Besides, it’s fiction, and in this case good fiction to boot.
I really liked this book. I stayed up until three in the morning reading it. It is lighthearted and the main character is unpretentious. It is a definite page turner. Finally, it takes off in unexpected directions without feeling random, just like the best John Varley books. After finishing it, I had a big grin on my face.
This is the debut novel by Taylor, a guy who really is a rocket scientist. He has no less than five science degrees in various denominations and flavors.
It is hard to tell what this one is about from the blurb. Between the covers is postmodern science fiction well grounded in current physics. A mysterious entity known as “The Festival” arrives on the backwater colony of a neo-Victorian Empire, quite literally showering manna from heaven on the populace in return for “entertainment” in the form of information. The Empire attempts to retaliate, and all the while a pair of agents, one for the UN, hover and observe. These agents work a pair of mysterious powers that seek to ensure that humanity is not destroyed by the mysterious Eschaton, an powerful entity that brutally punishes causality violations. Technology now allows time travel as a biproduct of (apparent) faster than light travel, and the Eschaton is merciless on those who violate its causality edicts.
In the middle of this dangerous universe, the two secret agents develop a strong personal relationship. Stross skillfully manages to focus on their story and it’s pertinence while the worlds around them spirals towards an uncertain future. At the same time, he does not forget to show the humorous side of those who refuse to accept self-evident realities. Innovative and deeply insightful, but ultimately pretty boring. My big gripe is that I didn’t feel any empathy whatsoever for the characters.