The sequel to The City Who Fought, penned by Stirling alone, is just as mediocre as its predecessor.
The City who Fought – S.M. Stirling & Anne McCaffrey
This collaboration between Stirling and McCaffrey takes place in the Brain & Brawn Ship universe
It is vaguely better than McCaffrey’s own efforts. The characters are more solid and there is at least some excitement. Still, I don’t feel that I can really recommend this to anyone.
In the Courts of the Crimson Kings (The Lords of Creation II) – S.M. Stirling
In the somewhat free-standing sequel to The Sky People, Stirling takes us to a Mars inspired by the work of Burroughs and the “science” of Percival Lowell. The arid and cold planet is nevertheless inhabited by close relatives of humans. Our hero, one of the U.S. team based on Mars, travels to a lost city on an archeological expedition. But the Martian head of the expedition team is more than she seems. Soon people are out for their heads as they are embroiled in the thick of Martian politics.
Stirling is masterful at characterizing alien cultures. Even minor dialogue lines are steeped in a deep imagined tradition. It is a pleasure to read, especially as Stirling’s unobtrusive understated humor pervades the prose. This tale of a Mars that never was but that dreamers really wished for is a great adventure yarn.
The Sky People (The Lords of Creation I) – S.M. Stirling
This series is set in an alternate history where Mars and Venus were found teeming with life by spaceprobes in the 1960s. A space race ensued to set up bases on the planets. Interestingly, the superpowers spent so much on space that no major wars were fought on Earth after the Korean War. The action starts on Venus in 1988. Marc Vitrac is one of the researchers living there. It is very much a frontier life among the lush and extremely varied flora and fauna. After some initial setup, Marc and a few others set off on a long journey of adventure. They find answers as to why Venus’ life forms seem so similar to Earth ones, and those answers are unsettling. Along the way, they befriend some natives and, in that inevitable manner of colonization, they are assimilated into their adopted land.
Diehard “outdoor Stirling” fans need not worry. There is plenty of camping, hunting and bowmaking. The characters are. as usual with Stirling, engaging and “real”, as is the backdrop. It is easy to see that Stirling had a lot of fun writing this. It’s as if he woke up one morning and decided to throw a whole bunch of elements (dinosaurs, giant mammals, modern humans, neanderthals, giant bugs and on and on) into a pot just to see what would come out. The result is a fun read but not Stirling’s best. The setting is very rich and complex and more could have been fleshed out, if only to satisfy the reader’s curiosity. An appendix discussing background history and societal aspects would have been very welcome.
A Meeting at Corvallis (Emberverse III) – S.M. Stirling
Stirling concludes the Emberverse trilogy in grand style, but doesn’t really tie up all the loose threads. As with the earlier two books, Stirling loses himself in long descriptions of nature, down to the names of flowers and whatnot. With most authors, such long winded prattling would have led to me discarding the book well before the first hundred pages. But Stirling makes it work. His memorable characters play out their destinies against a rich backdrop of modernity turned medieval after the Change.
The trilogy is a pleasure to read and Stirling’s prose is so delightful I would gladly have read another few hundred pages. If nothing else, several characters are worth longer backstories than they get.
The Protector’s War (Emberverse II) – S.M. Stirling
The Protector’s war continues the Emberverse series begun with Dies the Fire. Eight years on from the events of the previous book, the world has somewhat settled after the change. The Protector, the Bearkillers and Clan Mackenzie have all consolidated their positions, and past adventures are turning into legend and myth. A showdown with the Protector must come, but not in this book. That is reserved for the final novel, A Meeting at Corvallis.
I enjoyed this installment very much, but it does suffer from middle of the trilogy syndrome. Just like The Empire Strikes Back, it introduces concepts and characters, setting the stage for the final showdown. If Stirling weren’t so engaging regardless of what he is writing about, the story itself would be a bit boring. But even the sometimes very long descriptions of locales and nature paint rich and gorgeous pictures that are a sheer pleasure to read.
Dies the Fire (Emberverse I) – S.M. Stirling
S.M. Stirling stole the island of Nantucket from the present time in the Nantucket series. In Dies the Fire, he postulates that when that event happened, all modern appliances (electronics, engines, etc) stopped working in “our” world. Also, all explosives (yes including gunpowder) burn much more slowly. To top it off, steam engines are vastly less efficient. This leads the characters involved to feel it must have been an outside influence (such as “Alien Space Bats) that created what comes to be called “The Change”. The story does not go into The Change itself more than that however, rather focusing on a group of people having to live in the world post-Change.
As so often with Stirling, I found myself unable to put the book down. He does have a way to make characters pop. The two protagonists, Juniper Mackenzie and Mike Havel, are uncommonly well equipped to handle the change, and draw to them people who also have survivor traits. They seem to have more than their fair share of luck, a theme which crops up here and there. This has led to criticism from some readers, who have said it simply isn’t possible for the protagonists to make out quite so well. I would say that if they hadn’t been so lucky and skillful, they would have died along with 90% of humanity in the year after the Change.
As usual, Stirling has done meticulous research into everything from archery to Wicca. It is a pleasure to watch his characters develop through the story.
The Peshawar Lancers – S.M. Stirling
This singleton is set in the year 2025, but not in our future. The premise is that a shower of comets hit Earth in the 1860’s, pushing civilization to the brink of extinction both by the impacts themselves and related general cooling. The British Empire relocated its seat to Delhi, and the story takes place in what is India, Pakistan and Afghanistan in our timeline. The Empire is ruled by the Angrezi Raj, or King-Emperor.
This is classic swords and horses adventure. Very gripping, with some great characters. The middle of the book was a little “unfocused”, and Stirling could have added dates to the section headings, since there is a bit of jumping backwards and forwards. The end is one long drawn-out cliffhanger after another. As usual, Stirling proves that he knows his history, weapons and tactics. A real page turner and recommended for for high adventure buffs
Drakas! – S.M. Stirling (Editor)
This anthology features short stories set in Stirling’s Draka universe. Twelve authors contribute. There are some real gems here, but you probably won’t appreciate them if you haven’t read the Draka series first.
The Nantucket Series – S.M. Stirling
This alternate history series consists of:
- Island in the Sea of Time
- Against the Tide of Years
- On the Oceans of Eternity
The island of Nantucket and the Coast Guard barque Eagle are mysteriously sent back in time to around 1000 BC. Being too small a society for self-sufficience, the inhabitants (including many seasonal visitors) must go out in the world and survive using technology and cunning. Epic adventure, well researched and well written.
Note: Stirling’s Emberverse series is connected to the Nantucket series since the event that sends Nantucket back in time also triggers the “Change” in Emberverse.
The Rose Sea – S.M. Stirling & Holly Lisle
I am not a big fantasy fan, but this does not read terribly much like fantasy. There is a definite scarcity of bearded wizards and annoying halflings. It’s more like a pirate/explorer story, and quite entertaining.
Islands in the Net – Bruce Sterling
Mediocre cyberpunk with a disturbing lack of focus.
Interface – Neal Stephenson & Frederick George
This novel is about a presidential candidate with a chip in his head connecting him to a computerized polling system. There’s much more to the story than that of course, and it was a bit of fun, with some really great characters. If you love everything that Stephenson has written, you might enjoy this too.
The copyright for this one is from 1994 in the name of Stephen Bury (Frederick George is Mr. Bury’s pseudonym). My theory is that Stephenson rewrote some of the book. You can pretty much tell where Stephenson has had a hand in the writing, and this makes it uneven in quality.
Quicksilver – Neal Stephenson
This is the prequel to Cryptonomicon, although they are only vaguely related. The story focuses (as far as I can tell from the first hundred and fifty pages) on the heated debate between Newton and Leibniz on the nature of calculus. Or rather, on the notation that should be used to explain it. You don’t have to be interested in mathematics (no formulae so far), but it helps. The other interesting part is how the backdrop is shaped by events following the restoration of Charles II to the throne of England and the ongoing struggle between Gathered and Established churches (Puritans and Anglicans, to put it rather simplistically), as well as the birth of the scientific method. Like Cryptonomicon, this is seemingly a collection of anecdotes loosely strung together into some sort of plot.
Stephenson’s style is, as always, florid and imaginative. The cool and gritty edge of Snow Crash and Cryptonomicon is still there, but it has mutated into a sort of 17th century format.
Unfortunately, I found the whole thing very dull and long-winded. This book can’t seem to hold my interest. I gave up on page 241, which is just over a quarter of the way in. I don’t think I will be reading the other two books in the trilogy either.
In the Beginning… Was the Command Line – Neal Stephenson
Non-fiction from Stephenson. This is the story of the PC as written by a cyberpunk author. Stephenson, not unexpectedly, turns out to be a Linux fanatic. He comes at the events from unexpected angles, making the book quite a bit of fun for the enthusiast. However if you are not a “computer person” this probably won’t interest you.
The Diamond Age – Neal Stephenson
Highly stylized cyberpunk from Stephenson. Good stuff, with some fun concepts bandied about.
Zodiac – Neal Stephenson
This novel is about an “ecoterrorist” named Sangamon Taylor and his weird and wonderful adventures. Laugh-out-loud funny and with some fabulous jabs at large corporations. Highly recommended.
The Big U – Neal Stephenson
Stephenson’s debut novel, about a gigantic and quite weird university. While the first third is mildly enjoyable, the rest of the novel devolves into an intricate mess of a plot. Written in an early version of Stephensons signature style, this book shows signs of the greatness to come for this author. Having said that, I advise you to avoid this one.
Galaxy Blues – Allen Steele
This is yet another novel set in the Coyote universe. It is about a defector from the Western Hemisphere Union who makes his way to Coyote. He is then hired/drafted for a trade mission to the aliens discovered in Spindrift.
This is a lightweight tale of adventure and redemption. Very plain vanilla in concept. Competent but nothing more.
Spindrift – Allen Steele
Spindrift is a spinoff of the Coyote series, dealing with first contact. The ending, where the survivors of the Galileo expedition arrive in Coyote, is already predetermined, if you will, by the epilogue of Coyote Frontier and the prologue of Spindrift itself. To arrive at this conclusion, Steele sends the Galileo and its crew on a voyage to a rogue asteroid hurtling far outside the solar system. This asteroid, dubbed Spindrift, has responded to signals from a SETI search program.
The novel is quite short, and not very much happens. What is worse, it is all very predictable. The characters are taken straight from Central Casting and the spaceship scenes are unsurprising. Even the enigmatic alien artifact is filled with stock puzzles. Setting it within the Coyote backstory is a pretty neat trick if you’ve read the other books. As a standalone, however, the novel is inadequate, far too predictable and sadly formulaic. The only redeeming quality is the way Steele manages to make the reader care for the characters. I genuinely wanted to know what would happen next, and thus reading the book was not a complete loss.
Coyote Frontier (Coyote III) – Allen Steele
Book three in the Coyote series, this novel takes us once more to the colony planet Coyote. But there’s a new twist. Earth has developed a technology for instantaneous travel between stars, meaning close contact with Earth is possible once more. Coyote seems like paradise to inhabitants of Earth wracked with overcrowding and catastrophic climate change. Will the budding Coyote Federation be able to withstand the onslaught? The original colonists have grown middle aged and responsible, but now their children rebel. It is a classic dichotomy. The old and wise versus the young and energetic. Steele plays to his strength in character creation and development, making this perhaps the most enjoyable of the Coyote books.
Unlike the two previous books, this one is not a collection of previously written short stories with interlude pieces. However, Steele has still kept some of that feel. The narrative changes pace, viewpoint and even style between sections. But the episodes are less self contained than before. This effect still takes some getting used to, but it works well.
The epilogue, after the action proper has been concluded and loose ends tied up, is a bit surprising. We are left dangling after a momentous first contact. Said first contact is described in Steele’s novel Spindrift. Blatant plug? Perhaps. But it also reminds us that the story of the colony is still unfolding.
Coyote Rising (Coyote II) – Allen Steele
The sequel to Coyote, picks up where the previous one left off, thus mitigating some of my annoyance with the ending of the previous book. Coyote has been invaded by the Western Hemisphere Union, a major power on Earth, and the original colonists have to fight a guerilla war against an increasingly despotic post-socialist regime. As before, the story is episodic in nature, with the whole derived from eight short stories. This has both advantages and disadvantages. While the thing feels cobbled together, the shifting viewpoints keep things interesting, and Steele is certainly a master of the short story.
Even more than before, though, Coyote feels like Steele’s “Big Caucasian Sandbox”. I don’t think the author has given it conscious thought, but everyone seems to be Caucasian and with a North American outlook on life. It’s really quite comical. And while Steele will sometimes make a token effort at exploring cultural differences between the the older generation of original colonists and the new one, he is mainly concerned with differences in political outlook. In the end, it’s not so bad, since the theme of the story is revolution.
Coyote (Coyote I) – Allen Steele
This novel goes beyond Steele’s typical near-future, near-Earth fare and describes the creation of the first interstellar colony.
The novel has previously been published in the form of a series of short stories, and suffers from it, feeling cobbled together.
The characters are interesting and I was drawn in by the narrative. Steele readily manages to convey the sense of wonder inherent in traveling for almost two hundred and fifty years, and then arriving at an alien world.
I was disappointed with three things. The first is the apparent lack of proof reading and sloppy science. For example, on one page a pilot is gripping a stick, and on the facing page this changes into a yoke. The second is the less than perfect orbital mechanics and the lack of biological diversity on the new world, In Steele’s defense, it is clear that he is more focused on interpersonal interaction, and he pulls off this part very well. The third and last thing is the ending. I don’t have a problem with endings that leave a lot to the imagination, but this simply left you hanging. I don’t want to give it away here, but the whole last part of the book was simply too implausible and just plain annoying. With just a very little change, Steele could have written a classic.
Chronospace – Allen Steele
In this novel, UFOs are actually time traveling craft from our future. A study group goes back in time to witness the crash of the Hindenburg. “Unfortunately”, the airship lands safely. They have altered the past.
As time-travel stories go, this is a pretty good one. Steele avoids getting stuck in the scientific debate and concentrates on delivering a good yarn instead.
OceanSpace – Allen Steele
This novel is about a monster in the depths of the ocean. Somewhat stereotypically, the setting is a big underwater construction. An entertaining read but nothing memorable.