The third installment of the series sees Chip and Pete in charge of their respective toddler daughters as their wives go out. An outing to see “old man” (Nikola Tesla) quickly turns nasty as Chip’s daughter Gigi inadvertently creates a paradox that threatens the multiverse.
This is by far the weakest of the three books. The books were never meant to be hard science fiction with internal consistency, but the meandering plotlines and repeated deus ex machinas quickly lost me. The recurring theme of Chip and Gigi’s love for each other lends a great deal of heart to the book, as does, again, Chip’s voice as the narrator. Pete’s adorable badass great-aunt is also a great addition. However, in the end, there was no feeling of dramatic tension, even with the ostensible stakes. While this final (?) installment ties up many of the threads, it was not a satisfying conclusion.
F-16 pilot Cal “Spectre” Martin was ousted out of the Air Force after a friendly fire incident in Iraq. He now works in southern Florida at a gun shop. His fiancé, also a fighter pilot, has just broken up with him when she disappears during a training mission. Specter determines to find the truth, which turns out to involve more than one foreign intelligence agency.
The story, while occasionally somewhat contrived, is engaging, especially if you are into aviation. The flying parts in particular are well written, obviously accurate but still accessible as the author, a former fighter pilot himself, does not delve too deeply into the arcana of the profession. The characters are rather two dimensional but serviceable.
Along with a few thousand other refugees from the Wolves, or Inhibitors, Miguel de Ruyter has quite literally carved out a life on the airless world of Sun Hollow. Humanity’s starfaring civilisation is lost, and the remains hide in the shadows, hoping not to be noticed. Sun Hollow’s inhabitants do not really have a plan beyond surviving the morrow; this is a bleak and rough existence. A ship has entered the system, and Miguel must intercept and destroy it at great risk to himself, for even potentially friendly humans may be Wolves in disguise. Out of this encounter emerges Glass, a mysterious woman who steals Miguel away to a reckoning with a past he has purposefully forgotten, and with humanity’s only hope of escaping extinction.
Published almost two decades after the Revelation Space trilogy, this serves as something of an epilogue. Human civilisation has waned into blackness, and there is an accepting despair about things. Not even the Ultras travel between stars anymore, because even small emissions could lead the Wolves to the door, and there is no weapon that can combat them.
The concepts of Miguel and his past self reintegrating, and of Glass herself and her connection, are superbly intriguing. Unfortunately though, the novel is far too long. Many pages are spent on meandering explorations of the sense of self, or the sense of other-self. While the quest for a weapon to fight back against the Wolves is interesting in itself, this excessive length detracted very much from my interest, and I struggled to finish the book.
Geeky late teenager Alvaro is sent off on a long sailboat cruise, more akin to a youth camp. He joins a motley group of peers on the Crosscurrent Voyager, an oceangoing ketch. The captain is an enigmatic and dour Englishman, with a past in the special forces. The group is mid-journey in the Southeastern Pacific at the time of The Fall. As the world descends into zombie-fed apocalypse, the captain decides to press past Cape Horn to South Georgia Island, hoping for a temporary respite.
While the novel is reasonably entertaining if you enjoyed the previous books in the series, there is not much originality on display. The concept of teens left alone in a crisis is well utilised. However, these youngsters seem unusually rational and insightful for their age. A fun diversion with some action thrown in.
Marianne O’Hara grew up in New New York, one of multiple “Worlds”, large orbital habitats supporting hundreds of thousands of people. The Worlds are varied, socially liberal, and very different from the less progressive Earth. Marianne is sent on a one year study trip to Earth, to immerse herself in Earth culture and society. While in “Old” New York, enrolled at NYU, culture clash sets in quickly, and she is exposed to the awful realities of American society. The larger story involves how the Worlds are inexorably moving towards independence. They provide energy and materials to Earth, mostly America, in return for specialised goods, and hydrogen. The discovery of hydrogen deposits in space precipitates the problem, as Earth powers see their influence slipping away.
This book has aged badly, mostly due to its depiction of life in New York and other places on Earth. This is a New York stuck in the seventies, with rampant violent crime, prostitution around Times Square, muggings and rapes. In contrast, O’Hara’s “free love” upbringing leans heavily on late 60s tropes. The technology is all tapes and recordings and long distance phone calls. The development of nations in the world is very much seen from a late seventies lens, for example the merger of the Soviet Union and the People’s Republic of China.
The characters are well fleshed out, especially the protagonist. Seeing this Earth from a foreigner’s lens paints an ugly picture, which is presumably what Mr. Haldeman intended. The use of narrative devices such as diary entries, phone call transcripts and letters is interesting but can sometimes feel disjointed.
A billionaire industrialist launches an automated mission to an asteroid, aiming to redirect it into a Lunar orbit for future extraction of minerals. The propulsion system malfunctions before completing the redirection maneuver, and now the asteroid is heading for impact with Earth. A desperate repair mission is launched.
The story is excellent. High stakes, interesting technical solutions, lots of hardcore space action, and a high pace. Unfortunately, and just like the previous book, it is let down by atrocious dialogue and cardboard cutout characters. The dialogue is especially cringeworthy. I did enjoy it because despite these negatives, it is a great yarn, but I wouldn’t recommend it unless you’re a real space buff.
Twelve-year old Perseus “Percy” Jackson goes to a boarding school because of learning difficulties. And odd stuff keeps happening, such as when he accidentally vaporises one of his teachers while on a field trip. As it turns out, Percy is a demi-god, and soon finds himself in all sorts of trouble with the ancient Greek Pantheon.
The story is clever, and the writing snappy. For a young adult reader, the protagonist is readily identifiable. The idea of using Greek Mythology and applying it to the modern day is inspired. I enjoyed the story, but did find myself annoyed at the sometimes excessive pandering to younger readers and their (perceived) tastes.
During an archaeological dig on a remote planet, clues to a possible weapon against the plastic aliens discovered in The Heart of Valor. A mercenary team composed of both Confederacy and Primacy races arrives and takes the in situ scientists hostage. Torin and her team of Wardens are joined by a Primacy team, partly composed of old acquaintances from the prison planet in Valor’s Trial, and tasked to resolve the situation.
While the story itself is entertaining, and moves the greater arc forward, the details are a mess. Too many characters from too many alien races appear, introducing myriad interactions. Ms. Huff does an excellent job at characterisation and humour, but it was too much for this reader to keep track of. The main thrust of the plot is lost amongst an excess of complications.
Six millions years previously, Abigail Gentian, scion of an influential and rich family, made one thousand clones of herself and infused each one with her personality and memories. Since then “Gentian Line” has travelled the Milky Way at sublight speeds, exploring, experiencing and helping civilisations. Every two hundred thousand years, the “shatterlings” of Gentian Line come together in a grand reunion, to share experiences and memories, and to remember their lost.
Purslane and Campion are two shatterlings who, despite strong taboos against it, have fallen in love and travel together. They are thousands of years late for the coming reunion. Once they arrive, they find that the Line has been attacked for unknown reasons, and decimated.
The premise is interesting, tackling the tricky concept of deep time and societal survival. Is it possible for a planet-bound civilisation, or even an interstellar empire, to sustain its own existence beyond a few tens of thousands of years? And what of consciousness, machine or biological. How can these handle intervals of millions of years, even if many are spent in suspended animation?
Unfortunately, too much of the story depends on reactions to events that happened previously, which are revealed piecemeal in massive and awkward infodumps. The plot will grind to a halt as a character expounds for pages and pages on events of five millions years ago and how they explain the events of last year in perceived time (which perhaps actually happened fifty thousand years ago in actual time). The love story of Purslane and Campion is sweet and tragic and compelling, and that would have made a lovely book. However, the whole edifice is heavily weighed down by having to explain and analyse the effects of deep time and ancient history, making it an ungainly slog only rescued by Mr. Reynolds’s superb prose and flair for illustrating the immense. Ironically, the final chapters are absolutely beautiful and would have been an amazing coda to a less ponderous narrative.
The Three-Body Problem takes place in the People’s Republic of China, mainly in the present day. However, the story is rooted in events that took place during the Cultural Revolution.Â In that troubled time,Â aÂ young physics student named Ye sees her father, a professor of physics, killed by revolutionaries as a result of a struggle session. She is then sent to the country to work as a logger, before eventually ending up at a mysterious radio facility known as “Red Coast”.
In the present, a Nanotechnology expert called Wang is drawn into a web of intrigue surrounding a mysterious group called Frontiers of Science, made up of scientists with an initially unclear goal. He also starts playing a virtual reality game called “Three-Body Problem”, which deals with a planet where the sun has an irregular and unpredictable cycle, leading to great difficulties for the civilizations that rise and fall on it, as they have to deal with eras of extreme heat and extreme cold with no forewarning.
The story is somewhat interesting as long as the mystery is unveiling, but once things are laid out it is rather predictable. Having the protagonist, Wang, fumbling in the dark makes for a decent mystery, but once the much higher real stakes are revealed, his methodical discovery feels tedious.
The prose is filled with long infodumps. Every now and then some backstory must perforce be presented, but even the more interesting infodumps are intrusive on the pacing, and slow things down overmuch.
There is aÂ tendency for Mr. Liu to take a somewhat condescending tone, presenting fictional constructs as facts with explanatory statements including words like “obviously”. If such “facts” came from a character, things would feel different, but this way it makes for a heavy-handed omniscient narration, which doesn’t fit well with Wang’s cluelessness. Eventually finding out that Ye has been “in the know” from the beginning does not make things better. (Granted, some of this feeling may be due to the clearly different literary style found in Chinese tradition.)
Rather disappointingly, I felt as if the novel took an inventive and very clever premise and then squandered it on a rather boring plot with an unspectacular outcome.
Note: I read the excellent English translation from Mandarin Chinese.
The titular “Murderbot” is a robot charged with the defence of a survey expedition on an alien planet. The murderbot has hacked her (his?) governor module and is secretly no longer constrained by her programming. Nevertheless, in a crisis situation, she helps her survey expedition and wins their trust.
This novella is an interesting take on sentient created life. The murderbot, telling the story in the first person, has a humorous narration style, with dry wit used to lay bare questions of purpose in life, and the need for companionship, or not. Unfortunately, the story itself sometimes stumbles into tediousness dueÂ to a clumsy use of contrivedÂ technological constraints used to anchor plot points.
Victims of the same accident that stranded the Kimei family in Castaway Planet, Sergeant Campbell and four boys ranging from almost adult to eight years old find themselves adrift in a damaged shuttle.
This instalment is an improvement over the previous one. It is still overly corny at times, but the lack of a family as protagonists makes the interpersonal dynamics more interesting.Â The dialogue is so littered with overly rational behaviour and humble apologies it is hard to suspend disbelief.
A modern cruise liner is transported back to the beginning of the “Time of the Diadochi“, after the death of Alexander the Great, when his successors fought over his splintering empire.
The premise is a fine idea, but unfortunately the story suffers from being set in a very messy historical time. Dozens of players are rapidly introduced, leading to just as rapid confusion. While the story does gel somewhat around the characters of Roxane and Euridyce, it is hard for the reader to get to grips with the wider political situation. Where the book shines is when dealing with the culture shock of people from ancient civilisations being suddenly introduced to things like steam engines, refrigeration and modern views on gender equality. There is a wide ranging discussion of slavery which manages to be quite interesting.
On her graduation day at the merchant marine academy in Port Newmar, Natalya Regyri is framed for murder. Along with her friend Zoya, she escapes to “Toehold Space”,Â a clandestine network of stations not regulated by the central authorities.
This book starts a new series in the Golden Age of the Solar Clipper universe. As in the other books, there is no dramatic action. In his afterword, Mr. Lowell takes almost condescending pride in pointing out that he tells stories of ordinary working men and women. This installment starts off well, but the second half is bogged down in overlong, tedious discussions on inventory management. On the bright side, the dialogue is snappily written, and keeps things going even when during the umpteenth crew meeting to dissect the fine points of shipboard logistics software.
Chris Hadfield is a man’s man. Test pilot, astronaut, commander of the International Space Station, guitarist, and most importantly endowed with the perfect Canadian Pilot mustache. This book is part memoir, part advice text, part space exploration tome.
I have long admired Colonel Hadfield. His videos from the International Space Station were inspirational and he is the perfect ambassador for the astronaut profession. Despite his many and often spectacular achievement, he embodies a quiet competence and work ethic without braggadocio. Everything I have seen and read with and about him gives the impression of a pleasant, hardworking and cheerful man who stays cool in a crisis.
Hadfield’s “nice guy” character may indeed be the reason for the weakness of his book. The tone is so earnest as to almost be off-putting. He couldn’t be more politely Canadian if he tried. (He even self-deprecatingly touches on the Canadian national character in the book.) Unlike Mike Mullane’s snarky and often hilarious Riding Rockets, this astronaut memoir feels rather plain vanilla.
Having said that, Hadfield’s story is well worth telling, and the message of hard work and striving for excellence without letting (possible) failure define you is inspirational. The theme of the book is not so much about space as about what we can do to define our lives and careers in a meaningful way.
Despite its shortcomings, for fans of astronautics this is an interesting read. I found the the insights into the charming traditions of the Russian Space Program particularly interesting.
The year is 2035, and the first manned mission to Mars is getting underway.
During the long transit, disaster strikes and our heroes must find a way to survive.
While the story itself is engaging in an adventure novel kind of way, the prose is not. Much of the dialogue feels written to explain things to the reader. It makes the characters look clueless about the systems and concepts they should be experts on. It is also rather corny most of the time.
The social sensibilities are veryÂ old fashioned. Males taking the lead and feeling protective about women even if those women are highly trained astronauts. The technology doesn’t feel very futuristic either. In a nutshell, the book is set in 2035, but feels like 2015, or maybe 1965.
A research team based based in Switzerland has discoveredÂ a way to disconnectÂ the mind from the body and project it to other places and times, even into the future. They call it an “ascent”, and it allowsÂ access to secret information hidden away in vaults, as well as knowledge of future events. Clandestine elements of the US government have gotten their hands on this research, and are working to subvert it for their own purposes. Meanwhile, a graduate student named Trent Major is seemingly visited by his future self in vivid dreams. The future self gives him information allowing him to perform research breakthroughs.
Mr. Locke has written a tightly plotted thriller, in style reminding me more than a little of Michael Crichton. It does unfortunately leaveÂ the reader in the dark about the nature of the ascent for what seems a frustratingly long time. Once revealed, the ascent process, which is central to the plot, is always frustratingly close to pseudoscientific mumbo-jumbo. The parameters of the process are never clearly defined and it is difficult to establish what is or is not possible in terms of plot.
Many characters are introduced at the start, but I found it difficultÂ to keep track of them until about halfway through the book. Certainly there is some confusion as to which characters are actually the protagonists. Some of these characters are secretiveÂ in their profession and this trait seems to spill over into their descriptions. Others are cookie-cutter caricatures of their professional personas. I had a hard time feeling empathyÂ for any of the characters, with the possible exception of Shane and Trent. Character development and description is ratherÂ forced. And how many times do we need to be reminded that Charlie Hazard is a combat veteran and security specialist?
A final nitpick is that objects are frequently prefixed with “the” on the first description. For example, “the trio of electric carts” suddenly appears but it has never been discussed before.
While it has imperfections, and was somewhat confusing at the start, the storyÂ certainly sped up in the second half, even into page-turner territory.
I received a complimentary copy of this book from Revell in exchange for my honest review.
The fourth and last book in Black Tide RisingÂ sees the beginning of major zombie clearance on the US mainland, with the retaking of some large coastal bases, and planning for the re-establishment of proper civilization beyond survival. Given the clearance of the bases, more and more surviving higher officers start to appear, some of whomÂ are unable to adapt to the “new military”.
Throughout the series, Ringo has approached theÂ zombie problem from aÂ logicalÂ perspective. OnceÂ the survivors have gotten through the initial collapse of society and achieved a modicum of organization, ridding the world of all those zombies becomes a logistical issue. While the discussions on said logistics are interesting per se, they do not an action novel make. Furthermore, given that what action is now relatively safe for our heroes, there is not a huge amount of tension. Mr. Ringo is as always a very funny author so the novel is still a page turner, but sadlyÂ the subject matter and the way it is treated makes this oneÂ less engaging than most of his works. The novel also verges further into “preachy” about the military and the right wing than even the author’s usual, and that part got old fast.
Alex Lomax is a private investigator in New Klondike, a frontier town on Mars. The place is a bit of a dump, existing only due to the rush on ancient Martian fossils, and Lomax is its stereotypical gumshoe.Â One day, a beautiful woman walks into his office. She is a “transfer”, a human who has transferred her consciousness into a cyborg body.
The story and setting are a deliberate homage to classic noir detective films and novels. The world-building is solid, and it is a enjoyable and almost wistful readingÂ about New Klondike’s dome and the business of “transfers”. Mr. Sawyer takes the idea of the noir detective to the limits of its stereotype, skirtingÂ deadpan satire. Naturally the protagonist is broke and has an overdueÂ tab at a seedy bar that he frequents. Naturally the local police department is corrupt and lazy. The first half of the book is good fun. Unfortunately the second half degenerates into a confusing mess of myriad double-crosses and plot twists, taking the novel from a pleasant pastime to an often irritating morass.
I enjoyed the longer piece about learning to love his past in Star Trek because of, and despite, the fans. However the rest, while endearing glimpses into a lovely family life, were sweet but unfortunately unexceptional.
A college professor and Hemingway enthusiast becomes embroiled in a scheme to forge Hemingway’s lost early manuscripts. So far, a fairly ordinary story. But then things turn unexpectedly into a journey across parallel universes.
Solid work from Mr. Haldeman, but nothing of particular note. The first two thirds are rather enjoyable, but the ending left me somewhat disappointed.
Elderly Robert Gu wakes as if from a long, dreamy haze, cured of his Alzheimers. He was a renowned poet and academic, but now must learn to explore a new world. It is the current connected world run wild. Almost everyone “wears”, meaning wears smart clothes and contact lenses. Through these means and ever present connectivity, overlays and information hemmed in only by imagination allow people to connect and interact in ways that were impossible previously. Robert Gu is initially confused, but soon haltingly learns to embrace things. Soon, though, he is unwittingly caught up in a world-spanning conspiracy.
The world-building in this novel is fabulous. Mr. Vinge has cleverly extrapolated on current trends to bring us the nightmare of any Internet luddite, and the wet dream of those who live online. The consequences portrayed are a mixed bag, some expected and some not. They are all interesting, however. The device of having an elderly person “travel forward in time”, as it were, allows us to experience the new world through fresh eyes.
While I loved the bits where Robert Gu must come to terms with the new reality, the overall story itself felt messy and weak. There were some interesting ramifications but I kept thinking that this novel would have been better as a novella with the technothriller bits weeded out.
This novella is set several decades before Ishmael’s adventures in Traderâ€™s Tales from the Golden Age of the Solar Clipper. Captain Gunderson and his crew run into a small rock way out in the Deep Dark, leaving the jump engine disabled. They are off the shipping lanes and slowly running out of consumables.
This was enjoyable for the character interactions but nothing groundbreaking. A pleasant diversion.
After a decade on the William Tinker,Â where he has progressed from third mate to first mate, Ishmael finally sits for Captain and shortly thereafter receives command of the Agamemnon, a small cargo ship with only eight crew. TheÂ AganemnonÂ has a bad reputation. It is crewed by troublemakers and misfits, and profits have been abysmal.
Unlike Double Share, this book goes back to the adventures in normality model. The problems with the crew are swiftly and painlessly resolved through the application of some good old fashioned leadership. It is still an enjoyable read because the characters are richly realized, and the pithy dialogue is excellent.
On a side note, it seems rather unrealistic to be shipping things like gases and clay from planetary system to planetary system, unless shipping is ridiculously cheap of course. Having said that, the books aren’t really about the items that are being traded, but rather about shipboard life, so I’m willing to forgive Lowell on this point.