Inhibitor Phase (Revelation Space IV)

Along with a few thousand other refugees from the Wolves, or Inhibitors, Miguel de Ruyter has quite literally carved out a life on the airless world of Sun Hollow. Humanity’s starfaring civilisation is lost, and the remains hide in the shadows, hoping not to be noticed. Sun Hollow’s inhabitants do not really have a plan beyond surviving the morrow; this is a bleak and rough existence. A ship has entered the system, and Miguel must intercept and destroy it at great risk to himself, for even potentially friendly humans may be Wolves in disguise. Out of this encounter emerges Glass, a mysterious woman who steals Miguel away to a reckoning with a past he has purposefully forgotten, and with humanity’s only hope of escaping extinction.

Published almost two decades after the Revelation Space trilogy, this serves as something of an epilogue. Human civilisation has waned into blackness, and there is an accepting despair about things. Not even the Ultras travel between stars anymore, because even small emissions could lead the Wolves to the door, and there is no weapon that can combat them.

The concepts of Miguel and his past self reintegrating, and of Glass herself and her connection, are superbly intriguing. Unfortunately though, the novel is far too long. Many pages are spent on meandering explorations of the sense of self, or the sense of other-self. While the quest for a weapon to fight back against the Wolves is interesting in itself, this excessive length detracted very much from my interest, and I struggled to finish the book.

Project Hail Mary – Andy Weir

A man wakes up alone, in a room, groggy and without memories of who he is or why he is there. A medical robot is tending him. It eventually comes to light that he is Dr. Ryland Grace, a high school science who was previously a leading researcher in the field of alien life. Such life was purely speculative until the sun started slowly fading, something that will in time lead to the death of all or most life on Earth.

Grace finds himself deeply involved in Project Hail Mary, a no expense spared global effort to find a solution. Years later, in orbit around a distant star, Grace, finds an ally in his quest. But this ally is not human.

In some ways, it is easy to draw parallels to The Martian. An impossible mission. A snarky and clever protagonist who overcomes difficult challenges. Interesting science problems. But the scope of the story, and the stakes, are both much greater. Project Hail Mary certainly has the same page-turner quality and charming snark as The Martian, making me laugh out loud on multiple occasions. The ending added unexpected gravitas to the story and was a beautiful coda.

The alien is cleverly imagined and imbued with a charming personality despite being so very alien. The fact that the alien’s environment adds to Grace’s challenges doesn’t hurt. How relatively easily communications is established stretches plausibility, but on the other hand, the process is both clever and charming.

The Engines of God – Jack McDevitt

Humanity has achieved starflight. Expeditions have found mysterious monuments from several civilizations. Most intriguing is the evidence of extinction events which have occured repeatedly and independently on various worlds. We follow pilot Priscilla “Hutch” Hutchins and various archeologists and linguists as they try to solve the puzzle.

The plot is certainly engaging, and well laid out. The characters are well described, although some felt two dimensional. McDevitt takes a good stab at sense of wonder, but falls a bit short. I enjoyed Engines of God, and wanted to find out what happened, but I kept feeling as if it was lacking a certain something. The pivotal events were toned down to the level of the individual protagonists. This seemed to be intentional, but it detracted from the sense of awe that should have been engendered. The ambiance is also flawed. The book is set in a 2202 that seems awfully similar to 2002. Starships are flying, but everything else is either pretty much unchanged, science fiction boilerplate, or just plain undescribed. And could someone please explain why there just happen to be a couple of bottles of Chablis on board the shuttle at the end? Deux ex Pantry…

As a whole, this book disappoints because it is so frustratingly close to greatness. I shall perhaps look for McDevitt again, but not with any frantic sense of urgency.