This is a companion volume to A Song of Ice & Fire, basis for the Game of Thrones TV series. It serves as a history and geography text for the world and is written from the viewpoint of a maester in the Citadel. Interestingly, it leaves a lot of ambiguity, which feels realistic because most historical “facts”, especially remote ones, are distorted by the passing of time, just as many geographical “facts” are distorted by distance. The “author” refers to this many times.
For any fan of the books or the TV series, this is an interesting read and an excellent reference. The maps and illustrations are gorgeous and greatly help set the scene not only for this book but for the other works in the Song of Ice & Fire universe. Reading on a Kindle doesn’t give the reader the full effect, but Amazon Cloud Reader can be referenced as needed.
This short story collection is set in Westeros one hundred years prior to the events of Game of Thrones. The protagonists of the three stories are a hedge knight called Duncan the Tall, or more commonly just Dunk, and his squire, a boy named Egg. Egg is actually Aegon Targaryen, a royal prince who later (and beyond the scope of these stories) reigns as Aegon V. Dunk started life as an orphan in Flea Bottom, the notorious slum of King’s Landing, and makes his living as a hedge knight, taking service with various masters. The stories are set against the backdrop of a Westeros still reeling from the aftermath of the Blackfyre Rebellion sixteen years previously.
The stories and the protagonist are charming and enjoyable. Unlike the monumental A Song of Ice and Fire, there are no myriad storylines or complex rivalries. Simply the adventures of two people in a vast world. The macropolitics of the era do encroach on the stories, and this is both a strength and a weakness. They give the impression that the world goes on around our two heroes, but on the other hand the historical infodumps sometimes become overcomplex for such short tales.
The narrative in A Dance with Dragons runs in parallel with the one in A Feast for Crows, this time mainly following Daenerys, Jon, Tyrion and Ser Barristan Selmy. Several other semi-major characters also feature as viewpoints, including Quentyn Martell and Theon/Reek. Daenerys must deal both with her dragons, and with the untenable situation in Mereen. Tyrion continues his travels eastward. Jon makes tough decisions regarding the defense of The Wall. Ser Barristan broods over his duty.
Unlike A Feast for Crows, this fifth book contains the juicier protagonists, and indeed the juicier bits of story. While the byzantine plots of King’s Landing are reasonably interesting, the real action is around Slaver’s Bay and The Wall. While the prose and characterizations is as good as in the previous book, the narrative events of A Dance with Dragon make it a treat. Things are rapidly going downhill in many ways, and a possible conclusion to the saga can be glimpsed. If you squint…
The War of the Five Kings is over. The Lannisters appear to have won, with only the mop-up remaining. However, the Seven Kingdoms are far from stable, with enemies both near and far conspiring to grab what power they can. If nothing else, winter is coming, and the war has meant little food has been harvested and stored for the expected coming cold. Brienne continues her quest. Arya seeks an identity. Samwell travels towards Oldtown. Jaime solves problems and Cersei acts as regent to young King Thommen.
Following hard along the heels of A Storm of Swords, book four in A Song of Ice and Fire takes things in a somewhat unexpected direction structurally. Instead of, as before, following the entirety of the storylines and characters, A Feast for Crows only has “main” viewpoint chapters for Sansa, Samwell, Cersei, Jaime and Brienne, as well as smattering of chapters for Arya, the doings of the Iron Men and events in Dorne. Tyrion, Dany, Bran and Jon are conspicuously absent, to be dealt with in book five. This decision probably made the narrative more focused, but unfortunately means that some of the more flamboyant characters are missing. While by no means a boring read, it is a bit of a mise en place, with characters somewhat too obviously moved forward in their arc to where they will need to be for the next stage in the story. Reinforcing this impression is the lack of grand defining battles and events like in the previous three books, making this installment somewhat anticlimactic. Mr. Martin can certainly write, and even when the story is a tad bland his prose is a pleasure, but I would have wished for a bit more action amongst the introspective internal dialogues. Even Cersei’s incessant scheming, no matter how wicked, gets old after a while.
The third book in A Song of Ice and Fire flows seamlessly from A Clash of Kings. The Seven Kingdoms of Westeros are in chaos due to the “War of Five Kings”. While a lot of the “issues” are resolved, new and bigger issues crop up. And an even greater threat is looming. This has been foreshadowed since the very start of the series, but is very concrete now.
While still a great read, this one was a bit more of a slog in the first half. The seconds half is where everything really goes to hell in a handcart, and is much faster paced.
The characters are more and more scattered, and the stories often do not intertwine. For example, where the heck are Arya and Bran going to end up? They certainly have no interaction with any of the other point of view characters. Even though things are quieter than after book two, many questions remain unanswered.
The sequel to A Game of Thrones picks up right where the previous book left off. Westeros has been plunged into civil war, with five kings clashing for the Iron Throne and for the North. Meanwhile, Daenerys Targaryen continues her quest to find supporters in her bid to return her dynasty to the Iron Throne.
While A Game of Thrones perforce had to spend quite some time detailing background, A Clash of Kings dives straight into the action. Without giving away the story, suffice it to say there are many clever and unexpected twists and turns.
Martin is certainly not afraid of taking characters in a bad situation and making their fate even worse. This is in fact an integral part of what makes the series so good. No one is safe and nothing is holy.
Another interesting aspect is how some characters that seem like “bad guys” in the first installment, most notably Tyrion, now seem quite reasonable. Certainly the reader can root for them. Conversely, “good guys” have very dark sides. Martin, through his clever use of point of view characters in the narrative, allows the reader to “back” opposing sides in the conflict.
Certainly nothing much is resolved in this volume, and so it is on to book three.
This fantasy novel is the first book of a projected seven in the “A Song of Ice and Fire” series, and a long one in its own right. It follows the byzantine machinations of the lords of the “Seven Kingdoms” and related realms. The main action is in three parts. At The Wall (capital T, capital W), the largest structure ever built and the line of defense manned by the Nights’s Watch against the wild lands to the far north. In the capital of King’s Landing and in threads branching out from that location. Finally, on the plains of the lands beyond the Narrow Sea, where the scion of an overthrown king finds her path among the Dothraki horselords.
The setting is fantasy with swords, castles and fair maidens. But this is not fantasy with elves and dwarves and halflings and all those other tropes. The world is firmly human. While supernatural events do occur, they are not the main thrust of the story. The world is gritty and uncaring, without the majesty often found in this genre. There is incest, murder, torture, sex, prostitution and adultery, even more so than in the real world. Noble lords are not so noble and double standards are the norm. Personally I found the whole thing very refreshing as I’m not a huge fan of typical fantasy fare. An interesting and important wrinkle is the fact that seasons are not regular. Summers and winters can last for years. The novel is set late in a long summer as “winter is coming”. This adds a sense of impending doom to the proceedings.
The plot is very complex, especially if you include the rich history that serves as a backdrop. Many of the main characters participated in the rebellion that overthrew the old king, with effects of those events still lingering.
To clarify things, Martin very cleverly uses multiple point of view characters to tell the story, with each chapter taking up the thread seen from that character’s eyes. All the chapters are in the third person but the only what the viewpoint character experiences is related. While a great lord like Eddard Stark sees the world through an honorable warrior’s eyes, his daughter Sansa sees it as an ingenue. Aided by this device and the excellent characterizations, I was never confused about the main characters or what their relationships were.
Needless to say, while there is some conclusion at the end of the novel, the story is left very much unfinished.
Note: A Song of Ice and Fire has been made into a TV series entitled “Game of Thrones“.