Elderly astronomer “Augie” Augustine is stranded at an observatory in the Arctic after refusing to evacuate. The rest of the staff returned to civilisation amidst rumours of an unspecified global catastrophe. He finds a young, taciturn girl in one of the dormitories, and together they hunker down for the months-long arctic night.
The spaceship Aether has just left the Jovian system, on its way back to Earth. Mission control has mysteriously stopped transmitting, and communications specialist “Sully” Sullivan cannot reach anyone else. Tempers fray amongst the crew as the long transit continues, and it seems more and more likely that they may have nowhere to return to.
The novel is rather contemplative, lingering for long stretches on the mental states and tribulations of the two protagonists. Long flashbacks frame the narrative, as Augie and Sully delve into their pasts, subconsciously seeking to understand what brought them to where they are now. Strong themes of connection, relationships and human nature stand out as the situation grinds the characters down to the core of their personalities. Ms. Brooks-Dalton makes some bold narrative choices when it comes to the resolution, and this powerful novel comes out stronger for it.
The unexpected firing of Russian missile defence systems at what turns out to be a spacecraft returning from the outer solar system sets off alarms at NASA. Two years later, the Magellan II mission to Pluto sets off to unravel the mystery.
The story is ambitious, casting threads back in history to the end of the Cold War, with a top secret Soviet space project as bonkers as it seems weirdly plausible, making it a fantastic hook for the story. The protagonists are the four crewmembers on the spacecraft Magellan, finely crafted and believable, down to their intelligent and meandering debates on (and with) AI, and regarding the meaning of life. The technical aspects are nicely lacking in logic holes, a must for a novel of this kind.
I very much enjoyed this near-future space adventure. Like any good technothriller, it was hard to put down. Unfortunately, some plot points, such as the expanded use of the hydroponic garden, went from seemingly very important to unresolved later in the book. This left the reader with some disjointedness, though to clear the overall story was paced very well, with an unexpected but logical ending.
Plus I’ve never heard a pilot call the control column a “joystick”, but now I am nitpicking.
In this authorized sequel to Arthur C. Clarke’s novella A Meeting with Medusa, Mr. Baxter and Mr. Reynolds explore what happens to Howard Falcon after his fateful adventure in the upper atmosphere of Jupiter.
Back in the 1960s, at the height of the Space Race, an asteroid on a collision course with Earth is discovered. This dramatically changes the course of history, as international cooperation is required to deflect it. In turn, this leads to a golden age of space exploration. Machine intelligence is explored, but the machines eventually rebel against their masters, leading to centuries of conflict.
This is indeed a chronicle, as Falcon finds himself the often unwilling puppet of great powers during pivotal historic events. The authors pay homage to Mr. Clarke’s “sense of wonder” style, but adapt it to more modern readers. The naked technological optimism displayed in Clarke’s works, more typical of the mid 20th Century, is still there, but not without dark sides. The ending also has clear thematic and tonal similarities to 2001 and 2010.
After a serious accident early in the first Jupiter expedition, Otto Danzig was put into medical hibernation to allow him to heal. Now, months later and at Jupiter, he has been woken up to investigate the possible murder of two crew members while exploring the subsurface ocean of Europa.
The nicest thing I can say about this story is that it is a a short story so at least I didn’t have to put up with it for very long. The concept and plot are fine, but the characters and cultural mores are cringe-worthy. I have accused Mr. Steele of this before, but his characters are all too often solidly middle-class American prudes from the 1950s, even if they are from other countries, eras and cultures. What is worse, characters from other cultures are caricature-like, written like sloppy stereotypes. Case in point, the antagonist in this story is a sexy French woman, and of course she acts like the American stereotype of a sexy French woman. Apart from that, it seems this story was sent to the publisher without some needed polish and revision. The whole thing isn’t nearly as tight as it could be.
Caliban’s War is set one year after the events of Leviathan Wakes. The crew of the Rocinante is on contract from the Outer Planets Alliance to hunt pirates. Meanwhile, on Ganymede, the daughter of research botanist Praxidike Meng is abducted just prior to an unexplained assault by both Mars and Earth fleets. Turns out that the deadly protomolecule is loose again. But who set it loose? The Solar System is on the verge of war. Once again, the Rocinante finds itself in the center of things.
This book was fully as good as the first; perhaps even a touch better. The action is excellent and the prose beautiful. The attention to detail regarding the effects of living in the Asteroid Belt or on a moon of Jupiter are wonderfully thought out. For example, Belters nod with one hand since a head nod is not often visible when wearing a helmet. Both the old characters and the new ones stand out in their characterizations, with well-written arcs propelling them forward in the story.
Although I am getting a bit bored with the titles in Bova’s “Grand Tour of the Solar System“, Jupiter is pretty cool, with the crew having to live in an oxygenated liquid in order to cope with the crushing pressures of Jupiter’s atmosphere. Luckily, the question, of, erhm, human waste in such a system is not examined too closely.