In the sequel to Delta-V, James Tighe and his companions are back on Earth, trying to figure out how to save their two friends still stranded on asteroid Ryugu. A relatively simple problem requiring an increasingly complex plan involving bootstrapping a space economy by building a mass driver on the Moon. The mass driver can launch resources extracted from the Lunar regolith at a fraction of the cost of launching them from Earth, enabling construction of a rescue ship. National and corporate interest on Earth try to get in on the economic and geopolitical frontier, while humanity and Earth suffers increasingly acute social and economic issues due to worsening climate change.
While Delta-V is a more straightforward space thriller, the sequel expands the context, posing important questions such as how to prevent space from becoming just another exploited colonisation boundary for the powerful, while most of humanity remain have-nots. The pace is slower, but the payoff ties it all together. The protagonist as something of a naif in context is a nice detail, illustrating how most people live their lives, even lives doing great things, with little understanding of the bigger picture.
In an alternate history, the Apollo program flies one more mission, the all-military Apollo 18. At the last minute, the mission parameters change as the Soviet Union launches a spy space station equipped with cameras capable of unprecedented resolution. The astronauts are tasked with disabling it before departing Earth orbit for the Moon.
This is a technothriller with a solid grounding in the technology of the time. The technical details are accurate, hardly surprising as the author is a former astronaut. The plot itself is rather far-fetched, but plausible, and exciting in itself, especially for the space exploration buff. Unfortunately, the plot is often bogged down with overly complex sequences of events as one or another character seeks an advantage or makes a complicated plan. The characters themselves, a mixture of historical figures and fictional ones, are not very nuanced, and sometimes relationship events seem to be created purely without much story purpose. For example, the protagonist’s romance with one of the scientists seems tacked on unnecessarily.
The Coast Guard is called in to deal with a dispute turned violent between Chinese and American miners on the Moon. Soon, the Navy shows up, and things escalate.
I lots interest after a few pages, and could not get past the prologue. It all seemed very bland. Also, the constant footnotes with definitions of basic nautical and military terms were disruptive and gave a condescending impression.
An anthology of some of Mr. Torgersen’s short stories and novelettes.
I was especially impressed with the bookend stories, Outbound and Ray of Light. Both are post-apocalyptic tales, but infused with a strong sense of hope. The rest are all fine stories as well.
The author is a self-avowed fan of an earlier, less disillusioned era of science fiction. And it shows, in all the best ways. The stories are clearly inspired by classic Orson Scott Card, Larry Niven and Joe Haldeman. But they are not simple rehashings. The ideas are fresh, the characters feel real, and the themes are well developed.
This novella is set decades before the events in the Luna Series., when the Moon was already on its way to losing its status as a frontier. Cariad Corcorian and her “siblings” are part of an arrangement known as a Chain Marriage. When one parent moves out and another is set to marry their “mother”, the teens and pre-teens decide to give them a wedding gift in the form of a picture next to the first footstep on the Moon. A foolhardy adventure ensues.
The story flirts with Young Adult fiction, but nevertheless displays the hallmarks of Mr. McDonald’s prose. Deep dives into the particularities of character, radical social structures, and a laying bare of the truth behind relationships.
A billionaire industrialist launches an automated mission to an asteroid, aiming to redirect it into a Lunar orbit for future extraction of minerals. The propulsion system malfunctions before completing the redirection maneuver, and now the asteroid is heading for impact with Earth. A desperate repair mission is launched.
The story is excellent. High stakes, interesting technical solutions, lots of hardcore space action, and a high pace. Unfortunately, and just like the previous book, it is let down by atrocious dialogue and cardboard cutout characters. The dialogue is especially cringeworthy. I did enjoy it because despite these negatives, it is a great yarn, but I wouldn’t recommend it unless you’re a real space buff.
The third and final (?) book in the Luna series sees Lucas Corta fight for the future of the Moon as an entity independent from Earth interests. He also seeks revenge for the destruction of the Corta business empire at the hands of the Mackenzies. His son Lucasinho is severely injured, and the object of a three-way custody battle. The now four remaining dragons rapidly make and break alliances in order to come out on top of a new order which looks more and more contentious.
The world building continues to be fabulous. However, the plot is less focused than in the previous two instalments. That being said, the threads are rather neatly wrapped up in a satisfying conclusion, while leaving room for future novels in the series.
A technical overview of the Apollo program, from hardware to missions, set at a level suitable for the interested layman. The author wisely starts discussions from first principles, from a basic explanation of orbits to the intricacies of stellar navigation.
The book is extremely well researched and clearly written. Mr. Wood has sprinkled the text with actual radio chatter and interviews with the protagonists. This elevates the chapters from a dry, textbook style discussion into something far more real.
Chris Bach is a private detective with a sidekick named Sherlock. Sherlock is a genetically enhanced bloodhound with significant intelligence. They live in one of the vast habitats under the Lunar surface. Due to Post Dramatic Stress Disorder, Bach has retreated into a pseudo-fantasy world based on noir films and novels. He wears a fedora, and lives in “Noirtown“, a neighbourhood designed around the aesthetic of the works of Raymond Chandler and Dashiell Hammett. One day, as befitting the stereotype, a mysterious “dame” walks into his office. She needs someone found.
Set in the “Eight Worlds” Universe some time after Steel Beach, the novel sports two very interesting, and very different, protagonists. Bach develops from his past trauma, shown in flashbacks, through his present low, and on to his maturity. More daring by Mr. Varley is to write almost half the narrative in the voice of his canine companion Sherlock. While the concept had the potential to fall flat, it is skillfully delivered, and Sherlock is fully developed as a character, albeit a rather peculiar one. The plot itself is somewhat bare-bones, but with characters like this, it has little impact on the quality of the novel.
John Young was undoubtedly the most experienced astronaut of NASA’s early era, active from the days of Gemini, through Apollo and the Space Shuttle. He walked on the Moon, commanded the first test flight of the Space Shuttle and didn’t retire from NASA until he was seventy-four. He was legendary for his soft-spoken demeanour, coolness under pressure and later in his career, for not being afraid to speak truth to power on issues of mission risk.
His memoir is laid out in a straightforward chronological fashion, starting with early life and following him throughout his career in the Navy and at NASA. While he is most well known for his missions, his time as head of the Astronaut Office and then as a sort of senior and independent safety inspector within NASA, make up large parts of the narrative. There is also ample space dedicated to the Challenger and Columbia accidents, with extensive technical detail.
For any NASA and space buff, the memoir is interesting reading. However, it is a bit of a slog. The style is quite dry and self-effacing, much as the man himself. Descriptions of missions mostly chronicle events without poetic embellishments. This is in stark contrast with, for example, the memoirs of Gene Cernan, Gene Krantz and Mike Mullane, which in their different ways speak much more passionately about the subject matter. The book feels long-winded in many parts, with sections which are just listing various mission achievements, seemingly for completeness’ sake. The most readable bits are where Mr. Young manages to convey his considerable technical expertise to illustrate an issue concisely, such as when he discusses his testimony before the Rogers Commission, investigating Challenger.
I strongly felt that more decisive editing could have made this a more readable book, but then again, I also felt that Mr. Young’s particular voice came through loud and clear.
This expanded edition contains all previously published Near Space short stories and novelettes. The stories range from action to reflection, from joy to melancholy. The stories are presented chronologically, starting from the beginning of the Near Space timeline, in more or less the present era, and ending with the advanced colonised solar system of Mr. Chicago.
As he mentions in the introduction, Mr. Steele has been labelled a “Space Romantic”, and this is rather accurate. His stories are infused with an infectious sense of wonder about space exploration in the near future. His focus on the working stiff rather than the movers and shakers gives rise to interesting reflections and themes. Having read all or some of the Near Space long fiction is not a pre-requisite for reading this collection, though it will fill in some of the background.
In a post-climate disaster future, the superpowers have begun mining the Moon in large scale. Life on the frontier is rough and fraught with danger. However, old rivalries have not disappeared. Disillusioned American mining chief and veteran Dechert is confronted with the mysteriousÂ murder of a miner, while the powers that be seem dead set to go to war with the Chinese.
Dechert’s outlook is bleak. He has seen the elephant and exiled himself to the Moon in order to escape the ghosts of his comrades from his military days. But war is coming to the Moon and Dechert cannot escape it. He is a beautifully written protagonist, wavering between abject fatalism at the inevitability of repeating history and self-aware naive idealism about this new frontier being a new beginning for mankind. He is firm on one thing: doing his utmost to protect his people, something which he was unable to do during in the past despite his best efforts.
The novel plays out like a good thriller, showing a small slice of larger events, but it is the personal aspect that really shines.
Caitlin Taggart is stuck on the Moon, unable to get home to her daughter on Earth, after international tension has led to a travel ban for Moonborn like her. She works as a regolith miner. She is offered an illegal asteroid mining job for a chance to get home. On the job, things go very wrong for Caitlin and her crew, with consequences that threaten Earth itself.
Leaving aside the handwavy physics poorly suited to a hard science fiction story, I found this novel unengaging. Apart from the well developed protagonist, the rest of the characters seem like cardboard cutouts, with actions dictated by “plot reasons”. While the scope of the story is ambitious, and the flashback scenes are well written, the whole thing doesn’t gel.
In the sequel to Perigee, Polaris Spacelines has started to establish tour service around the Moon. On one such flight, an incident occurs, leaving the spacecraft missing. The situation soon escalates dramatically.
Unlike the more neatly contained story of Perigee, Farside takes aÂ more dramatic and ambitious turn. The prose and characterisations also feel more confident and engaging, as the novel escalates from a relatively low key science fiction accident story to a competent geopolitical thriller.
Also compared to Perigee, the technical accuracy has much improved. I will permit myself a tiny nitpick:Â “Taxi into position and hold” is outdated air traffic radio phraseology and no longer used.
Jazz Bashara lives on Artemis, the only city on the Moon. She works odd jobs, but her main source of income is smuggling goods to Artemis.Â It is a small town and Jazz has a deservedly poor reputation. One day, she is offered a chance to make a lot of money. Just one caper…
Following up the massive success of The MartianÂ is a high bar. Mr. Weir seems to have completely ignored any real or implied expectations, and written Artemis much as he did his previous novel. He spent a long time meticulously researching the science behind his Moon city, and constructing a plausible, logical place to set theÂ narrative. The world building is sometimes a bit intrusive, but for a hard science fiction fan, it remains interesting throughout.
Jazz is an interesting protagonist. She is a something of a loser. At the start of the novel, she hasn’t yet managed to lose the eyerollÂ attitude of a teenager who thinks the adults are out to get her. She does not always make the right choices, but her heart is in the right place. Her backstory is perhaps a bit too stereotypical, what with the hard-working, disappointed father, but it works.
Mr. Weir’s trademark dry humour and sarcasm are present throughout the prose, especially in the dialogue, making this a fun book that pulls the reader along easily.
Curt Newton grew up on the Moon, raised in seclusion by artificial life forms. His parents were killed when he was a child, and now he seeks revenge.
The novel is an homage to pulp science fiction era heroÂ Captain Future, whom Mr. Steele had previously featured in The Death of Captain Future. The story is very much pulp. So much so that I rapidly lost interest and gave up about halfway in.
Following after the events of New Moon, the Corta Helio businessÂ empire is shattered, with the remaining family members scattered about the Moon seeking safety, solace, or escape into drug-induced oblivion. The Suns and McKenzies now rule the Moon’s business dealing. But Lucas Corta plans revenge.
Just like the first book, this one is a triumphÂ of storytelling and characterisation. Where the first one was slow to start, this one hits the ground running as there is no need to establish the world. As cataclysmic events continues toÂ unfold, the reader is starkly reminded that business is indeed war. The contrast with Earth also shows in an interesting way how new societies can seem utterly strange to old ones, even after only a few generations.
On 14 December, 1973, Gene Cernan re-entered the Lunar Module Challenger after the third and final moonwalk of Apollo 17, the final Apollo Moon Mission. It was the culmination of a lifetime’s aspirations, first as a US Navy Pilot, then as an Astronaut. This is his story, told in his own words.
Mr. Cernan comes across as a straight talker with a rock-solid work ethic; a conservative in the traditional sense. When he wrote this memoir, he gave the impression of being long past any point where he needed to impress anyone. His account is frank and does not mince words about anyone, including himself. While Cernan will never be remembered like Neil Armstrong, Apollo 17 had much more value from a scientific standpoint. It had the longest stay on the surface, the longest space walks, the longest distance traversed, the heaviest load of samples and the speed record for the lunar rover (unofficial).
A great book for any fan of the space race, or even flying in general.
In a sad coincidence, Mr. Cernan passed away on 16 January of this year, while I was in the middle of reading his book.
In a very near future, the Moon isÂ destroyed, suddenly and without warning. Within a few days, scientists figure out that the seven pieces will impact each other again and again, breaking into ever smaller pieces until after two years the process reaches a sort of critical mass. Then, so many large meteors will impact the Earth’s atmosphere that it will broil, annihilatingÂ all life on Earth in an event named the “Hard Rain”. Desperate measure are implemented to launch as many people as possible into space before the end. It is estimated that it will take 5000 years until the Hard Rain abates and Earth can be made inhabitable again.
Seveneves is a very long novel divided into three parts. Part one details events from the destruction of the Moon to the Hard Rain. Part two chronicles the struggle for survival after the Hard Rain and the nadirÂ of human population, as well as the momentous decisions at this point. Part three jumps five thousand years into the future, with Earth being repopulated and the human race split into seven races. It is an epic story focusing on themes of resilience, survival and most of all what it is that makes us human. What are the traits that make us who we are? What drives us to conflict, cooperation, competition and rationality? Seveneves asks the question: Can suchÂ traits be altered in the human race through genetic tinkering, and what would happen if they were?
In the beginning of part three, there is a feeling of disjointedness with the rest of the story, but after a while this somewhatÂ separate storyÂ with entirely new characters starts feeling like an appropriate bookend to parts one and two, with a perspective onÂ ancient events down the long lens of history, and with the results of the experiment at hand.
The text is litteredÂ with info-dumps, mostly about space technology. Detailed explanations about orbital mechanics and the physics of free-falling chains abound. I personally found thisÂ content veryÂ interesting, but I can understand that not all would. The prose flows easily from page to page, filling the reader withÂ a real desire to find out what willÂ happen on this great odyssey. For it is truly an odyssey, an epic of monumental proportions drawing the entireÂ human race, with all its history and heritage, down to a single point, literallyÂ a single room, and then chronicling its resurgence.
Over several decades, the Moon has developed from harsh frontier to thriving colony.Â The “Five Dragons”, five industrial dynasties, control the Moon under the aegis of the Lunar Development Corporation. There is no criminal law or civil law, only contract law, and everythingÂ is negotiable, including air, water, life and death. It is techno-anarchy or the furthest extreme of capitalism.
New Moon is an intricate tale set on a world that feels vibrant, alive and full of stories. Mr. McDonald’s world-building is spectacular in its detail and vividness. From the technical guts of Lunar cities to the socioeconomic and cultural consequences of the ultra-capitalist negotiation economy; from the cultural backgrounds of the Lunar immigrants and how they have interacted to create a new, uniquely Lunar culture, this storyÂ draws the reader into an immersive environment. The characters behave not simply as peopleÂ from the Earth today who have been dumped into a science fictional setting, but as peopleÂ “of the future”. There are many characters and many, many intrigues, but every scene feels immediate and alive. The tale deftly moves from the intimate to the epic and back again, tying the two scales together withÂ the attitudes and experiences of the characters.
The story is set in the second half of the 23rd Century. Mankind has colonized Mars and the Moon, and has expanded industrial concerns into Trans-Neptunian space. Earth, long ravaged by climate change and pollution, is slowly recovering. In most of human society, the “Mechanism”, a sort Â of benevolent big brother, and compulsory neural implants have practically eradicated violence and crime. Robots and proxies (advanced telepresence), are everywhere.Â The Akinya family from Tanzania has been instrumental in the expansion into space, or more accurately the family matriarch, Eunice Akinya, a legendary deep space explorer and pioneer industrialist. As the book starts, Eunice has just died. For the last sixty of her one hundred and sixty years, she has been living in enigmatic isolation in theÂ Winter Palace, a habitat orbiting the Moon. As the family gathers to scatter her ashes, a loose end appears. A previously unknown safe deposit rental on the Moon. Geoffrey Akinya, one of Eunice’s grandchildren, is reluctantly roped into retrieving the contents. What he finds will start him and his sister Sunday off on a treasure hunt to the remote wilderness of the Moon, then to Mars, and beyond.
The concept of making the African continent prominent is an interesting one. Today, the common western view of Africa is that of a lost continent continually ravaged by poverty, war and disease. In this book, Africa has become a center of high civilization, and Swahili is one of the lingua francas of humanity. The setting is intricately designed, with robots, proxies and neural interfaces prevalent. This brings about some interesting aspects of the “what is consciousness” discussion, as advanced autonomous machine intelligences are one of the potential futures envisaged. On the other hand, the group known as the “Pans” sees evolution of humans themselves as the way forward, in order to avoid humans becoming sessile with proxies doing the exploration and the discovery.
The story itself is not the strongest part of this book. It is adequate enough though, and the characters follow its meanderings more as a way to explore the nature of humanity and consciousness than to actually get to the payoff at the end.
This is a long book, and while I don’t mind per se, it is rather ponderous. Mr. Reynolds writes with a smooth and easily read style but I still think the book could have been shorter. The protagonist Geoffrey is rather interesting; initially an unwilling actor in events who is slowly drawn in until he drives them.
This non-fiction account of the NASA manned space programs from the early days of Mercury through the triumphs of Apollo was written by Gene Krantz, one of the original flight controllers in Mission Control, and probably the best known. While most accounts of the events focus on the astronauts and the spacecraft, Krantz naturally takes us into the world of Mission Control. It is a fascinating “behind the scenes” look at the people and equipment that led and supported the missions. While the astronauts got most of the glory, the truth is that Mission Control saved the day on many occasions.
This is by all accounts a geeky book. The material is often rather technical and having a prior understanding of some of the mechanics involved definitely helps. Just like the author and his former job, it is written with the precision and honesty that Krantz values.
Setting aside for a moment the spectacular achievements of the American space programs in the sixties, I was struck by Krant’s unabashed patriotism. He is a big fan of John Philip Sousa marches and feels great pride when listening to the national anthem. This is not the showy, hollow national love so prominent nowadays, but a true, deep connection. Krantz worked very hard to achieve great things, and he did it predominantly for his country. He gave to his country through blood, sweat and tears. His feelings are those characteristic of a generation past, one that did not show love of country by clicking “Like”, but actually by sacrificing. It smacks of an innocence lost in the late nineteen-sixties, when Americans stopped looking up to their politicians and when they stopped believing they could achieve great things. Krantz does indeed mention this himself in the epilogue. While reading, I found myself growing very fond of Krantz. He could by all accounts be tough as nails, but he feels an affection towards his colleagues that is very different from the empty corporate speak of many of today’s leaders. The world needs more people like Gene Krantz. People who dare to step up and doing the hard things because they feel that they need to be done.
On a side note, it was nice to see the footnotes in line with the text instead of at the end. On a Kindle, following a link to the footnotes is an annoyance.
Jamey Barlowe is a teenager with such weak bone structure that he cannot walk unsupported. This is because he was born on the Moon. He is roused from sleep and hurriedly taken to a space launch facility along with his sisters. The Vice President of the United States has come to power due to the mysterious death of the President. As becomes apparent, she is a bit of a nut and, among other things, wants to imprison Jamey’s space scientist father due to his signing a petition regarding the space program. Jamey and one of his sisters are sent to safety on the massive Moon base Apollo, established to mine Helium-3Â for power generation. And so begins Jamey’s adventure, with a looming confrontation with the United States on the horizon.
It dawned on me after a few pages that this was Young Adult fiction. After a few more pages I noticed that it was clearly inspired by Heinlein’s “juveniles”. Not a bad place to start. Â The story is a not too complex bildungsroman. Jamey meets girl. Jamey’s best friend meets girl. They have to acclimatize to life on the Moon. They have military training on the Moon. The base is attacked.
It is a lightweight read even for a Young Adult novel, and despite the elaborate Moonbase setting some things kept nagging at me. Despite Steele’s effort to introduce at least some modern trappings, it seemed as if these kids were stuck with current technology and the social mores of the 1980s. Given that the novel takes place in 2097, I think it is safe to assume that there would be more advances than a Moonbase and some cell phone technology that could come on the market in 2014. I also wondered why people still listen to the radio in cars (which at least drive themselves) the way they do today, or why they have landlines. Another point was that Steele confused weight and mass in zero gravity. He might just have been trying to simplify but even Young Adult science fiction should get it right.
A human pilot finds out that the moon is in fact a giant warship left there by the mutinous crew that turns out to have originall colonized the Earth. Our hero inherits an age old conflict. The premise is way out there, but these three books are good military science fiction, and a great deal of fun. The series consists of:
The Armageddon Inheritance
Heirs of Empire
The three books have now been republished in the Empire from the Ashes omnibus.
Subtitled ‘Misconceptions and Misuses Revealed, from Astrology to the Moon Landing “Hoax”‘, this book discusses misconceptions related to astronomy. For example, various false explanations to why the sky is blue are talked about. The first part is about things like tides, eclipses. Then the book moves on to things like astrology and the purported Moon landing hoax. There is also a section on bad astronomy in films.
Philip Plait is an astronomer who also runs the excellent Bad Astronomy website. He has made a name for himself as a rationalist and debunker. His casual and easy style defuses any potential animosity in the text. He dislikes fraudsters and but he does not speak condescendingly about those who merely misunderstand. He also goes out of the way to explain complex physical phenomena in ways that laymen can understand.
It’s a fun book even if you don’t have much interest in astronomy, and I learned quite a bit reading it.