Stirling concludes the Emberverse trilogy in grand style, but doesn’t really tie up all the loose threads. As with the earlier two books, Stirling loses himself in long descriptions of nature, down to the names of flowers and whatnot. With most authors, such long winded prattling would have led to me discarding the book well before the first hundred pages. But Stirling makes it work. His memorable characters play out their destinies against a rich backdrop of modernity turned medieval after the Change.
The trilogy is a pleasure to read and Stirling’s prose is so delightful I would gladly have read another few hundred pages. If nothing else, several characters are worth longer backstories than they get.
The Protector’s war continues the Emberverse series begun with Dies the Fire. Eight years on from the events of the previous book, the world has somewhat settled after the change. The Protector, the Bearkillers and Clan Mackenzie have all consolidated their positions, and past adventures are turning into legend and myth. A showdown with the Protector must come, but not in this book. That is reserved for the final novel, A Meeting at Corvallis.
I enjoyed this installment very much, but it does suffer from middle of the trilogy syndrome. Just like The Empire Strikes Back, it introduces concepts and characters, setting the stage for the final showdown. If Stirling weren’t so engaging regardless of what he is writing about, the story itself would be a bit boring. But even the sometimes very long descriptions of locales and nature paint rich and gorgeous pictures that are a sheer pleasure to read.
S.M. Stirling stole the island of Nantucket from the present time in the Nantucket series. In Dies the Fire, he postulates that when that event happened, all modern appliances (electronics, engines, etc) stopped working in “our” world. Also, all explosives (yes including gunpowder) burn much more slowly. To top it off, steam engines are vastly less efficient. This leads the characters involved to feel it must have been an outside influence (such as “Alien Space Bats) that created what comes to be called “The Change”. The story does not go into The Change itself more than that however, rather focusing on a group of people having to live in the world post-Change.
As so often with Stirling, I found myself unable to put the book down. He does have a way to make characters pop. The two protagonists, Juniper Mackenzie and Mike Havel, are uncommonly well equipped to handle the change, and draw to them people who also have survivor traits. They seem to have more than their fair share of luck, a theme which crops up here and there. This has led to criticism from some readers, who have said it simply isn’t possible for the protagonists to make out quite so well. I would say that if they hadn’t been so lucky and skillful, they would have died along with 90% of humanity in the year after the Change.
As usual, Stirling has done meticulous research into everything from archery to Wicca. It is a pleasure to watch his characters develop through the story.