A classic, hilarious romp in which invading aliens are defeated by Middle Age knights. The knights take over their ship and don’t stop until they rule the whole alien empire. Completely unserious, and therein lies the charm.
This novel is set in the same universe and time period as “Freehold“. It is the story of Kenneth Chinran, the man who led the attacks on Earth during the Freehold War. It is a long novel divided into three parts. In the first, Ken enlists and is trained as an “Operative”, meaning an elite black ops soldier. The second part deals with a deployment to Mtali, a planet locked in faction warfare. It is here that first learns of the atrocity or war. The third part deals with the training for, and actual covert attack on Earth, in which billions of civilians die as a result of his team’s action.
The story is told in the first person. We see the world through Ken’s eyes. The transformation that he undergoes makes for an unusual bildungsroman. From innocent youth to trained killer, to disillusioned soldier, and finally on to mass murderer to some and possibly faceless hero to others. The frightening message of this book is that he is well justified in doing what he does. His nation of Freehold has been attacked for the crime of merely existing. Freehold believes in libertarianism to the extreme. There aren’t any elections because there simply isn’t very much government. Everyone is free to do whatever he or she wants, but on the other hand there is no safety net. Freeholders tend to be self-reliant and independent. This is contrasted with Earthlings, who are passive inhabitants of a corrupt system where egalitarianism and “fairness” have been taken to absurd extremes. Ken Chinran contemptously refers to them as “sheeple” who wait for “someone to do something” in a crisis instead of standing up and improving their lot. Williamson’s characterization is extreme, but these are clear jabs at many present day societies, where people wait for handouts and are happy to give government more power over them as long as they are given food and entertainment (“bread and circuses” is of course an ancient concept). While the book can get a bit preachy at times, the fact that Ken is telling the story makes it very direct. This is one person who comes into contact with things that disgust him, and how he reacts to them. It is easy to see his point of view, especially in these times where supposedly democratic and free countries have seizures without trial and a myriad pointless laws.
The development of Ken himself is as frightening as the story. His training is designed to make him a killer. He and his fellow Operatives take pride in their skills, taunting their enemies as they themselves take insane risks. In the end, though, his conscience catches up with him. He hates himself, he hates his commanding officer for ordering him to do what he has done. Nevertheless, he knows that it was necessary. He knows that what he did, the mass killings and the destruction of society on Earth, were necessary things in order not only for Freehold, but for free people to survive. It is interesting, and Williamson touches on this several times, how Ken survives his suicide mission, but finds out that giving his life would have been easier. He has given more than his life. He has sacrificed his soul.
Not since I first read “On Basilisk Station” have I been quite so captured by a Military SciFi novel. Williamson’s first Science Fiction book is in many ways controversial in it’s views (for the record, the author does claim they are not really “his” views in his comments on Amazon.com) and will no doubt disturb some with its sexual content. Some part will probably shock you at one point or another, but it remains a great adventure story.
Kendra Pacelli is in the UN Military. Earth and a few colonies are ruled by a deeply socialistic UN (evolved into a nation) in which incompetence and mediocrity are the norm. Crime is so common that women have learned accept rape and muggings as just another part of life. Accused of a crime she did not commit, she is forced to seek asylum at the Freehold of Grainne. Unprepared and dropped in at the deep end, Kendra has to adapt fast to her new home. The Freehold is an example of almost pure capitalism/libertarianism (and thus basically the antichrist in the eyes of the UN). The government consists of a small police force, the military, the courts and nothing else. The tiny taxation is optional but does carry some benefits. “Rulers” (and they are not really) have to give up personal wealth in order to ensure they do not have ulterior motives. Without big government there is no pork barreling or corruption. Residents tend to carry weapons. Crime is very low and standard of living is very high. Kendra is very confused by such things as the fact that no one will molest women who wear racy clothing (or even walk around in the buff). Of course, these women will typically carry guns or knives, an illegal thing on Earth.
As a thought exercise, the society is very interesting. I don’t know if it would work, but many aspects are appealing. It is my experience that big government typically fosters incompetence, inefficiency, meddling where it is not needed, high taxation levels and mediocre services. I don’t know if I would go quite so far as the Freehold, but as I said, it definitely has appeal. Before you start flaming my inbox, however, I would point out that the system does have many rather obvious flaws which I will not bother to enumerate here.
While the novel is part social commentary, it should not be seen as any sort of manifesto. It is a bit slow (but quite enjoyable) in the first half, and then becomes action-packed (and even more enjoyable) in the second half. Williamson shows that he can really describe military training and combat. Kendra joins the Freehold military and the story follows her through training, a grueling guerilla campaign, a big climactic battle and finally the hell of urban combat. All this without any dressing up or glorification of combat itself. The “good guys” torture and kill out of necessity, often rage, sometimes even pleasure. The aftermath of battle and war, so often glossed over in this kind of story, is explored in gory detail. While we may seek to (and indeed should) glorify valor and bravery in defense of comrades and homes, Williamson also reminds us of the deep personal and social toll that war enacts. For this alone, he should be commended.
The evolution of Kendra kept me turning the pages. Her personal odyssey through initial rejection, dejection, disillusionment and the furnace of both partisan and line combat is what elevates this novel from a mere adventure story to a minor Military SciFi classic.
If you like Military SciFi, do yourself a favor and pick this one up. Just ensure you have tissues handy for Chapters 11 and 54, and clear your calendar for the next days or two. It is very hard to put down.
A Fire Upon the Deep. Hi-tech meets lo-tech in a story with some rather interesting takes on physics and sentience. Don’t be surprised it you don’t understand anything for a hundred pages or so. It gets easier. A fantastic view of the universe, and amazing aliens. A great journey.
A Deepness in the Sky. Chronologically a prequel to A Fire Upon the Deep but apart from being in the same universe and having one character who appears in both they are completely unrelated. Interstellar travel is slow, and sometimes plans take decades to come to fruition. A mission to a mysterious star finds fascinating aliens who live on a planet with some pretty extreme climate. The mission itself is subverted by tyrants. The novel follows both the aliens and the humans as they both struggle towards the climactic conclusion: Contact!
This novel is published both as a singleton and in the omnibus edition Across Realtime together with its prequel The Peace War.
The sequel to “The Peace War” jumps 50 million years into the future. The 300 remaining humans travel forward through the eons with Bobbles, the invulnerable stasis fields introduced in “The Peace War”. One of them is left behind. The only remaining cop in the world must solve the mystery of why she had to die marooned in “realtime” while the rest jumped ahead in time. This book is absolutely fantastic. The factional disputes, the feeling of disconnection, the sheer human suffering of losing everything you ever knew, is portrayed masterfully. It delves deeply into the question of what should we, as humans, really do with our lives and our race. Some wish to recreate the human race now that enough people are simultanously “in realtime” (not in stasis). Some with to travel forward through the eons and see what awaits at the end of the universe. Some, it would seem, want to continue the nationalist struggles of a long-lost past. What a ride!
This novel is published both as a singleton and in the omnibus edition Across Realtime together with the sequel Marooned in Realtime.
The “Peace Authority” has stopped war by encasing warring factions in impenetrable force fields known as “bobbles” created by the “Bobbler”. Then all high technology was banned. Fifty years later, the inventor of the Bobbler leads a revolution.
Vinge skillfully describes the human condition in this very odd future world. While most humans are poor, the Peace Authority has set itself up as a sort of benevolent dictatorship, but it has stagnated technologically. The Tinkers, under the ad-hoc leadership of Paul Naismith, inventor of the Bobbler, have advanced electronics well beyond those of the Authority. The Authority’s blind spot is that it cannot believe the Tinkers are so advanced when high energy applications are banned.
There is a little of everything here. A coming of age story, love lost and hope for its resumtion, honor, loyalty, betrayal. Vinge uses the plot device of the bobbler and the bobbles to great effect, and meticulously exhausts the implications of the technology’s effect on humanity.
Space Opera in the spirit of Horatio Hornblower. Action, adventure and all that. And really good. Although I feel that Weber has lately slackened off a little, and is given to perhaps excessive verbosity in his tangents, I still eagerly await each new release.
- On Basilisk Station (HH I) – Arguably still the best Honor book. Lots of action, but also humor and great characters. This kind of editing would do the books after 6 good..
- The Honor of the Queen (HH II) – An incredible ride.
- The Short Victorious War (HH III) – Long on the action, short on the characters. But that’s fine 😉
- Field of Dishonor (HH IV) – Weber shows how even Honor has a dark side, and it’s very dark.
- Flag in Exile (HH V) – An interesting character study of Honor.
- Honor Among Enemies (HHVI) – Perhaps my favorite Honor. A great story of redemption.
- More than Honor (Anthology)
- In Enemy Hands (HH VI) – Very exciting but not quite as good as books 1 through 6.
- Echoes of Honor (HH VIII) – Great storyline, but unfortunately Weber’s style is slipping by this point, with overlong exposition and contrived dialogue among the still great action.
- Worlds of Honor (Anthology)
- Ashes of Victory (HH IX) – Losing steam, which unfortunately stays lost in “War of Honor”.
- Changer of Worlds (Anthology)
- War of Honor (HH X) – Pretty ho-hum compared to the others. Definitely an interim book.
- The Service of The Sword (Anthology)
- At All Costs (HH XI) – This definitely shows a partial comeback of Weber’s old form. Although he still hems and haws his way through dialogue, the action is great and the stakes are high.
Some of the stories in the anthologies contain background for later novels, so it is rather important to read them as part of the sequence.
Around War of Honor (HH X) The Honorverse branches off with the “Saganami Island” and “Crown of Slaves” series.
The sequel to the wonderful Red Thunder does not disappoint. A generation after the events of Red Thunder, the children of Ray Garcia and Kelly Strickland are growing up on Mars. An unexplained impact in the Atlantic and a consequent tsunami to dwarf all previous tsunamis are catalysts for the action. But this is not a disaster novel. It’s a novel about how Ray Garcia-Strickland grows from just another teenager into a man. Told strictly in Varley’s favored first person, we see the world through the eyes of an adolescent who wants to be a man but hasn’t quite figured out how yet. The tone is authentic and as usual Varley delivers on his characters. Thoroughly well imagined and believable, they feel like old friends by the end.
Varley’s novels, and especially the Red Thunder series, leave me with a feeling of well being after every section I read. The characters are so likeable and authentic it makes me want to be with them, in their world. Add to that the long section set in a fascism-leaning America logically and quite frighteningly extrapolated from today’s fear of terrorism as a convenient excuse for governmental power grabbing (the historical parallels are remarkably sinister), and it makes for a great novel.
For some odd reason I had never read Varley, an author who was first published in 1977, before I picked up this book. After this experience, I realized my mistake. Red Thunder makes some rather preposterous assumptions in order to underpin a story. A decade or two from now, two lower class Florida youngsters dream of going to space. They and their girlfriends accidentally run into (actually run over) an ex astronaut who has fallen from grace. Said ex astronaut has a quasi autistic genius cousin who has accidentally invented an immensely efficient and cheap form of energy generation/propulsion. Seeing as the Chinese are on their way to being first to Mars and the American expedition will not only be second, but may well have an accident on the way, this motley crew builds a spaceship.
Appalled yet? Most authors would have made a hash of this and turned out unreadable drivel. But Varley concentrates on the people aspect. The whole thing becomes an excellent, funny and exciting coming of age story.
Another original, intelligent and inventive novel from John Varley. There is no clear plot or clearly defined progression of events. The action is in the first person, with frequent long flashbacks to childhood and early adulthood in the third person. Our hero, Kenneth “Sparky” Valentine, is an itinerant thespian and con man. The setting is Varley’s “Eight Worlds” universe, but the novels in “Eight Worlds” are only very looseky linked so there is no requirement to read them in order.
The story focuses on the figure of Sparky and his personal development. It is one part travelogue, showcasing the wonders of Varley’s Solar System, one part psychological investigation into Valentine’s very complex mind, and finally it is a coming of age story spanning a century (the Candide inspirations are obvious).
Varley manages to make his characters truly alive, and deftly ensures that their reactions and social mores chime well with their surroundings. I am not usually drawn to books without much of a plot, but I found myself fascinated by the unfolding mystery of Sparky as he made his way back to “the Golden Globe”.
- Marching through Georgia
- Under the Yoke
- The Stone Dogs
The series can really shake you up. It is set in an alternate history in which the Crown Colony of the Cape (what later became modern day South Africa) becomes a powerful nation. This “Domination of the Draka” is utterly elitist and wishes to subjugate all other races to the white master race. It is also fiercely expansionist. At the time of our own timeline’s Second World War, the Domination drives a wedge between the Soviet Union and Nazi Germany by invading through the Caucasus. The Domination then proceeds to conquer all of Europe and Asia (except for India), adding these territories to its African holdings. These events are detailed in the first book. The second book is about a spy expedition into Draka territory by the “Alliance for Freedom”, basically what is left of the free world (America and India). It is not quite as good as the rest of the series, and on rereading I have skipped over it completely as it is not essential to the story. The third book is about the final showdown between the two powers. The Alliance is more powerful in technology and the physical sciences, while the Domination, mostly thanks to a scruple free approach to human experiments (they’re just serfs, after all) is very advanced in genetics and bioengineering. The Draka win the war, and the “free” humans mount a last-ditch escape for a precious few to a nearby solar system.
Drakon is a change of pace. In a Draka future, the master race experiments with portals into alternate timelines. A Draka (daughter of the protagonists from The Stone Dogs) is stranded in one of these timelines (our own) and attempts to subjugate it to her will. This novel is much smaller in scope than the other three, but it remains a great read.
The scary thing about the Draka books is that you can easily find yourself rooting for “the bad guys”. These aren’t Hitler’s Nazis. The Draka want an ordered society and a life which does not use up the Earth’s resources without replenishing them. They do not see their use of “serfs” as immoral and they are not given to pettiness. Only ruthlessness. So apart from spinning a great yarn, Stirling is trying to tell us that many would choose the Draka way of life if they had the chance (well, the chance to be Draka). The Draka create an earthly paradise after their victory, and the average standard of living and intelligence of ALL men, including serfs, actually improves after the Draka victory. The series is controversial in this manner and really makes you think about some big issues. It is also a great military science fiction read.
This novel is the story of a radio astronomer who manages to detect a signal from space, and what happens after. The scope is large, but Sagan keeps it going smoothly forward to the incredible conclusion. The discussion of science versus religion is well done, and lacks the bitter antagonism which could easily have creeped in. Fills you with a sense of wonder like few other books, and while it makes you feel small in the Universe, it nevertheless manages to convey a message of hope and love.
I also loved the movie. It was faithful to the spirit of the book, but given the time constraints it did not delve into the interesting details of the book. Also, it glosses over the important and very engrossing religion vs. technology discussion.
One of my favorite novels.
Alien invasion stories have been done before, but to my knowledge never quite with this much desperation, lack of hope, or heroism on the part of the defenders. This is rich military SF with a keen eye for the strategic dimension and human psychology as well as kick-ass fun. The “original” series consists of the following.
- A Hymn Before Battle
- Gust Front
- When the Devil Dances
- Hell’s Faire
The first novel is a sort of “eve of the war” story. I was put off by the cover for quite a while but eventually decided to give it a shot. Good thing too. Aliens have contacted Earth and told them of an ongoing war, and that the Posleen, a very powerful race with a behavior like a cannibalistic Mongol horde, is only five years out from Earth. The Galactics will help, if humans help them fight. The other races are pacifistic in the extreme. There is action (of course) in the form of skirmishes and the defence of an allied planet, and we are introduced to Mike O’Neal, later leader of an elite Armed Combat Suit unit and the main hero of the story.
The second novel covers the assault on Earth. As before, Ringo has a knack for describing the political and strategic dimensions, and is not afraid of throwing disastrous screwups, unexpected developments and plain old bad luck into the mix. The United States is hunkering down, but the question is: Will the line hold for the defenders to marshal their forces?
The third novel of the series is a middle book to bridge the gap between the first Posleen assault on Earth (covered in “Gust Front”) and the climactic conclusion to the war (covered in “Hell’s Faire”). Characters are developed and the stage is set for a whopping showdown. The action scenes are great, as in all Ringo’s work, and the humor just keeps getting better. It’s quite ironic that a story about alien invasion and massive destruction, suffering and pain can make me laugh out loud so much. Ringo is good at capturing the inner essence of characters. This three-dimensionality is welcome, and few authors pull it off so well. He is also very good at developing his characters as they go through events in their lives. Masterful.
The fourth novel picks up exactly where When the Devil Dances left off. In the afterword, Ringo says that the last two should only have been one, but 9/11 gave him serious writer’s block and plans had to change. He even suggests gluing them together. The conclusion is very exciting and satisfying. While many loose ends are tied up, other fundamental questions about the various aliens, which were only hinted at in the earlier books, are now dredged up and given new focus. Why didn’t the Galactics warn Earth earlier? Why did they give intelligence to the Posleen? To answer these questions the Universe is already much expanded, with several more novels written solo and in collaboration.
Scary in it’s placing of humanity firmly at the bottom of the Universe’s pecking order, this series of books contains some pretty big concepts. Worth reading just for the descriptions of cultures and aliens. Watch out though, Reynolds is not afraid of making the Universe a scary place. I refused to read Redemption Ark close to bedtime. I would just lay awake and shiver at the thought of how huge the universe is, and how short-lived and fragile we are.
- Revelation Space – Cool, pure SF. The last few chapters give an inkling of what is to come in future installments, but the story also stands well by itself.
- Redemption Ark – The sequel to Revelation Space, in which many questions are, err, resolved, or then again maybe not. Several hundred years in the future, the Inhibitors are back after eons, Their objective seems to be to eradicate sentient life. Scary scary scary.
- Chasm City – The schizo prequel to Revelation Space, which scales back quite a bit from the epic back story and gives up a very convoluted plot of a man and his quest for identity. Good reading but does lose itself a little in the identity crisis of a very screwed up psyche.
There is a sequel to Redemption Ark, called Absolution Gap, but I have never gotten around to it. While I am sure it is great, I am also sure it won’t be very cheerful.
Niven is at his best in collaboration, and this is no exception. Building Harlequin’s Moon is is a story in many layers. The main plot line is about the first interstellar starship, escaping a Sol System full of renegade AIs and nanotech, escaping to reclaim humanity. But there is a malfunction and the starship is stranded in a barren star system partway to its goal. More antimatter is needed to refuel the ship, and the colonists refuse to use nanotech due to their belief that nanotech leads to evil. The only option is to spend sixty thousand years (yes it’s a long time but they can extend their lifespans indefinitely) building a habitable moon out of smaller ones, and then populating it with flora, fauna, humans, and then finally industrializing and constructing a huge collider to make antimatter. Rachel is a “Moon Born” “Child”, basically a slave to the goal of ultimately fueling the ship. But what no colonist counted on was that the Children are human too, and once the cogs in the plan are live humans, you have to look them in the eye. The titanic endeavor is ambitious in the extreme, but is it worth the cost to their souls?
On another level, the story is about Rachel, from her rather innocent teenage years to her coming of age as a leader of her people. And on yet another level, it’s about what makes us human. Our values, our biology, our goals?
The rather slow style of the book suits the story well, and events are followed in a careful fashion as we move, never too fast, through the action.
Building Harlequin’s Moon is full of wonderful three dimensional characters. Niven & Cooper ensure that even the most seemingly irrational and heartless protagonist is well understood by the reader as they delve deeply into her motivations. This novel shows humans at their best and worst, and it is impossible not to be entranced by the adventures of Rachel, Gabriel and the others. This is quite simply a masterpiece.
Arguably Niven’s best solo novels, as well as the ultimate BDO (Big Dumb Object) story. Great adventure in an incredible setting with trademark Niven “quirky characters”. They’re not perfect but the sense of wonder created is second to none.
Interestingly, the premise of The Ringworld Engineers, that the Ringworld is unstable, was figured out by physicists after the first novel was published. At the 1971 World Science Fiction Convention, MIT students were chanting “The Ringword is unstable!” Hence why our heroes need to fix the problem.
After several deep recessions, the rift between rich and poor has widened dramatically. Corporations pretty much run the world, and the only game in town is to work for one, if you have the guts for it. Tenders and positions are battled for on the road with car duels, often to the death. It’s all very cutthroat and cool, but Morgan has somehow kept it just this side of believable. Our hero, Chris Faulkner, works for the Shorn Corporation in the Conflict Investment department. His job is, in simple terms, to support some third world revolutionary with weapons and support. When said revolutionary is settled in as ruler, a percentage of the GDP of his country will go to Shorn.
Mr. Morgan has written a story of corporate warfare in the near future. Not too unexpectedly for this author, this book is full of cool prose, has an anti-hero, and contains some pretty extreme violence. As Morgan himself admits in the foreword, it is unashamedly inspired by films such as Rollerball and Mad Max.Cruel, but not really that far removed from some situations seen today. The difference is that the corporations in this future do not bother to disguise their naked ambition.
The book also contains the absolute best description of a long, slow break up I have ever read. Chris’ transformation from vague idealist to the ultimate antihero is brilliantly portrayed, and the end may surprise you, although in hindsight it was inevitable.
Marvelous and very very cool.
This book blew me away. After five or six pages I was hooked. Very cool cyberpunk/noir in a future where bodies can used (as “sleeves”) almost like clothes (albeit very expensive ones; a normal person can only afford one “extra” body and thus double his lifespan). This naturally raises some rather intriguing philosophical questions about mortality (or the lack of it), but also about how the legal system would work under the circumstances. All this is but a backdrop for a fabulous crime thriller told in the first person. It is clear that Morgan was very much inspired by Blade Runner (down to the robotic voice saying “Cross now. Cross Now. Cross Now” at a zebra crossing). The gloomy, indifferent outlook of our hero is similar, and it is answered by a similar outlook from his surroundings. The onlyshortcoming with this book is that the plot becomes a bit convoluted at times. All in all, a very very nice read.
The scope of this saga spanning eight novels is staggering. A gate is opened to the past, specifically the Pliocene era. But it is a one-way trip. Adventurous souls travel back, and find a world unlike any they could imagine. Epic conflict rages between ancient races, and the future destiny of man is decided. The initial four books make up The Saga of Pliocene Exile.
- The Many-Coloured Land
- The Golden Torc
- The Nonborn King
- The Adversary
These can be read as a standalone series, but who would want to stop there?
The “bridge” book deals with first contact and the emergence of humans with “supernatural” powers such as telekinesis.
- Intervention. In the US edition this was divided into “Intervention: Surveillance” and “Intervention: Metaconcert”.
- Jack the Bodiless
- Diamond Mask
What surprised me as I finally finished the whole thing was how May had meticulously planned the entire arc from the very beginning, with elements important to the last novels referenced in the first. This lends the whole series a sense of completion rare in such works. Considering the fact that it took over 12 years to write, the achievement is even more impressive.
The characters are amazing, with rich depths and particular quirks that blend in well with the evolving destiny of humankind. The settings, especially in Exiles are fabulous.
Not, technically, a Vorkosigan novel since no Vorkosigan family member is so much as lurking in the background, it is nevertheless set in the Vorkosiverse, though, about two hundred years before Miles’ birth. The story is about the origin of the quaddies, humans genetically engineered for work in free fall, whose most striking adaptation is the replacement of their legs with arms (and hands). Leo Graf is an engineer and teacher assigned to the habitat where the quaddies are being “reared”. The corporation he works for intends to use them for free fall work, thus avoiding the costly planetside leaves necessary to ensure good health for normal humans. The thousand quaddies are young, the oldest only just out of adolescence, and are being treated like children, with no voice in their future. Legally, they are the property of the corporation, even as they live their lives, work hard, even procreate. As artificial gravity is invented, the quaddies become instantly obsolete, the need for free fall work decreasing dramatically. They are no longer cost effective for the company, which orders the experiment terminated, meaning sterilization and confinement to barracks (read, prison) on a planet. For the free fall adapted quaddies, gravity wells are an unnatural, dangerous and generally terrible environment. At this point Graf rebels and plans the exodus of the quaddies, away to make their own lives.
This is one of the best novels I have ever read. The characters, “normal” and quaddie alike are well rounded, interesting, authentic. Bujold quickly manages to turn the quaddies from freaks into just “different humans” in the mind of the reader. The plot is excellently constructed, with disparate elements and personalities meshing well to create an engaging whole with many page turner moments.
The illustrations of morality are particularly poignant. The company brass thinks of the quaddies as little more than animals. Creatures to be disposed of when their usefulness has run its course. Leo Graf and some of the other staff, on the other hand, sees them as people, as children to be protected. The parallels with slavery are obvious, but more clever is the message that corporate leaders often have a lack of scruples making them morally little better than the slave-masters of previous centuries. A brilliant read.
This novel is collected in the “Miles, Mutants & Microbes” omnibus.
This short story forms an epilogue of sorts to Komarr and A Civil Campaign. It is told from the viewpoint of armsman Roic. A few days before Miles and Ekaterin’s wedding guests in the form of Miles’ friends from the Dendarii Free Mercenaries arrive. Taura in particular is focused on in a brief tale leading up to the wedding.
The story is cute, but would not be worth much if it hadn’t been tacked on to the end of the Miles in Love omnibus. It is certainly worth reading, and it forms a nice bookend to the macrostory of Miles and Ekaterin’s courtship, but it is not a good standalone.
This short story is collected in the “Miles in Love” omnibus.
After the events of Komarr, Ekaterin returns to Barrayar to pick up the pieces of her shattered life. Miles is more infatuated than ever. In the mist of the preparations for the Emperor’s wedding, he embarks on a campaign to win her heart. And screws up badly. Meanwhile, political intrigue lands him in trouble, and his brother Mark starts a bizarre business venture in the basement of Vorkosigan House. Much hilarity ensues.
McMaster Bujold herself describes Komarr as the romantic drama, while A Civil Campaign is the romantic comedy. It is definitely the funnies Vorkosigan book. The author was inspired by authors like Dorothy Sayers and Jane Austen for this comedy of manners. It is definitely a melding of Science Fiction with those romantic styles, and brilliantly done. The infamous dinner party scene is one of the most inspired and funniest passages I have ever read. McMaster Bujold has a talent for putting her characters in the deepest trouble. She seems to revel in it, never protecting them from embarassment or injury. This makes for greatly engaging stories.
This novel is collected in the “Miles in Love” omnibus.
Now a permanent Imperial Auditor, Miles is sent to Barrayar’s subject planet of Komarr to investigate an “accident” on a solar mirror. The mirror is part of a centuries long projecto to terraform Komarr. Currently, Komarrans live in domed cities. Through a fellow auditor, he makes the acquaintance of Ekaterin Vorsoisson, the unhappily married wife of a Barrayaran terraforming administrator. Miles is smitten. He must now solve the mystery of the accident, while sorting out his feelings for Ekaterin. Unfortunately, she is used as a pawn the by the sinister conspirators behind the accident when these move to enact their terrorist
I found Komarr absolutely stellar. Confident Miles is stepped back from the action a bit to make room for the conflicted character of Ekaterin. She seems everything he could wish for, but she is married and suspicious of men in general. A challenge worthy of our hero. McMaster Bujold manages to make her vulnerable and angry without making her weak and abrasive. By delving deep into the source of her unhappiness, McMaster Bujold lays out a character one cannot help but like despite her flaws. It is made clear how Ekaterin dug herself this hole. The sense of duty which noble Barrayarans so treasure has trapped her in a loveless marriage to a loser. The resolution, while bringing forth the “true” Ekaterin, does not end with “happily ever after”. The author acknowledges that life is not so simple, but without depriving us of a satisfying triumph.
This novel is collected in the “Miles in Love” omnibus.