Somewhat oddly, this is the only Vorkosigan novel not collected in an omnibus. It forms a pivotal point in Miles’s character development. In it, Miles continues feeling the effects of the injuries from Mirror Dance. This, and his own fear of losing the pursuits he loves, leads to his dismissal from Imperial Security. In an odd turn of events, he finds himself a depressed bachelor with not much to do. Luckily, trouble is afoot at the ImpSec he had to leave. Emperor Gregor appoints him an Imperial Auditor, a sort of all-powerful troubleshooter, and sets him to investigating the mysterious circumstances of ImpSec head Illyan’s disablement.
Memory is a wonderful book. As is her wont, McMaster Bujold figures out the worst thing she can do to her hero, and skewers him with it. Miles’ dual identity as Admiral Naismith is completely destroyed. This was his safety valve, his way to escape the pressures of being a cripple in Barrayar’s militaristic society. The sections that deal with coping are insightful and excellently written, but still sprinkled with McMaster Bujold trademark humor. The last part of the book, with Miles as Imperial Auditor, is a pure pleasure to read. The role suits Miles’ personality perfectly, and I found myself frequently chortling at his antics. The author deserves admiration for daring to kill off her hero’s raison d’être. She could surely have milked a few more books out of Admiral Naismith, but probably felt that there was more interesting character development to be found this way. This reader is truly grateful.
The sequel to Live Free or Die continues more or less where the previous book leaves off. Much of it deals with the continuing construction of the Troy battlestation and its first consort. As is typical with Ringo second books in series, the “three stories combined” model of the first book is abandoned and new main characters are introduced, in this case a Navy assault shuttle pilot and a civilian “space welder”. This being Ringo, there is no shortage of battle scenes in the last third of the book.
Even more than usual, Mr. Ringo has managed to produce a real page-turner. The logistics of designing and constructing the defenses of The Solar System are great reading since it is all interspersed with trademark Ringo humor, well written characters, fun character interactions and lots of just plain cool stuff. I don’t know where the guy gets his ideas but he certainly has never been timid. Arthur C. Clarke, a master of massively huge stuff, would have been humbled. While I mostly “got it”, a schematic or two would have been nice, namely the Troy and a Myrmidon shuttle. Also, while I am up on quite a few military acronyms, a list or at least a spelled out version the first time one is mentioned would have been nice. All in all, another page turner from Ringo. Can’t wait for the next book, “The Hot Gate”.
This classic novel tells the story of Valentine Michael Smith, a human raised on Mars, by Martians. He is brought “back” to Earth and soon whisked away by a nurse and a reporter. He can perform seemingly miraculous feats of bodily control, telekinesis, and more. He ends up at the house of Jubal Harshaw, author, professional cynic and bon vivant; a man who surrounds himself with three secretaries to take down prose or poetry at any time. “Mike” Smith, the “Man from Mars”, after an education at the hands of Jubal, goes out into the world, spreading his ideas about sharing, love and “grokking” under the guise of a new religion.
Stranger in a Strange Land is widely acclaimed as a genre classic, and I cannot help but agree. The evolution of Smith from uncommunicative quasi-cripple with the blank mind of a baby to mental giant with a huge following is masterfully described. Jubal Harshaw (Heinlein’s “ideal” alter-ego, perhaps?) is equally interesting as a character, with his honest modesty but sharp intellect and wisdom. The book is VERY heavy on the dialogue and rather light on the action. The risk an author takes with an reliance on dialogue is that the whole things becomes rather boring and long-winded. Such is not the case here. The characters talk about interesting things as wide ranging as religion, politics, art, jurisprudence and morality. Furthermore, they actually learn stuff and develop as people as they do so. They do not merely talk to support the action. Their talking IS the action. The view of females is somewhat rooted in the 50s and 60s but even so Heinlein was being rather “modern” in his views. The views expressed are very interesting, especially since Heinlein doesn’t take the obvious (for scifi) route of dismissing religion as nonsense. THAT really intrigued me. The way he manages to meld religion into Smith’s “message” is mindblowing. This is not the lightest of reads but I must recommend it. It is both interesting and entertaining but most importantly it makes the reader think long and hard about the accepted truths of our society.
In the USA, each volume of the trilogy was published in two parts, as evidenced by the thumbnails.
The Night’s Dawn trilogy is a huge story spanning over 4000 pages, in truth one massive multi-volume novel. It tells of a great evil that befalls the otherwise mostly peaceful but very interesting and multifaceted Federation. Everything changes as mankind faces its true self. As the external threat starts to seriously damage the foundations of civilization, the large differences between various human and alien factions make for an interesting backdrop to the struggle. Actually it is very difficult to describe Night’s Dawn in a few short sentences. The scope is quite breathtaking, there are many characters and the writing is impeccable. The only nagging complaint is the far too rapid conclusion. Hamilton seems to have been in a hurry to tie things up. Some might feel the ending is a bit of a cop-out. But in my opinion whatever you think of the ending, the journey is certainly worth it.
“The Confederation Handbook” reference can be practical to have lying around since there is a lot to keep track of.
The short story collection ”A Second Chance at Eden” is a fine companion to the trilogy. Although only a few of the stories are in the same universe, all of them are gems in their own right. Importantly, though, the title story gives some valuable background on how the Edenist Culture was founded.
These books have particularly gorgeous covers, thought US editions marred this a bit by darkening and altering the colors.
This direct sequel to The Course of Empire takes up the story two years after the events of the previous book. The nascent Terra taif consisting of both Jao and humans finds clues that the Lleix, a race practically exterminated by the Jao during their time as an Ekhat slave race, may have survived, but is in imminent danger from the Ekhat. Terra taif’s newest ship, the gargantuan Lexington, is dispatched to the system in question.
It is a rare sequel that is as good as the original, but Flint and Wentworth have managed to pull it off. The inclusion of the fascinating Lleix and the telling of sections from their point of view is excellently done and brings a necessary new wrinkle to the story. Flint is a master at telling a story from various points of view and really getting into the psychology of various people and races. While, of course, neither the Jao nor the Lleix are truly alien, they are different enough to make the contrasts and interactions interesting, especially when written with a good measure of humor as here. There is even a passage written from the point of view of the Ekhat, as frightening as they are powerful and utterly mad. A real page turner, this.
Gibson invented the cyberpunk subgenre with this plot-wise loosely connected series of books and he revitalized SciFi in the process. His sparse, cool prose and his approach to characterization mark the writing of many of his successors, probably chief among those Neal Stephenson.
His descriptions of cyberculture have aged well, since he was wise enough not to be too specific about hardware and software. He himself attributes this to the fact that he had never owned a computer at the time, although that is, in typical Gibson fashion, probably far too modest a justification. Another interesting fact is that these novels were written in the mid eighties, but illustrate many of the advances in computer technology which scientists and engineers are striving towards today in 2010. Whether his ideas on man-machine interfaces are simply the result of some very good thinking, and whether he inspired a generations of computer wiz kids is, of course, open to debate.
His work remains one of the pinnacles of SciFi, and his ability to distill the essence of something into a single, cool sentence remains, perhaps, unrivaled.
The cover looks magnificent. Flynn is back with a near future tale mirroring the twilight days of the age of sail. “The River of Stars” has long ago furled it’s magnetic sail in favor of a more modern engine. The past glories of the ship are almost forgotten as she plies her trade as a tramp freighter. But an engine failure forces a difficult decision. Her crew want to use the sail to save the ship in a last tribute to her old days of glory.
Incidentally, the story is set in the same universe as the Firestar series, with quite a few inside references sprinkled around for the avid Flynn fan.
It took me more than a month to read this book. Flynn’s prose is unusually fine, but it takes a long time to get through it. The title says it all, I guess, and the ending is more or less foretold from the beginning. This novel concentrates on the characters and their interactions. Long gone are the glory days of The River of Stars, and her crew is made up of a collection of misfits and losers who cannot find another berth. The Captain dies in the very first chapter, and things go downhill from there. Gradually the flawed crewmembers dance out their dance of death, and maybe they know their fate all along, which makes the drama even stronger.
I should point out that this book is intensely psychological, and does not, despite the setting, move very fast at all. Descriptions of feelings and motivations and interactions are drawn out almost to breaking point. It is a tribute to Flynn that he manages to hold the reader’s interest. So be warned, this is not a light summer read, but its majesty will captivate you.
Near future SciFi has seldom been done better. Flynn takes us on an epic journey only hinted at in the humble beginnings of the first book. A millionairess has a hidden fear, almost an obsession. She is afraid that an asteroid has the potential to wipe out humanity by striking the Earth. While her fear is no doubt well founded, it takes extreme expressions in her, and she uses her fortune to build up a huge aerospace industry. The series consists of:
What really makes this series great is the variety and richness of the many characters (from the second book, a Dramatis Personae is thankfully provided). The antagonisms and alliances flow over decades as Flynn deftly describes human nature, and the many things which make up its facets. Many novels have (too) many characters, but in almost all cases the majority are not fully fleshed out and threedimensional. Flynn’s wonderful character are these things. They have a past, motivations, goals and aspirations.
It is also quite remarkable how Flynn manages to weave together the many strands of his story into one whole, making this more than just a massive work of Science Fiction. It is, in fact, a story about ordinary people who, each in his or her own way, faces extraordinary personal and professional challenges in a changing society.
My only, very small, gripe with the series is how it loses a bit of steam in the third book. However, seen as a whole, the entire story is outstanding.
And yes, the last two covers are horrible and have very little to do with the books. Pah!
The story is set in the 2020s. NASA is finally returning to the Moon using the (now canceled) Orion/Altair hardware. Meanwhile, a private company is sending tourists around the Moon and the Chinese are up to something. The first mission back to the Moon turns in to a daring rescue.
I’m a big space program buff so I’m a sucker for this kind of book. The story itself is a decent adventure/thriller. The engineering is well described, as would be expected since Dr. Taylor works with NASA Huntsville and Les Johnson is a NASA physicist. Unfortunately the prose is quite stilted, especially during the first third. The characters are stereotypes, especially the Chinese. Unfortunately the Chinese are also the wrong stereotype. They feel like reruns of Cold War era Soviets with a dash of “Asian” thrown in. The story does pick up in the second half and there are some nice thrills for the space buff. If you aren’t interested in the space program particularly you should give this a pass. It isn’t a bad book per se but could have used an author with a smoother prose style.
These two books are simply two volumes of the same novel, dubbed the Commonwealth Saga. With the invention of wormhole technology by straight arrow Nigel Sheldon and eccentric Ozzie Isaacs, traditional space exploration (vacuum, spaceships, all that kind of thing) is all but abandoned. Rail lines running between worlds through wormholes are the only means of interstellar transport, and humanity is rapidly expanding to many planets.
Hamilton seems to have been inspired by Richard Morgan’s Altered Carbon when it comes to rejuvenation technology, although there are differences. Practical immortality is available to all but the very poor. Most people pay money into a sort of pension fund which pays for rejuvenation. The more well to do rejuvenate more often, staying forever young. This has brought about a maturing of humanity, where planning is much more long-term. Careers span decades and centuries. The rich can take entire “sabbatical lives”.
These two massive upheavals, longevity and cheap transportation over interstellar distances, have led to an unprecedented period of growth and prosperity for human society. A commonwealth unites the worlds. The Commonwealth is nominally a democracy, but the reins of power are firmly in the hands of dynasties rich enough to own entire planets. A utopia of sorts, but not really a democracy despite outward appearances.
A mysterious stellar event far outside the human sphere of influences forces the construction of a starship. It is the first one ever built. Former astronaut (immortality remember?) Wilson Kime captains the mission, which leads to the escape of the greatest threat humanity has ever faced from its ancient prison. And it soon becomes clear that the escape was not entirely an accident. There are mysterious forces at work inside the Commonwealth.
In the tradition of that other (even more) massive Hamilton opus, Night’s Dawn, this story is a somewhat daunting cornucopia of characters and interweaving subplots. This author can get away with it, since even his explanatory filler is eminently enjoyable. An immensely rich societal backdrop forms the stage for a drama with some very unexpected twists and turns. The most insignificant details come back to haunt the characters in what is obviously a very finely and meticulously crafted story. The end of Pandora’s Star is a massive cliffhanger and the story picks right back up in Judas Unchained, so I would recommend reading the two volumes back to back.
The story is peppered with wondrous things such as the Silfen, an enigmatic race of aliens, and their even more enigmatic forest paths, which lead seamlessly from world to world. Even the enemy is fascinating and an example of a true non-human intellect. There are bizarre, enigmatic and just generally cool characters such as super investigator Paula Myo, slut turned reporter Mellanie Rescorai, the orphan Orion, cult leaders, resistance warriors, criminals and politicians. A tangled web held together elegantly by Hamilton.
The story moves from utopia through gathering storm through all-out chaos and war to a spectacular conclusion, and is finally neatly put to bed in the epilogue. The true genius of Hamilton is that his universe is not populated by 20th Century humans living long lives and using wormholes. Society and its inhabitants are quite different, reflecting the changes in society and culture brought about by technological advances. Motivations, reactions and behaviors are believably described for these “future humans” (and aliens), just as a 17th Century human would behave differently from us.
It should be clear by now that this novel is among the very best I have ever read. Sure, one could criticize the perhaps unnecessarily long road chase in the second volume, or the seeming abandonment of a few supporting characters at the end. But the truth is that it is very very difficult to write something this long, with so many character relationships, and not run into the occasional pacing problem.
So stop reading this and order the books. You will not be disappointed. And if you want more, Hamilton returns to the Commonwealth Universe and many of the characters in the Void Trilogy, set over a thousand years later.
Miles’ twin brother Mark is back. He manages to infiltrate the Dendarii while acting as Miles. In short order, he is taking a ship on a harebrained mission to Jackson’s Whole in order to free clones doomed to act as replacement bodies for the rich, a procedure which leads to the clones’ brain being dumped. Naturally, it all goes to hell, with Miles chasing after. Miles is shot “fatally” and cryo-frozen, at which point Mark is whisked off to Barrayar to meet the parents for the first time. Meanwhile, Miles’ frozen body is lost.
McMaster Bujold is back in good shape here. The first part of this book is merely good, but the fireworks really fly when Mark ends up on Barrayar. His mother, Cordelia, steals all the scenes she is in. A truly great character who does even better in middle age as a bit player than in the books featuring her as protagonist (Shards of Honor and Barrayar). The parallel plot following the lost (in several senses) Miles is equally engaging. One of the best in the series so far.
This novel is collected in the “Miles Errant” omnibus.
While traveling with the Dendarii Mercenaries, Miles ends up on Earth. While there, he is entangled in a plot to replace him with a clone.
The elements to create a good story are in place. Miles’ clone brother Mark is an excellent addition to the series, seeing as how he can act as a counterpoint to Miles himself. The character development and exploration in this book is on par with McMaster Bujold at her best. The plot, unfortunately, is not. It seems a bit forced, somehow. And while still an enjoyable read (this woman is a fabulous writer) it is weak compared to other installments in the series.
This novel is collected in the “Miles Errant” omnibus.
This short story, collected in the Miles Errant omnibus, is a tidy set piece. It opens with Miles in a Cetagandan prison camp. The camp consists of some terrain enclosed in a dome shaped force field. No visible guards or anything like that. Every day, ration bars (one per prisoner) are passed through the force field. Inevitably, fights break out about the food. Equally inevitably, cliques have formed, for mutual protection and for acquisition of food. Miles has a secret agenda, but how will he take command of this group, using only his quick tongue?
“The Borders of Infinity” is a fine example of the short story genre. McMaster Bujold displays her uncanny grasp of the human psycho and logic. She manages to both solve the problem in a plausible manner, and tack on a realistic motivation for Miles’ actions, while keeping the reader guessing right up until the end.
This short story is collected in the “Miles Errant” omnibus.
Arguably the best story about first contact ever written. A ship comes careening into a human system. The pilot is dead, and strange, and it has apparently traveled for years at sublight speeds to get there. Even more strange is the fact that the ship hardly seems enough to sustain it. Two ships are dispatched to a star system hidden inside a nebula to contact the aliens. The society of “Moties” they find is very strange, and very fascinating, almost as fascinating as the creatures themselves. What they fail to realize is that the truth behind Motie society is deeply disturbing and will be a danger to all humanity.
It has aged very slightly due to the its being written in the seventies, but this hardly detracts from the magnificence of this novel. Manages to capture the essence of encountering the truly alien, and how humans have a hard time not placing their own values and prejudices on that which they do not understand.
This is truly an undiscovered gem of a novel. Almost discreetly thrown out there, it will unfortunately be missed by many readers thinking it just one more of Baen’s (admittedly mostly excellent) military scifi offerings. It is much much more than that.
The story it draws closely on the history of the English occupation of India. The Jao conquered Earth twenty years ago in their struggle to hold ground against the powerful and enigmatic Ekhat. Since then, Earth has suffered under an abusive Jao viceroy. Humans still do not understand the Jao and their complex society. Most Jao see humans as lesser beings to be used up in the war against the Ekhat. But things change as a new Jao commander of ground forces arrives with fresh ideas. Meanwhile, the Ekhat are closing in and the mysterious Jao faction known as The Bond of Ebezon watches closely, ready to intervene.
The book is a page turner with plenty of action, but I did struggle with the alien Jao in the beginning. They are not written to be easily understandable. Flint and Wentworth have made them complex and truly alien without succumbing to the temptation of explaining their quirks and affectations in human terms. It’s a bit of a hump but well worth conquering. The Jao are fascinating creatures that misunderstand humans as much as humans misunderstand them. Not since Niven & Pournelle’s The Mote in God’s Eye have I encountered aliens that are truly alien and not just humans looking different.
Flint & Wentworth masterfully take the reader from simple beginnings and purposeful confusion to understanding and enlightenment. This journey parallels that of the main protagonists, both Jao and human. Excellent!
The human galactic federation is in ruins, and the worlds have devolved to various levels of barbarism. On the planet Bellevue, which is at about the early nineteenth century in development, a young officer named Raj Whitehall and his friend venture into the catacombs under the capital. There, they find an ancient battle computer named Center. With Center’s help, Raj must unite the planet and enable humanity to retake the stars. The story is at least somewhat based on that of the Byzantine general Belisarius.
The first seven novels are written by Drake and Stirling. The last one by Drake and Flint. David Drake writes very detailed outlines, while his collaborators write the actual text.
The first five novels are a set and deal with the conquest/unification of Bellevue. They are nowadays published in two volumes, known as Warlord and Conqueror:
After finishing the conquest of Bellevue, the personalities of Center and Raj are imbued in computers that are sent to other worlds with launched asteroids. This scenario has infinite permutations as human worlds at various levels of development can be written about. The first of these follow-up novels is:
It is a great singleton set on a world with early twentieth century technology. Finally there is the two volume story consisting of:
Here, we take a serious step “back in time”, as the planet Hafardine is at about Roman Empire level in it’s technology. The Tyrant is rather different in style from the others due to being penned by Flint. However, his trademark dry humor meshes well with the overall thrust of the series.
This is great military SciFi, with excellent battlescenes and great characters, not to mention a dose of dry humor. Very highly recommended.
I first read this book years and years ago as a teenager. I can still remember staying awake half the night, then finishing it the next evening. It is a magnificent grail quest of sorts, complete with manic captain, a demonic enemy, big stakes, a rich and varied past for the characters, and a fabulous setting. The ease with which the prose flows, and the believable and interesting situations and interactions make this one of SciFi’s masterpieces.
Technically this is the second sequel to Ender’s Game, but in actuality Ender’s Game is pretty much a singleton with a spin-off. Xenocide picks up directly where Speaker for the Dead left off. The Lusitania fleet is still bearing down on our heroes, and the question of how to ensure the survival of Pequeninos, Buggers and humans dominates the book. The secondary plot on the planet Path could have been skipped altogether from a story point of view, but psychology is never boring with Card, and so it’s good, if sometimes long-winded reading.
Xenocide is rather slow in the first two thirds, and it took me a long time to get through it. The last third speeds up as the story reaches it’s climax. For a while I though Card would lose it with his theory of the universe, but it all works out rather neatly in the end. Well, life is a mess for Ender, but that seems to be his lot in life.
The ending neatly sets the stage for the sequel Children of the Mind. Just like in Speaker for the Dead, a lot is left unresolved.
I didn’t enjoy this as much as Speaker for the Dead. The story is just as good, if not better. However it is quite slow and long winded. Card himself has said this book is maybe his “deepest” work. That isn’t to say it isn’t a great book. It really is. Finally, don’t start with this one. Read the previous two first.
As in the prequel Ender’s Game, Card puts puts Ender center stage. Ender is now in his mid thirties, but three thousand years have passed (thanks to judicious speed of light travel on his part) and he finds a chance to redeem himself for what he (and the public) sees as the xenocide (murder of alien race) of the “buggers”. History, cruelly revisionist as it often is, has condemned him for saving the human race, and his very name is a curse. Using his real name, Andrew, he travels from world to world as a Speaker for the Dead, a person who speaks the truth about a person after death at their request.
Mankind has found a new alien race, the seemingly primitive “Piggies”. The colonists of the Piggie world Lusitania call them Pequeninos (little children) and this is a powerful hint for the reader. Ender falls into a maelstrom of human suffering spanning generations, while untenable Piggy-xenologer (scholar of aliens) interaction rules and their violation is putting the future of the Piggies and the colonists in doubt.
I enjoyed this book almost as much as Ender’s Game, and it delves much deeper into the human psyche, showing off Cards strength here. While Ender may sometimes be almost annoyingly wise and seemingly unerring, this does not detract from the story. The book focuses very much on human (and piggy) interaction and feelings, and at the end you wonder how a book can be so good with so little essentially happening. It deeply explores questions of humanity and existence, as well as morality and integrity, but without becoming preachy or boring. As with Ender’s Game, Card has yet again penned a masterpiece.
This novel explores a really fascinating concept. What if technology could be developed that let us see any place in space and time, including past, present and future? Society would be transformed. Lying would be impossible.
But Clarke and Baxter take it much much further than that, and the ending is just plain incredible as, without spoiling it too much, humans can finally seek redeption for the crimes of ages past. Read this book.
I had never read this classic for some odd reason. Card sets the boy Ender center stage from the very beginning. Most other characters are two dimensional parts of the surrounding for Ender to react to, with the exception of his siblings. The surroundings are equally vague, further enhancing the impression of Ender moving in a strange world. The novel focuses entirely on Ender’s personal development, and how the military is forced to mold him into a super soldier to end a mysterious alien threat. Society has become controlled and strict, with everything subjugated to the war effort, including trivial things like personal happiness.
Ender is a complex and deeply unhappy genius child. His plight is made all the more tragic by the fact that he is intensely aware of what is happening to him. He is becoming a great leader, but his empathy is suffering. He is being taught to manipulate others and mold them to his will, all the while realizing that he will be disliked, even hated, by those he controls. And what child doesn’t want to be liked rather than respected? for that matter, what adult?
The military establishment acts like those parents who want their child to “become something” without bothering to ask what the child wants. The excuse of the greater good of mankind could easily be substituted with “the good of the child”. Yet, while members of the military (appearing as voice-overs only) have doubts about what they are doing to Ender, the ends always overshadow the means.
In his introduction, Card mentions a letter from a guidance counselor who claimed that children simply don’t act or talk as the author describes them. But I agree with Card. Children can talk in an adult fashion, and their acts and motivations can be intensely Macchiavellian. However, they will censor themselves in front of adults, especially those who would frown upon their behavior. Children are seen in this novel as an underclass with no rights, which is used by society to further it’s means. Even though survival of the species is on the line, it still seems a very cruel thing to do. And this is an important theme in the novel. How far are we willing to go to ensure our survival? Is nothing sacred?
The central parts are somewhat predictable, but this in no way detracts from the enjoyment. The pages just fly by and I was unable to put it down. The last part of the book takes an unexpected turn, but it is here that we discover Ender’s true purpose. Without giving anything away, I will say that it is not quite what you expect.
After finishing the novel, I just sat in awe for several minutes. The depth of understanding that Card has over human psychology on both the individual, group and mass levels is astounding. The way he weaves it into a story is spectacular and keeps the reader guessing, turning the pages to see what new surprises are in store. I cannot recommend this book enough. If you haven’t already, run out and buy it now!
This novel was chronologically the last one in the Vorkosiverse for several years until Cryoburn came out. Miles and Ekaterin are diverted from their honeymoon as Miles is ordered to Quaddiespace in order to sort out a diplomatic tangle involving an interned Komarran/Barrayaran trade fleet. Needless to say, complications abound as a Cetagandan plot involving haut unborn babies is uncovered.
Not knowing at the time about Cryoburn coming years later, it was quite bittersweet to read the last of the books. While Diplomatic Immunity is not the best of the Vorkosigan books, it certainly does not disappoint. As usual, the enormously talented McMaster Bujold demonstrates her prowess at seeing things from many points of view. Her descriptions of Quaddies, their actions and thought patters, are particularly impressive. A lot of thought was obviously given to how even basic mannerisms could be decidedly different for humans with four arms, no legs, and a life in zero gravity habitats. The interaction between a happily married Miles and Ekaterin is charming and alluring, leaving the reader hungering for many more books. Perhaps it is a good thing that the author quit when at the top of her game, but I couldn’t help feeling at the time that Miles, and now Ekaterin, still have many stories left to be told.
This novel is collected in the “Miles, Mutants and Microbes” omnibus.
After the fantastic Encounter with Tiber, I was hoping that Aldrin and Barnes would pull off another great epic story. In this respect, I was sadly disappointed. The Return is still a good SciFi yarn. It’s a near space, near future story which fictionalizes what I assume to be Aldrin’s hopes for humanity’s return to serious space travel. Worth picking up if you’re into this sort of thing, but nothing very special.
Until Adams’ untimely demise, this series kept expanding and expanding. I have read up to book four, that is The Hitchhiker’s Guide to the Galaxy; The Restaurant at the End of The Universe; Life, the Universe, and Everything and finally So Long, and Thanks for All the Fish. While many SciFi fans see this as the be all and end all of satire, I seem to have missed most of their point. Granted, the series is good, but not quite so ultimately engrossing that I feel the need to read it over and over again. To be quite honest, I find some of the parts quite sad, especially the repeated failures of Arthur Dent to find happiness. I think that this book reflects Britishness in a very unique way, mixing equal parts dry humor and melancholy. Having said all that, definitely read the first two parts. They ARE classics (and now I sound like an English teacher…) If nothing else, you’ll be able to keep up when other SciFi readers reference them.
The plot of this story is set in 2019, with humans back on the Moon looking for fusion power fuel, and also in the Soviet Union in the late 1960s, at the height of the Moon race. As things fall apart during a Moon mission in 2019, a NASA scientist must travel to Moscow to find out about a mysterious spacecraft found on the Moon. He uncovers a deep conspiracy about the Cold War Soviet space program. Back then, unknown cosmonaut Grigor Belinsky is maneuvered into taking on an unthinkable mission.
I freely admit that I am a sucker for the subject matter. Secret Moon missions? Blending fact and fiction about the Moon Race? Oh my! I just had to read this book. It delivered beyond my wildest expectations. Unlike the deeply disappointing “Children of Apollo“, another independent publication in the genre, “Red Moon” is masterfully crafted. The plot is intelligent and elegant beyond words and moves powerfully towards a breathless climax. Not since early Clancy novels have I read something with this kind of page-turning power combined with depth.
And the characters! Belinsky feels so alive, so real. He is a classic tragic hero, his inevitable fate sealed by his deep drive and desire to do the right thing in an evil world. The whole way Russians are described is so spot on, showing their poetic and melancholy side, their deeply emotional selves, in a way that few Western thrillers manage. What a book! It satisfies on many levels, with the sprinkling of culturally rooted mysticism, the slice-of-life vignettes from the 60s and the believable, three-dimensional characters lifting what could have been just a competent thriller into the realm of the sublime.