Miles’ twin brother Mark is back. He manages to infiltrate the Dendarii while acting as Miles. In short order, he is taking a ship on a harebrained mission to Jackson’s Whole in order to free clones doomed to act as replacement bodies for the rich, a procedure which leads to the clones’ brain being dumped. Naturally, it all goes to hell, with Miles chasing after. Miles is shot “fatally” and cryo-frozen, at which point Mark is whisked off to Barrayar to meet the parents for the first time. Meanwhile, Miles’ frozen body is lost.
McMaster Bujold is back in good shape here. The first part of this book is merely good, but the fireworks really fly when Mark ends up on Barrayar. His mother, Cordelia, steals all the scenes she is in. A truly great character who does even better in middle age as a bit player than in the books featuring her as protagonist (Shards of Honor and Barrayar). The parallel plot following the lost (in several senses) Miles is equally engaging. One of the best in the series so far.
This novel is collected in the “Miles Errant” omnibus.
While traveling with the Dendarii Mercenaries, Miles ends up on Earth. While there, he is entangled in a plot to replace him with a clone.
The elements to create a good story are in place. Miles’ clone brother Mark is an excellent addition to the series, seeing as how he can act as a counterpoint to Miles himself. The character development and exploration in this book is on par with McMaster Bujold at her best. The plot, unfortunately, is not. It seems a bit forced, somehow. And while still an enjoyable read (this woman is a fabulous writer) it is weak compared to other installments in the series.
This novel is collected in the “Miles Errant” omnibus.
This short story, collected in the Miles Errant omnibus, is a tidy set piece. It opens with Miles in a Cetagandan prison camp. The camp consists of some terrain enclosed in a dome shaped force field. No visible guards or anything like that. Every day, ration bars (one per prisoner) are passed through the force field. Inevitably, fights break out about the food. Equally inevitably, cliques have formed, for mutual protection and for acquisition of food. Miles has a secret agenda, but how will he take command of this group, using only his quick tongue?
“The Borders of Infinity” is a fine example of the short story genre. McMaster Bujold displays her uncanny grasp of the human psycho and logic. She manages to both solve the problem in a plausible manner, and tack on a realistic motivation for Miles’ actions, while keeping the reader guessing right up until the end.
This short story is collected in the “Miles Errant” omnibus.
Arguably the best story about first contact ever written. A ship comes careening into a human system. The pilot is dead, and strange, and it has apparently traveled for years at sublight speeds to get there. Even more strange is the fact that the ship hardly seems enough to sustain it. Two ships are dispatched to a star system hidden inside a nebula to contact the aliens. The society of “Moties” they find is very strange, and very fascinating, almost as fascinating as the creatures themselves. What they fail to realize is that the truth behind Motie society is deeply disturbing and will be a danger to all humanity.
It has aged very slightly due to the its being written in the seventies, but this hardly detracts from the magnificence of this novel. Manages to capture the essence of encountering the truly alien, and how humans have a hard time not placing their own values and prejudices on that which they do not understand.
This is truly an undiscovered gem of a novel. Almost discreetly thrown out there, it will unfortunately be missed by many readers thinking it just one more of Baen’s (admittedly mostly excellent) military scifi offerings. It is much much more than that.
The story it draws closely on the history of the English occupation of India. The Jao conquered Earth twenty years ago in their struggle to hold ground against the powerful and enigmatic Ekhat. Since then, Earth has suffered under an abusive Jao viceroy. Humans still do not understand the Jao and their complex society. Most Jao see humans as lesser beings to be used up in the war against the Ekhat. But things change as a new Jao commander of ground forces arrives with fresh ideas. Meanwhile, the Ekhat are closing in and the mysterious Jao faction known as The Bond of Ebezon watches closely, ready to intervene.
The book is a page turner with plenty of action, but I did struggle with the alien Jao in the beginning. They are not written to be easily understandable. Flint and Wentworth have made them complex and truly alien without succumbing to the temptation of explaining their quirks and affectations in human terms. It’s a bit of a hump but well worth conquering. The Jao are fascinating creatures that misunderstand humans as much as humans misunderstand them. Not since Niven & Pournelle’s The Mote in God’s Eye have I encountered aliens that are truly alien and not just humans looking different.
Flint & Wentworth masterfully take the reader from simple beginnings and purposeful confusion to understanding and enlightenment. This journey parallels that of the main protagonists, both Jao and human. Excellent!
The human galactic federation is in ruins, and the worlds have devolved to various levels of barbarism. On the planet Bellevue, which is at about the early nineteenth century in development, a young officer named Raj Whitehall and his friend venture into the catacombs under the capital. There, they find an ancient battle computer named Center. With Center’s help, Raj must unite the planet and enable humanity to retake the stars. The story is at least somewhat based on that of the Byzantine general Belisarius.
The first seven novels are written by Drake and Stirling. The last one by Drake and Flint. David Drake writes very detailed outlines, while his collaborators write the actual text.
The first five novels are a set and deal with the conquest/unification of Bellevue. They are nowadays published in two volumes, known as Warlord and Conqueror:
After finishing the conquest of Bellevue, the personalities of Center and Raj are imbued in computers that are sent to other worlds with launched asteroids. This scenario has infinite permutations as human worlds at various levels of development can be written about. The first of these follow-up novels is:
It is a great singleton set on a world with early twentieth century technology. Finally there is the two volume story consisting of:
Here, we take a serious step “back in time”, as the planet Hafardine is at about Roman Empire level in it’s technology. The Tyrant is rather different in style from the others due to being penned by Flint. However, his trademark dry humor meshes well with the overall thrust of the series.
This is great military SciFi, with excellent battlescenes and great characters, not to mention a dose of dry humor. Very highly recommended.
I first read this book years and years ago as a teenager. I can still remember staying awake half the night, then finishing it the next evening. It is a magnificent grail quest of sorts, complete with manic captain, a demonic enemy, big stakes, a rich and varied past for the characters, and a fabulous setting. The ease with which the prose flows, and the believable and interesting situations and interactions make this one of SciFi’s masterpieces.
Technically this is the second sequel to Ender’s Game, but in actuality Ender’s Game is pretty much a singleton with a spin-off. Xenocide picks up directly where Speaker for the Dead left off. The Lusitania fleet is still bearing down on our heroes, and the question of how to ensure the survival of Pequeninos, Buggers and humans dominates the book. The secondary plot on the planet Path could have been skipped altogether from a story point of view, but psychology is never boring with Card, and so it’s good, if sometimes long-winded reading.
Xenocide is rather slow in the first two thirds, and it took me a long time to get through it. The last third speeds up as the story reaches it’s climax. For a while I though Card would lose it with his theory of the universe, but it all works out rather neatly in the end. Well, life is a mess for Ender, but that seems to be his lot in life.
The ending neatly sets the stage for the sequel Children of the Mind. Just like in Speaker for the Dead, a lot is left unresolved.
I didn’t enjoy this as much as Speaker for the Dead. The story is just as good, if not better. However it is quite slow and long winded. Card himself has said this book is maybe his “deepest” work. That isn’t to say it isn’t a great book. It really is. Finally, don’t start with this one. Read the previous two first.
As in the prequel Ender’s Game, Card puts puts Ender center stage. Ender is now in his mid thirties, but three thousand years have passed (thanks to judicious speed of light travel on his part) and he finds a chance to redeem himself for what he (and the public) sees as the xenocide (murder of alien race) of the “buggers”. History, cruelly revisionist as it often is, has condemned him for saving the human race, and his very name is a curse. Using his real name, Andrew, he travels from world to world as a Speaker for the Dead, a person who speaks the truth about a person after death at their request.
Mankind has found a new alien race, the seemingly primitive “Piggies”. The colonists of the Piggie world Lusitania call them Pequeninos (little children) and this is a powerful hint for the reader. Ender falls into a maelstrom of human suffering spanning generations, while untenable Piggy-xenologer (scholar of aliens) interaction rules and their violation is putting the future of the Piggies and the colonists in doubt.
I enjoyed this book almost as much as Ender’s Game, and it delves much deeper into the human psyche, showing off Cards strength here. While Ender may sometimes be almost annoyingly wise and seemingly unerring, this does not detract from the story. The book focuses very much on human (and piggy) interaction and feelings, and at the end you wonder how a book can be so good with so little essentially happening. It deeply explores questions of humanity and existence, as well as morality and integrity, but without becoming preachy or boring. As with Ender’s Game, Card has yet again penned a masterpiece.
This novel explores a really fascinating concept. What if technology could be developed that let us see any place in space and time, including past, present and future? Society would be transformed. Lying would be impossible.
But Clarke and Baxter take it much much further than that, and the ending is just plain incredible as, without spoiling it too much, humans can finally seek redeption for the crimes of ages past. Read this book.
I had never read this classic for some odd reason. Card sets the boy Ender center stage from the very beginning. Most other characters are two dimensional parts of the surrounding for Ender to react to, with the exception of his siblings. The surroundings are equally vague, further enhancing the impression of Ender moving in a strange world. The novel focuses entirely on Ender’s personal development, and how the military is forced to mold him into a super soldier to end a mysterious alien threat. Society has become controlled and strict, with everything subjugated to the war effort, including trivial things like personal happiness.
Ender is a complex and deeply unhappy genius child. His plight is made all the more tragic by the fact that he is intensely aware of what is happening to him. He is becoming a great leader, but his empathy is suffering. He is being taught to manipulate others and mold them to his will, all the while realizing that he will be disliked, even hated, by those he controls. And what child doesn’t want to be liked rather than respected? for that matter, what adult?
The military establishment acts like those parents who want their child to “become something” without bothering to ask what the child wants. The excuse of the greater good of mankind could easily be substituted with “the good of the child”. Yet, while members of the military (appearing as voice-overs only) have doubts about what they are doing to Ender, the ends always overshadow the means.
In his introduction, Card mentions a letter from a guidance counselor who claimed that children simply don’t act or talk as the author describes them. But I agree with Card. Children can talk in an adult fashion, and their acts and motivations can be intensely Macchiavellian. However, they will censor themselves in front of adults, especially those who would frown upon their behavior. Children are seen in this novel as an underclass with no rights, which is used by society to further it’s means. Even though survival of the species is on the line, it still seems a very cruel thing to do. And this is an important theme in the novel. How far are we willing to go to ensure our survival? Is nothing sacred?
The central parts are somewhat predictable, but this in no way detracts from the enjoyment. The pages just fly by and I was unable to put it down. The last part of the book takes an unexpected turn, but it is here that we discover Ender’s true purpose. Without giving anything away, I will say that it is not quite what you expect.
After finishing the novel, I just sat in awe for several minutes. The depth of understanding that Card has over human psychology on both the individual, group and mass levels is astounding. The way he weaves it into a story is spectacular and keeps the reader guessing, turning the pages to see what new surprises are in store. I cannot recommend this book enough. If you haven’t already, run out and buy it now!
This novel was chronologically the last one in the Vorkosiverse for several years until Cryoburn came out. Miles and Ekaterin are diverted from their honeymoon as Miles is ordered to Quaddiespace in order to sort out a diplomatic tangle involving an interned Komarran/Barrayaran trade fleet. Needless to say, complications abound as a Cetagandan plot involving haut unborn babies is uncovered.
Not knowing at the time about Cryoburn coming years later, it was quite bittersweet to read the last of the books. While Diplomatic Immunity is not the best of the Vorkosigan books, it certainly does not disappoint. As usual, the enormously talented McMaster Bujold demonstrates her prowess at seeing things from many points of view. Her descriptions of Quaddies, their actions and thought patters, are particularly impressive. A lot of thought was obviously given to how even basic mannerisms could be decidedly different for humans with four arms, no legs, and a life in zero gravity habitats. The interaction between a happily married Miles and Ekaterin is charming and alluring, leaving the reader hungering for many more books. Perhaps it is a good thing that the author quit when at the top of her game, but I couldn’t help feeling at the time that Miles, and now Ekaterin, still have many stories left to be told.
This novel is collected in the “Miles, Mutants and Microbes” omnibus.
After the fantastic Encounter with Tiber, I was hoping that Aldrin and Barnes would pull off another great epic story. In this respect, I was sadly disappointed. The Return is still a good SciFi yarn. It’s a near space, near future story which fictionalizes what I assume to be Aldrin’s hopes for humanity’s return to serious space travel. Worth picking up if you’re into this sort of thing, but nothing very special.
Until Adams’ untimely demise, this series kept expanding and expanding. I have read up to book four, that is The Hitchhiker’s Guide to the Galaxy; The Restaurant at the End of The Universe; Life, the Universe, and Everything and finally So Long, and Thanks for All the Fish. While many SciFi fans see this as the be all and end all of satire, I seem to have missed most of their point. Granted, the series is good, but not quite so ultimately engrossing that I feel the need to read it over and over again. To be quite honest, I find some of the parts quite sad, especially the repeated failures of Arthur Dent to find happiness. I think that this book reflects Britishness in a very unique way, mixing equal parts dry humor and melancholy. Having said all that, definitely read the first two parts. They ARE classics (and now I sound like an English teacher…) If nothing else, you’ll be able to keep up when other SciFi readers reference them.
The plot of this story is set in 2019, with humans back on the Moon looking for fusion power fuel, and also in the Soviet Union in the late 1960s, at the height of the Moon race. As things fall apart during a Moon mission in 2019, a NASA scientist must travel to Moscow to find out about a mysterious spacecraft found on the Moon. He uncovers a deep conspiracy about the Cold War Soviet space program. Back then, unknown cosmonaut Grigor Belinsky is maneuvered into taking on an unthinkable mission.
I freely admit that I am a sucker for the subject matter. Secret Moon missions? Blending fact and fiction about the Moon Race? Oh my! I just had to read this book. It delivered beyond my wildest expectations. Unlike the deeply disappointing “Children of Apollo“, another independent publication in the genre, “Red Moon” is masterfully crafted. The plot is intelligent and elegant beyond words and moves powerfully towards a breathless climax. Not since early Clancy novels have I read something with this kind of page-turning power combined with depth.
And the characters! Belinsky feels so alive, so real. He is a classic tragic hero, his inevitable fate sealed by his deep drive and desire to do the right thing in an evil world. The whole way Russians are described is so spot on, showing their poetic and melancholy side, their deeply emotional selves, in a way that few Western thrillers manage. What a book! It satisfies on many levels, with the sprinkling of culturally rooted mysticism, the slice-of-life vignettes from the 60s and the believable, three-dimensional characters lifting what could have been just a competent thriller into the realm of the sublime.
Definitely my favorite Baxter. Unlike most Baxter fare, there is no “big thinking”, no Xeelee, no looming destruction of the universe. It is, quite simply, a novel of what might have been (and very nearly was) if NASA had been allowed to continue in the footsteps of Apollo all the way to Mars. It is written in parallel perspectives, looking at the mission itself as it runs its course, and at the preparations, political wangling and engineering that precede it. The heroine, Natalie York, is followed closely as Baxter explores her long personal journey in parallel with the preparations, as it becomes clear to the reader (and to herself) just how much one has to sacrifice to become an astronaut. The quiet geologist becomes an astronaut and an unwilling hero as she reaches for the ultimate prize of both her professions. Despite being fiction, it is in my opinion one of the best portrayals of the culture and politics of NASA during the Apollo and post-Apollo era.
Baxter did in fact apply to be an astronaut. Unfortunately, he was required to speak a foreign language and thus failed to get in. In Voyage, his love of astronautics and space exploration clearly shows. If you liked the movie Apollo 13, you will enjoy this book.
With a name like Buzz Aldrin on the cover I figured I needed to at least give it a shot. The story follows the first human mission to another star, and in flashbacks a human mission to the Moon that found alien artifacts, as well as two alien missions to Earth in prehistoric times.
Unexpectedly, this novel completely blew me away. The story is developed from two angles, human and alien. Interestingly enough, the two sides never meet as such, but impact on each other’s existence in various ways. While the aliens aren’t the most original, the alien characterisation is complex and well written, It is nice to read about well fleshed out characters who have deep, complex personalities on the “other” side. The tech is of course top notch (Buzz Aldrin!), but the real kicker here is the sheer epic scale of the story. After I finished it, I sat staring into empty space for a long time, my mind filled with wonder.
Cryoburn is chronologically placed about six years after Diplomatic Immunity. Miles is sent by Emperor Gregor to investigate a corporation on the planet of Kibou-Daini, where millions of people are cryogenically frozen, hoping to be revived when they can be cured or rejuvenated. As inevitably seems to happen, large corporations (in this case specialized in cryopreservation) have accumulated more power than any nation should feel entirely comfortable with. Miles, as is his wont, stumbles on a whole big conspiracy and, as usual, can’t restrain himself from stretching his official job description of investigator to the very limit. Well, way beyond the limit for that matter.
McMaster Bujold had Vorkosigan fans wait seven long years for a new adventure with Miles. Luckily for me, I only started reading the books in 2008, but the wait for this next installment still felt far too long. Stepping back into the Vorkosiverse and being a fly on the wall while Miles plows through his adventures like a “hyperactive lunatic”, as Dr. Raven Durona so aptly describes it in the book, is a sheer visceral pleasure. Ms. McMaster Bujold has most definitely not lost her touch, mixing humor, an interesting and thought-provoking plot and emotional impact in perfect measure. Her skill at encapsulating emotions within a clever and witty little sentence is peerless. While it felt somewhat sad that only Miles and Armsman Roic were actually on this jaunt, (SPOILER: Mark and Kareen join up at the end) the colorful supporting cast loomed over them in spirit, with many references scattered about like easter eggs for the serious fan.
As usual with her novels, Bujold wrote this one to fit both into the wider series and a standalone, and it works perfectly well as the latter. With Miles flying solo again, it felt like a throwback (perhaps even an homage) to the pre-Memory books, before Miles became got his “adult” job of Imperial Auditor. McMaster Bujold even hints at this in the epilogue, when Ivan wonders what “the old Miles would have said”.
All the books are good, and while this one is not quite as superb as, say, Memory, it still easily proves why McMaster Bujold is one of my very favorite authors.
This short story is set in the Jackson’s Whole system, a place where capitalism has run completely wild and unchecked. Miles’ mission is to pick up a scientist wishing to defect from one of the large syndicates that run Jackson’s Whole. But of course, things are never that easy and simple when Miles is involved.
This piece was a lot of fun, with McMaster Bujold showcasing how she understands what makes characters tick and how they react to one another. Quite enjoyable.
This short story is collected in the “Miles, Mystery & Mayhem” omnibus.
Somewhat unexpectedly, this story doesn’t feature Miles at all. One of the main characters is Elli Quinn, introduced back in “The Warrior’s Apprentice”. She is now a Commander in the Dendarii Free Mercenaries and is hunting down a mysterious character named Terrence Cee. The titular protagonist, Ethan of the planet Athos, comes from an isolated society made up exclusively of males. He is a reproductive specialist who is sent on a mission to find ovarian cultures in order to enrich Athos’ failing gene pool. On arrival to his first waystation, he finds himself embroiled in the struggle surround Terrence Cee and his valuable genetic heritage.
Ethan’s initial contact with galactic society is very entertaining. He has never met a woman, and really has understanding whatsoever of that sex. Luckily, McMaster Bujold doesn’t make the entire novel an essay on this point. The action, almost exclusively confined to one massive space station, is entertaining and leavened with the author’s almost trademark sharp wit. The evolution of Ethan’s character from hopeless naif through angry victim to assertive decision maker makes this a bildungsroman of sorts, and a good one.
This novel is collected in the “Miles, Mysery & Mayhem” omnibus.
Miles’ first assigment after graduation from the Barrayar Service Academy seems like a complete dead end. Weather officer at a remote arctic training station. He is replacing an officer who has spent fifteen years at the base, and uses his nose to compile the forecast. Miles has been more or less promised a very attractive ship assignment if he can prove that he can follow orders and keep out of trouble for six months. For even after graduation there are many who believe Miles is too weak and short to be a real officer, and too arrogant to follow orders. Of course, Miles doesn’t manage to stay out of trouble, and ends up leading a mutiny against the deranged commander of the base. A just mutiny, perhaps, but this wasn’t what they meant when they told him to stay out of trouble. In the end, his father the prime minister and the head of Imperial Security decide that it would be safest to make him part of Imperial Security itself. To that end, he is sent as a subordinate on a fact finding mission about an impending crisis at an critical frontier wormhole hub. Yet again, Miles cannot stay out of trouble. He is forced to rejoin the Dendarii Mercenaries (from The Warrior’s Apprentice) and finds himself attempting to rescue the young Barrayaran emperor while trying to prevent an invasion.
The entire first part of the novel at the arctic base felt like an (admittedly entertaining) throwaway for quite a while. I was worried that this would make the novel disjointed, but one of the main characters from that section did crop up in a key role later. So no worries there. McMaster Bujold certainly knows how to throw together a complex plot. Luckily for the reader, she also knows how to sort it all out. The Vor Game is entertaining, engaging, exciting, and at times laugh-out-loud funny.
This novel is collected in the “Young Miles” omnibus.
This was the second novel that McMaster Bujold wrote, and the first one about Miles proper. Miles fails the entrance exam for the Barrayar (military) Service Academy in spectacularly humiliating fashion. The physical handicaps caused by his in utero poisoning make him short, crooked, brittle boned and ugly. As a young Vor lordling, he doesn’t really need to work for a living, but he is expected, and expects of himself, to serve Barrayar. For now, he is sent off to visit his grandmother (Cordelia’s Mother) on Beta Colony, a world as egalitarian and “modern” in its views as Barrayar is feudal and provincial. A chance encounter on arrival eventually leads to Miles commanding his own mercenary fleet. As if that’s not trouble enough, collecting such a personal army is tantamount to treason for a Vor lord.
It is not necessary to have read “Cordelia’s Honor” in order to enjoy “The Warrior’s Apprentice” but it does help with understanding the background, in particular the peculiar character of Sergeant Bothari and his relationship to his daughter Elena. The novel is a lot of fun. Miles as a character, with his boundless energy and quick thinking, is enormously entertaining. The plot is quite far fetched, asking the reader to make some rather challenging leaps of faith. If it weren’t so engaging and frequently humurous, this novel would go from pretty good to awful.
This novel s collected in the “Young Miles” omnibus.
Behind the rather tacky cover is an omnibus edition consisting of McMaster Bujold’s debut novel “Shards of Honor” and its immediate chronological sequel “Barrayar”. The latter won the Hugo in 1992. These chronicle the adventures of Cordelia Naismith from the time she first meets her future husband, Lord Aral Vorkosigan, when she is his prisoner of war. At the end of the “Shards of Honor”, she goes to Vorkosigan’s home planet of Barrayar to become his wife. Barrayar is quite different from her own modern home planet of Beta Colony. It has only recently been rediscovered, and an old system of blood ties, honor, nobility, and plain Machiavellian insanity keep it ticking. Cordelia’s adaptation to Barrayar, and her key role during a civil war, are the subject of “Barrayar”.
The first book, “Shards of Honor”, is decent but not stellar. McMaster Bujold shows an early talent for characterization, describing motivation and personal development. “Barrayar”, on the other hand, is a rich story of adventure and one woman’s fight for herself and her family in the midst of an (to her) insane civil war. I enjoyed it immensely. McMaster Bujold has a knack for describing emotion and motivation that sweeps the reader along as if he is looking right over Cordelia Naismith’s shoulder. As a heroine, Cordelia is perfect. Heroic when need be, but more importantly rational and humble in a world where honor and revenge pull society’s fabric to the breaking point and beyond. Highly recommended.
Like “Night’s Dawn” and the Commonwealth Saga before it, the “Void Trilogy” is not so much a series as one single novel, sprawling over three 1500 page volumes. That’s why it took two months to read. Set over one thousand years after the end of Commonwealth, it reintroduces many of the old familiar characters. While it can be read independently, I would highly recommend that you read Commonwealth first. The background is invaluable.
In the Commonwealth of the 3500s, humanity has split into many groups. Biggest is the split between Advancers, what one might think of as “old fashioned” humans, and Highers, who see their physical existence as a precursor to upload into the machine intelligence known as ANA. Among the Highers, there are several rival factions, from the Accelerators, who wish to speed up human evolution towards the enigmatic goal of transcendence, to the conservative Conservatives. Into this mix is thrust the religion of the Living Dream, born out of the dreams that its founder Inigo had of events inside the Void, a vast, enigmatic and (mostly) impenetrable region in the center of the galaxy. Inigo has dreamed of the life of a man called Edeard in a mysterious city on a planet in the Void. In fact, Inigo’s dreams of Edeard’s life mark a major subplot in the novel, as we follow Edeard from country boy to refugee to city constable in the city of Makkathran. The goal of Living Dream is to start a pilgrimage into the Void and there reach “fulfillment”. The rest of humanity and most alien races are more or less united against it, believing that such a pilgrimage will lead to an expansion of the Void which will engulf the rest of the galaxy, terminating all life.
As usual with Hamilton, the plot is complex, the characters are many, and the descriptions just lovely. The story is certainly gripping. However I did feel that this time, Mr. Hamilton didn’t quite grip me enough. Perhaps I now have too high expectations from him, but Void felt a bit ponderous, especially in the beginning. By contrast, the interludes with Edeard were quite the story in themselves, almost able to stand on their own as a novel. Weird as it may seem, I felt as if the novel wasn’t quite long enough. Some bits were a bit too sketchy, such as the whole Ocisen attack subplot. Yes, it was just a device used by a faction, but even so the complexities were worth exploring further. There was also a bit of a lack of action for much of the novel. People went hither and thither in their starships but there was often precious little actual plot or character development. So I wanted the novel to be longer, but in parts it was too slow? Exactly! The ending, however, was quite gratifying. Hamilton has by his own admission, often had difficulties actually tying things up. But he did it nicely here.
So what’s the verdict? If you have read Commonwealth and enjoyed it, you can’t go wrong by continuing with Void. It is not as good as Night’s Dawn or Commonwealth, but Hamilton at his worst is better than most authors at their best. It is great space opera, and few can write it like he does.
Peter F. Hamilton – The Void Trilogy
Like “Night’s Dawn” and the “Commonwealth Saga” before it, the “Void Trilogy” is not so much a series as
one single novel, sprawling over three 1500 page volumes. Set over one thousand years after the end of
Commonwealth, it reintroduces many of the old familiar characters. While it can be read independently, I
would highly recommend that you read Commonwealth first. The background is invaluable.
In the Commonwealth of the 3500s, humanity has split into many groups. Biggest is the split between
Advancers, what one might think of as “old fashioned” humans, and Highers, who see their physical
existence as a precursor to upload into the machine intelligence known as ANA. Among the Highers, there
are several rival factions, from the Accelerators, who wish to speed up human evolution towards the
enigmatic goal of trancendence, to the conservative Conservatives. Into this mix is thrust the religion of
the Living Dream, born out of the dreams that its founder Inigo had of events inside the Void, a vast
enigmatic and impenetrable region in the center of the galaxy. Inigo has dreamt of the life of a man
called Edeard in a mysterious city on a planet in the Void. In fact, Inigo’s dreams of Edeard’s life mark
a major subplot in the novel, as we follow Edeard from country boy to refugee to city constable in the
city of Makkathran. The goal of Living Dream is to start a pilgrimage into the Void. The rest of humanity,
and most alien races, are more or less united against it, believing that such a pilgrimage will lead to an
expansion of the Void which will engulf the rest of the galaxy, terminating all life.
As usual with Hamilton, the plot is complex, the characters are many, and the descriptions just lovely.
The story is certainly gripping. However I did feel that this time, Mr. Hamilton didn’t quite grip me
enough. Perhaps I now have too high expectations from him, but Void felt a bit ponderous, especially in
the beginning. By contrast, the interludes with Edeard were quite the story in themselves, almost able to
stand on their own as a novel. Weird as it may seem, I felt as if the novel wasn’t quite long enough. Some
bits were a bit too sketchy, such as the whole Ocisen attack subplot. Yes, it was just a device used by a
faction, but even so the complexities were worth exploring further. There was also a bit of a lack of
action for much of the novel. People went hither and thither in their starships but there was often
previous little actual plot or character development. So I wanted the novel to be longer, but in parts it
was too slow? Exactly! The ending, however, was quite gratifying. Hamilton has by his own admission, often
had difficulties actually tying things up. But he did it nicely here.
So what’s the verdict? Well, if you have read Commonwealth and enjoyed it, you can’t go wrong by
continuing with Void. It is not as good as Night’s Dawn or Commonwealth, but Hamilton at his worst is
better than most authors at their best. It is certainly great space opera, and few can write it like he