The premise is purposefully silly and the writing is over-the-top bizarre erotica. If not taken too seriously, it is a rather entertaining story.
(The companion story “Half-Man, Half Horse, All Love” is nowhere near as good.)
The premise is purposefully silly and the writing is over-the-top bizarre erotica. If not taken too seriously, it is a rather entertaining story.
(The companion story “Half-Man, Half Horse, All Love” is nowhere near as good.)
The titular “Murderbot” is a robot charged with the defence of a survey expedition on an alien planet. The murderbot has hacked her (his?) governor module and is secretly no longer constrained by her programming. Nevertheless, in a crisis situation, she helps her survey expedition and wins their trust.
This novella is an interesting take on sentient created life. The murderbot, telling the story in the first person, has a humorous narration style, with dry wit used to lay bare questions of purpose in life, and the need for companionship, or not. Unfortunately, the story itself sometimes stumbles into tediousness due to a clumsy use of contrived technological constraints used to anchor plot points.
In a post-climate disaster future, the superpowers have begun mining the Moon in large scale. Life on the frontier is rough and fraught with danger. However, old rivalries have not disappeared. Disillusioned American mining chief and veteran Dechert is confronted with the mysterious murder of a miner, while the powers that be seem dead set to go to war with the Chinese.
Dechert’s outlook is bleak. He has seen the elephant and exiled himself to the Moon in order to escape the ghosts of his comrades from his military days. But war is coming to the Moon and Dechert cannot escape it. He is a beautifully written protagonist, wavering between abject fatalism at the inevitability of repeating history and self-aware naive idealism about this new frontier being a new beginning for mankind. He is firm on one thing: doing his utmost to protect his people, something which he was unable to do during in the past despite his best efforts.
The novel plays out like a good thriller, showing a small slice of larger events, but it is the personal aspect that really shines.
Caitlin Taggart is stuck on the Moon, unable to get home to her daughter on Earth, after international tension has led to a travel ban for Moonborn like her. She works as a regolith miner. She is offered an illegal asteroid mining job for a chance to get home. On the job, things go very wrong for Caitlin and her crew, with consequences that threaten Earth itself.
Leaving aside the handwavy physics poorly suited to a hard science fiction story, I found this novel unengaging. Apart from the well developed protagonist, the rest of the characters seem like cardboard cutouts, with actions dictated by “plot reasons”. While the scope of the story is ambitious, and the flashback scenes are well written, the whole thing doesn’t gel.
In the sequel to Perigee, Polaris Spacelines has started to establish tour service around the Moon. On one such flight, an incident occurs, leaving the spacecraft missing. The situation soon escalates dramatically.
Unlike the more neatly contained story of Perigee, Farside takes a more dramatic and ambitious turn. The prose and characterisations also feel more confident and engaging, as the novel escalates from a relatively low key science fiction accident story to a competent geopolitical thriller.
Also compared to Perigee, the technical accuracy has much improved. I will permit myself a tiny nitpick: “Taxi into position and hold” is outdated air traffic radio phraseology and no longer used.
In the future, humanity is part of an interstellar society. A security expert is tasked to escort a scientist as he investigates a murder with seemingly paranormal aspects. Meanwhile, an alien seeks vengeance for the extermination of her religious sect. Unlike the science-rooted humans, the alien knows that magic is real.
The novel is space opera with a large degree of comedy. Unfortunately, I didn’t find the overwrought dialogue and interactions very funny. The story isn’t very entertaining either.
On a future Earth only just recovering from massive ecological disaster and plague, the technologically advanced but environmentally constrained remnants of humanity dwell in overground habs and underground “hells”. Information technology and augmented reality is pervasive. A form of granular capitalism controls the economy, with contracts and debts giving structure. In this context, fluvial restoration specialist Minh is given an opportunity to gather data on the Tigris and Euphrates rivers, by traveling back in time to ancient Mesopotamia.
Ms. Robson drops the reader directly into the deep end of a fully realised world. The sensation is rather dizzying at first, perhaps mirroring how young research assistant Kiki feels about coming of age. The story and themes of this novella are well realised, and leave the reader wanting to read more about this fascinating world.
In the second half of the 21st Century, American astronomers detect what can only be an alien starship making rendezvous with an object hidden among the rings of Saturn. The starship then departs the Solar System. This sparks a race to Saturn between the US and China in order to secure any alien technology which can be found.
The tone of the story is more thriller than sense-of-wonder science fiction, showing Mr. Sandford’s crime write roots. And it is indeed a good thriller of a story. The characters are imperfect and well fleshed out, if perhaps rather stereotypical, especially the Chinese ones. The “games people play” are intricate and interesting. An unfortunate aspect of the novel is that it expounds rather too much at length on the science and technology involved in the missions. While it is certainly neat content for the scientifically interested reader, the infodumps have a tendency to interrupt the otherwise fine pacing.
In the last book of the trilogy, things are coming to a head in the conflict with the Others. At the same time, Bob continues to live in android form among the Deltans, something of a hermit from his own kind.
Mr. Taylor does not lose steam at the end; rather the opposite. This volume brings things to a satisfying conclusion while continuing the thematic exploration of humanity, mortality and the nature of loss. There is also significant discussion on the duty of an individual to society. Is a Bob, or any other individual for that matter, honour bound to serve humanity just because he or she has the ability?
By now a well-established presence, the Bobs tackle issues large and small. The human race has all but annihilated itself in Sol system, and the Bobs must help. At the same time, the looming threat of the powerful others must be prepared for. The group continues to grow and diversify, in interesting ways.
The Others are the large, looming threat, but the story really shines in Original Bob’s interaction with the stone age Deltans. Mr. Taylor has hit his stride with the story, as each of the short chapters brings interesting developments. Interactions with humans, which some of the new Bobs have started calling ephemerals, bring challenges and solid exploration of themes. Is immortality something to wish for, or does it just involve “spending immortality doing chores”, to quote one character?
Bob Johansson has just sold his software company and signed up for cryopreservation when he gets run over by a car and is killed. Over a hundred years later, his mind is resurrected in an electronic matrix by the theocratic government of North America. A very volatile cold war is on between the handful of superpowers on Earth. Bob is tasked with crewing a ship which will colonise other star systems. As his departure date approaches, the war heats up, and things start diverging from the plan rapidly.
This novel took me by surprise. It starts in fairly conventional fashion, but some way through the originality of the premise becomes apparent. Bob is not only a cryopreserved human resurrected into an unexpected situation, he is capable of cloning his mind into other “Bobs”. The personality differences and interactions between the Bobs is used to good effect in order to conjure interesting themes of existence, soul and uniqueness. The complex relationship that the Bobs develop with humanity are equally well explored. What does an original intelligence really owe its creators?
The fact that Bob is endowed with a geek’s personality and a dry sense of humour helps the accessibility of the narrative. Good fun.
A planet orbiting a distant star is seeded with life in a grand experiment. Soon after, back in our solar system, the “Old Empire” collapses in civil war, and human civilisation falls, almost to extinction. Thousands of years later, the ark ship Gilgamesh, carrying hibernating refugees from the poisoned and dying Earth, arrives at the seeded planet. Lacking supervision from those who started the experiment, a race of spiders has risen to sentience, and built its own grand civilisation on the one speck of lush green that humans could use as a new beginning.
Mr. Tchaikovsky’s opus divides its time between the desperate humans on the Gilgamesh, trying to find a place to settle before their ship gives up the ghost, and the evolving spider society on the planet. A story about sentient spiders might seem silly, but the author skillfully makes the arachnids come to life. Their society and technology is nothing like that of humans, but the primal struggle for survival is still very much in evidence. In fact, after only a brief while I started enjoying the spider chapters more than the human chapters, though this may be due to the humans acting in general as selfish and somewhat irrational refugees in a desperate situation.
Themes of loss and revival are strong, as well as the not so subtle lesson of history repeating itself by those who do not study history. The historian protagonist lives the tragedy strongest, given that in these dying days of humanity the very reasons for the race’s near-extinction are ignored, with decision makers blithely trundling towards their own doom, almost seeming afraid to take a step back and look at the big picture. A marvellous novel.
Thirty years after Babylon’s Ashes, Earth has rebuilt, while humanity has spread across the thirteen hundred worlds beyond the gates. Comparative peace prevails. The Outer Planets Alliance has morphed into the Transport Union, which despite its own best efforts at trying not to be political, is effectively a governmental organisation. Led by Camina Drummer, Fred Johnson’s former chief of staff, the Union controls trade from Medina Station in the centre of the gate network. The crew of the Rocinante has spent decades together, carrying cargo, prisoners and messages for the Union.
One day, an old enemy re-emerges from Laconia system, where the renegade elements of the Martian fleet have spent thirty years in isolation, their doings unknown to an otherwise occupied human society. The now immensely powerful Laconians have been preparing for this moment, and they make a grand entrance.
The authors’ choice to move the narrative forward by three decades is jarring at first, but soon shows itself to be inspired. While there are no doubt plenty of stories to tell of the intervening period, having a new and powerful antagonist upset the apple cart is a more engaging story. (Nothing says the authors can’t return to the past in future novels and short stories, either.) This instalment is a real nail-biting page-turner, and one of the best books in an already excellent series. More good things should come along in the next book, as the end of this one leaves many things unresolved.
Jazz Bashara lives on Artemis, the only city on the Moon. She works odd jobs, but her main source of income is smuggling goods to Artemis. It is a small town and Jazz has a deservedly poor reputation. One day, she is offered a chance to make a lot of money. Just one caper…
Following up the massive success of The Martian is a high bar. Mr. Weir seems to have completely ignored any real or implied expectations, and written Artemis much as he did his previous novel. He spent a long time meticulously researching the science behind his Moon city, and constructing a plausible, logical place to set the narrative. The world building is sometimes a bit intrusive, but for a hard science fiction fan, it remains interesting throughout.
Jazz is an interesting protagonist. She is a something of a loser. At the start of the novel, she hasn’t yet managed to lose the eyeroll attitude of a teenager who thinks the adults are out to get her. She does not always make the right choices, but her heart is in the right place. Her backstory is perhaps a bit too stereotypical, what with the hard-working, disappointed father, but it works.
Mr. Weir’s trademark dry humour and sarcasm are present throughout the prose, especially in the dialogue, making this a fun book that pulls the reader along easily.
Victims of the same accident that stranded the Kimei family in Castaway Planet, Sergeant Campbell and four boys ranging from almost adult to eight years old find themselves adrift in a damaged shuttle.
This instalment is an improvement over the previous one. It is still overly corny at times, but the lack of a family as protagonists makes the interpersonal dynamics more interesting. The dialogue is so littered with overly rational behaviour and humble apologies it is hard to suspend disbelief.
This short story collection set in the Freehold Universe has an interesting twist. It follows the wanderings of a sword from prehistoric times to the far future, as she passes from owner to owner, sometimes by chance, sometimes by design. We also get to visit with Kendra Pacelli of Freehold and Ken Chinran of The Weapon and Rogue, taking up their stories years after the events in the original books. Neat.
The stories, some by Mr. Williamson himself, but by other authors, are all of high quality, with one glaring exception. The connecting device of the sentient sword, fleshed out with brief interludes by Mr. Williamson, works really well in connecting the stories and making the collection feel like whole.
Dark Matter continues the Star Carrier story some time after Deep Space. A new and massive alien artifact has been discovered, hinting at a population even more powerful than the Sch’daar. The conflict between the USNA and the Confederation continues. Now Admiral Grey gets a new mission.
Unfortunately, just as in Deep Space, the infodumps have taken over the asylum. The characters can’t seem to have three lines of consecutive dialogue, barring over-the-top and overlong combat communications chatter, without being interrupted by the author with a long and typically pointless exposition on physics, politics or futurism… Even more irritating is how Mr. Douglas repeats the same explanation of background, or even earlier plot points, with astounding regularity. I got about two thirds of the way through by skimming through the infodumps. Then there was a passage explaining who Stephen Hawking was and I had enough. What happened to the Ian Douglas who wrote really quite engaging military scifi? Even the first three books in this very series were pretty good.
The premise is a fine idea, but unfortunately the story suffers from being set in a very messy historical time. Dozens of players are rapidly introduced, leading to just as rapid confusion. While the story does gel somewhat around the characters of Roxane and Euridyce, it is hard for the reader to get to grips with the wider political situation. Where the book shines is when dealing with the culture shock of people from ancient civilisations being suddenly introduced to things like steam engines, refrigeration and modern views on gender equality. There is a wide ranging discussion of slavery which manages to be quite interesting.
This book is part of the wider Assiti Shards Universe, though it can be treated as a singleton.
The second book picks up directly after Dark Victory. After the surprising events at the end of the first book, Randy is seconded to a regular army unit. And it seems that the Creepers are hunting him specifically.
While not quite as good as Dark Victory, this is a fine continuation of the story. It does raise more questions about the motivation of the Creepers, but there are clearly more books coming.
Ten years after the Creepers attacked Earth and decimated the population, the United States is reduced to a nineteenth century existence. Any significant use of power or radio results in an orbital strike. Creepers roam the landscape in almost impregnable exoskeletons, burning and killing. Randy Knox is a sixteen year old Sergeant in the New Hampshire National Guard. He has been in the service four years. A veteran soldier with several kills under his belt, but also a teenager who attends school and thinks about girls a lot. One day, Randy receives orders to escort a government emissary to the capital.
While flirting with the Young Adult genre, this feels like a more mature tale. Mr. Dubois has woven an intense story full of action, courage and desperate choices. Randy is a hero, but an imperfect one, prone to brusque outbursts and impatience. A young man hardened by years of bitter warfare. This makes him much more realistic than the more typical young adult protagonist. A great read.
The sublight colony starship Leonora Christine, powered by a Bussard Ramjet, is damaged while passing through a small nebula. The decelerator mechanism is disabled and cannot be repaired unless a region of empty space is reached. The crew elects to continue accelerating in order to find a refuge. Due to the effects time dilation as the ship claws ever closer to the speed of light, ship time and outside time become increasingly disconnected. As the months and years pass on board, eons pass outside.
Tau Zero is an acknowledged science fiction classic. Some parts have not aged too well, in particular the 1960s social mores and optimistic view of the human races’ collective rationality. Some of the content also feels a bit like padding, most likely because it started out as a short story. However it remains a well executed hard science fiction story which manages to bring home the insignificance of individuals, and even of humanity itself, when confronted with the almost unimaginable vastness of time and space.
On the world of Arbre, which is very much like our own, Fraa Erasmas is an Avout, a young member of the Edharian order at the Concent of Saunt Edhar. Avout like him retreat for years, decades and longer into Concents, which are somewhat similar to medieval convents, but instead of being focused on religion they are focused on science. The Avout stay in the Concents in order to study and understand the physical world, unaffected by what happens in the Saecular world outside, and also because of historical events that make the Saecular world uncomfortable with giving the Avout too much power. The story begins at Apert, a regular opening of the gates. In Erasmas’s case Apert occurs every ten years since he is in the Decenarian part of the Concent. Soon after apert, Erasmas and his colleagues discover a mysterious object in orbit, and the efforts by the power that be to hide this knowledge from the Avout. What follows is a meandering quest to find the truth.
Anathem is a difficult book to describe because there is so much going on. While the story itself is not very complex, it takes us on myriad tangents and discussions. The nature of the Concents, places where Avout can concentrate on finding the truth in a rational scientific manner, means that the Avout are encouraged to engage in Dialog, structured debates. These are recounted at length in the book and the reader must pay attention to what are in essence intellectual discussions on the nature of truth, while at the same time absorbing the extensive fictional mythology and history of the world of Arbre, not to mention dozens of words in a made up vocabulary. The first third of the story is fairly narrow in its scope, but then suddenly events instigate major changes in the lives of Erasmas and his colleagues. The conclusion involves some very strange happenings indeed.
Anathem is an exploration of many themes and concepts, most notably deep time and the many-worlds interpretation of quantum mechanics. It is also the story of a young man who wants to do the right thing by his mentor, a motivation that leads him down many unexpected roads. Erasmas’s fate is further complicated by the fact that, perhaps inevitably for a young man of his age, he is hopelessly in love with a girl. This last facet in particular helps the reader connect to the protagonist, even as the young Fraa has to explore things which will strain even his strong grasp on analysis of the natural world.
Dust picks up where Shift left off. It is now clear that the status quo cannot be maintained, at least in Silo 18. Solo and Juliette are re-united as tragedy unfolds around them. The path to sustainable survival is uncertain. Meanwhile in Silo 1, Charlotte and Donny wrestle with trying to help Juliette over sporadic radio links and under constant threat.
Despite having some issues with pacing, this is a satisfying conclusion to the series. It is nowhere near as ponderous as Shift since there is more actually happening to replace the overlong internal monologues. The narrative moves towards a conclusion that, if not a happy ending for all, at least gives hope for the future.
Like Wool, the second volume in the Silo series started as a set of linked novelettes. The narrative begins hundreds of years before the events in Wool, with Donald, a newly elected US Representative, being brought onto the Silo project. This is before the apocalyptic events leading to the occupation of the silos, and gives background on how it all came to be. Donald is an unwilling accomplice in the control of the subsidiary silos as he slowly realizes how he, and the entire complex, has been manipulated, with conspiracy nested inside conspiracy aimed at a mysterious goal. Another section deals with how Solo from Wool came to be alone in his dying silo for decades.
While Wool was, despite its dark setting, a story of hope and searching for a better future, Shift contains very few bright points. The parts about Solo and his solitary descent into quasi-madness are especially bleak. Donald struggles with his conscience, his desire for revenge, his realization that even knowing the truth is not going to make things better. While the mental battles were well written, I felt that this book could have been trimmed to make it a bit less of a slog at times.