In the immediate sequel to Outland, our heroes continue to deal with the aftermath of the Yellowstone eruption, and the challenges of setting up a colony in the alternate timeline of Outland. Given that the majority of the existing inhabitants of “Rivendell”, as the refuge has been named, are of university age, a sudden influx of older refugees creates significant tension. The older generation feels that they should take over what they see as an amateur operation run by youths. Additional subplots include a sociopathic killer, and research to find other potential timelines that might offer escape hatches or resources.
While the second installment is still entertaining, it doesn’t have nearly the same punch as the first book. Mr. Taylor skillfully weaves the plot, but some of the elements seem tacked on as filler. It lacks a definite direction, and seems more like an extended coda for the first book.
University engineering students Mike and Bill are approached by physics students who need their expertise to continue experimenting with quantum tunneling and parallel universes. The experiments turn out to be more successful than expected, opening up a big can of worms. They can now open portals to alternate timelines, with different conditions, for example, one where dinosaurs did not go extinct, and one, which they name “Outland”, where mammals are prevalent but humans seem absent. A pastoral paradise of sorts. Meanwhile, Erin, a geology student, and Mike’s girlfriend, is caught up in unprecedented events at the Yellowstone caldera, which seems poised to erupt, potentially causing widespread destruction. Due to university politics, the quantum tunneling team decide to clandestinely move their research off-campus, while disassociating themselves with the university funding stream. What started as an academic project becomes a get-rich stream, and then rather unexpectedly morphs into an escape hatch for refugees.
The concept and usage of the portals is very well realised, with a slew of interesting applications that have to be improvised as conditions “Earthside” change dramatically. The adventure story parallels to Stargate SG-1 are obvious, and references by the characters themselves. While the protagonists are likable and it is easy to root for them, they are not very three-dimensional. On a side note, this is very much the young white American apocalypse, even if one of the main characters is Indian. I suppose it can be explained away since the setting is a university in Nebraska. That criticism aside, I found this to be a real page-turner just like his other books, with Mr. Taylor’s fast-paced plotting and the constant witty snark highly entertaining.
In an alternate history, the Apollo program flies one more mission, the all-military Apollo 18. At the last minute, the mission parameters change as the Soviet Union launches a spy space station equipped with cameras capable of unprecedented resolution. The astronauts are tasked with disabling it before departing Earth orbit for the Moon.
This is a technothriller with a solid grounding in the technology of the time. The technical details are accurate, hardly surprising as the author is a former astronaut. The plot itself is rather far-fetched, but plausible, and exciting in itself, especially for the space exploration buff. Unfortunately, the plot is often bogged down with overly complex sequences of events as one or another character seeks an advantage or makes a complicated plan. The characters themselves, a mixture of historical figures and fictional ones, are not very nuanced, and sometimes relationship events seem to be created purely without much story purpose. For example, the protagonist’s romance with one of the scientists seems tacked on unnecessarily.
Following immediately after the events of Pass of Fire, Winds of Wrath first describes the final battle against the Grik. Somewhat unexpectedly, the story then carries on to the American front, as the Allies move towards the very heart of the Dominion, and must deal with the modern League expeditionary force in the Caribbean.
The writing, battle scenes, and character descriptions are as good as ever in the series, and it was a pleasure to read the book. I was unfortunately disappointed by how rapidly Mr. Anderson decided to wrap up the series. Plot threads landed at logical and satisfying conclusions, but it all felt rather rushed, as if the material for two or even three books was mashed into one. Major events involving major characters were often given a two-sentence flashback as the story rolled right on past them. The death toll also seemed particularly high, even by the standards of this series, but not for the right reasons. It was almost as if Mr. Anderson decided that since the final battles were so important, many of the main characters had to die arbitrarily in order for the stakes to seem high enough. The interlude on the home front seemed tacked on for dramatic effect and did not add to the story at all.
I have loved this series from the first book, and while I enjoyed this final instalment, and it gave me closure, so to speak, it was also something of a letdown to see things get wrapped up in such a rushed fashion.
In Paris in 1959, private investigator Wendell Floyd is retained to look into the mysterious death of an American woman. In a parallel story thread set hundreds of years in the future, archeologist Verity Auger comes upon a strange map of twentieth-century Paris, with missing details. Is this the same Paris as the one in her history?
The parts of the story set in 1959 Paris, clearly inspired by Casablanca, read somewhat like the plot of a classic detective noir film. The old flame. The gumshoe detective. The uncomfortable relationship with the police. The rain. It is utterly charming and nostalgic. The parts of the story set in the future are pure Reynolds. Unfortunately, they don’t always mesh well. Mr. Reynolds has come up with a fantastic premise, but perhaps due to the setup, the conclusion feels somewhat forced, though the actual ending is quite satisfying. I felt as if the book was perhaps overlong, and some plot aspects which were not revealed until the last third, seemed overly complex.
Nevertheless, Mr. Reynolds’s marvelous prose and rich, three-dimensional characters are always enjoyable.
In this authorized sequel to Arthur C. Clarke’s novella AÂ MeetingÂ withÂ Medusa, Mr. Baxter and Mr. Reynolds explore what happens to Howard Falcon after his fateful adventure in the upper atmosphere of Jupiter.
Back in the 1960s, at the height of the Space Race, an asteroid on a collision course with Earth is discovered. This dramatically changes the course of history, as international cooperation is required to deflect it. In turn, this leads to a golden age of space exploration. Machine intelligence is explored, but the machines eventually rebel against their masters, leading to centuries of conflict.
This is indeed a chronicle, as Falcon finds himself the often unwilling puppet of great powers during pivotal historic events. The authors pay homage to Mr. Clarke’s “sense of wonder” style, but adapt it to more modern readers. The naked technological optimism displayed in Clarke’s works, more typical of the mid 20th Century, is still there, but not without dark sides. The ending also has clear thematic and tonal similarities to 2001 and 2010.
In the fourteenth installment of Destroyermen, the Grand Alliance has finally pushed the Grik up against the wall. The First Allied Expeditionary Force has a firm foothold along the Zambezi downriver from the Grik capital, whilst the army of the Republic of Real People is pushing north to join up. The final assault on Sofesshk is about to begin. Unfortunately, the Grik are well dug in, and rooting them out will take some innovative tactics. Also, just defeating the Grik on the battlefield will not be sufficient. They must be broken politically in order to prevent a retreat and resurgence.
Meanwhile, on the American front, the Second Allied Expeditionary Force is set to assault the Pass of Fire, and will find out the depths to which the Dominion will sink in their exploitation of the populace. League of Tripoli forces loom in the wings, scheming.
There is even more battlefield action than usual in Pass of Fire.Â And it is the good stuff. Mr. Anderson continues to show a talent for expanding the story, while still moving it forward and closing off plot threads. There is obviously plenty more to come.
The world of Destroyermen is becoming rather complex, with myriad military actions, references to previous events, and many, many ship types. Thankfully, there is a Wiki with maps, ships drawings, characters bios and more.
After taking and holding Madagascar in Deadly Shores (IX) and Straits of Hell (X), and conclusively dealing with Kurokawa in Devil’s Due (XII) the Alliance is preparing to finally land in Africa. It is a race against time, as Grik leader Esshk has been able to breed, train and equip his “Final Swarm” in only a few years, and is planning a breakout along the Zambezi River.Â If the Final Swarm reaches the ocean and manages to scatter, the rapid breeding of the Grik will eventually create an almost insurmountable numerical advantage. Unfortunately, the Allied invasion force is not quite ready. Russ Chapelle takes the USS Santa Catalina at the head of tiny task force up the river, in order to block passage until reinforcements can arrive. It is a desperate race against time.
On the American Front, the story advances only slightly, as New United States forces prepare to join the fight and the League of Tripoli makes overtures towards the Dominion.
Mr. Anderson continues to focus on one front at a time, which works to the series advantage. Most of this installment is taken up by the events in and around the Zambezi. The battles are real nail-biters, in large part because the author has managed to convey the catastrophic consequences of defeat. Even after driving the Grik back all the way from BalkpanÂ and across a vast ocean, our heroes still find themselves with their back agains the wall.
With the still unresolved DominionÂ War, and the looming threat of the League of Tripoli, the Destroyermen series doesn’t seem to be moving towards a conclusion any time soon. If the quality remains this high, that can only be a good thing.
A modern cruise liner is transported back to the beginning of the “Time of the Diadochi“, after the death of Alexander the Great, when his successors fought over his splintering empire.
The premise is a fine idea, but unfortunately the story suffers from being set in a very messy historical time. Dozens of players are rapidly introduced, leading to just as rapid confusion. While the story does gel somewhat around the characters of Roxane and Euridyce, it is hard for the reader to get to grips with the wider political situation. Where the book shines is when dealing with the culture shock of people from ancient civilisations being suddenly introduced to things like steam engines, refrigeration and modern views on gender equality. There is a wide ranging discussion of slavery which manages to be quite interesting.
The Destroyermen series continues. This installment focuses on the African front, as the Alliance, with new friends, prepares to assault the Grik heartland. Kurokawa still remains on Zanzibar, however, and must be dealt with.
The scope of the series is becoming worryingly broad, but Mr. Anderson seems to have decided to focus on one war at a time, as it were. This allows the reader to focus on one campaign without constant and jarring flipping back and forth. The series shows no signs of slowing down, with the stakes remaining high and the action tense and exciting. A page turner.
Following the taking of “Grik City” in Straits of Hell, the Alliance is attempting to both consolidate its foothold on Madagascar and set up for a strike on the Grik heartland. The powerful League of Tripoli is meddling, howerver. On the other front, the Dominion is refusing engagement, but the Allies may be able to bring a new player in to the war on their s
Despite the fact that this series is now on its eleventh book, it still moves along nicely. Mr. Anderson had not let it bog down into clean-up operations with obvious outcome, and the challenges facing our heroes are as great as ever. This book, like some of the previous installments, is more aboutÂ setting the stage for future developments and thus doesn’t contain any decisive action, but for fans of the series will still bring satisfaction.
The setting is Southern California. ItÂ is the late 1980s in a world where the Axis won World War II. Â The occupied Western United States are now the United States of Japan (USJ), and the occupiers rule with an iron fist despite the appearance of a happy and prosperous nation. The secret police tortures and “disappears” people at the least hint of treason against the Divine Emperor. Beniko Ishimura is an underachieving Captain in the Imperial Forces working as a censor for videogames. Ten years earlier, he took part in quelling a major revolt in San Diego, and now those events are coming back to haunt him.
Oh, and there are giant robots. This is seldom a bad thing.
Even without Mr. Tieryas’s explicit admission in the afterword, it is obvious that this book was heavily influenced and inspired by The Man in the High Castle, down to the dissenting material showing an alternate reality that is in fact that of the reader; one where the Allies won and the world is very different. The world-building is excellent, showing a dystopian USJ that is struggling economically and socially while all criticism of the regime is harshly punished. The cruelty of the torture and death inflicted by both USJ agents and dissidents is graphically described to the point of making the reader squirm, but in this world such things areÂ sadly normal.
The story is somewhat opaque in the first half of the book, but things rapidly clarify towards the end, when flashbacks to the San Diego revolt and events in the present converge. Themes of betrayal, loyalty and forgiveness are strongly emphasized in a strong ending.
In this alternate history novel, Nazi Germany is buildingÂ Silbervogel, Eugen SÃ¤nger‘s proposed “antipodal bomber”, in an attempt to firebomb New York during WWII. Learning about the work from spy efforts, aÂ US team led by Robert Goddard builds a counter-weapon, an American suborbital interceptor.
For a fan of the history of astronautics, this novel is a treat. While in reality Nazi Germany focused its rocketry efforts on theÂ A-4 rocket, better known as the V-2 ballistic missile, it is not a big stretch to imagine how efforts could have gone towards Silbervogel instead. Steele mixes real people and fictional events in a very plausible “what if?” of history.
After their adventures in China in Throne of Jade, Temeraire, Laurence and the rest of the crew receive orders to travel to Istambul in the Ottoman Empire. Here, they must retrieve three Turkish dragon eggs for further transport to England. Pressed for time, Laurence opts for the overland route through Asia, a long and arduous journey. Needless to say, once in Istambul circumstances have changed. And that is just the beginning of the troubles for our heroes.
While still not quite reaching the level of the first book, Black Powder War is still eminently readable and fun. At this point it seems the macropolitical developments in EuropeÂ starts to diverge more markedly from our history, with Temeraire and Laurence acting as agents for a change in social status of dragons in the West.
The second book picks up immediately after the events of His Majesty’s Dragon. As it turns out, Temeraire’s egg, which Laurence and his crew captured on a French warship, was meant as a gift from China to Napoleon. Temeraire is a very rare Chinese breed, and now the Chinese want him back. Thus starts a long and arduous journey to Peking on a diplomatic mission to resolve the situation.
While not quite as good as the first book, the second installment keeps up the spirit of high adventure. Temeraire is fleshed out some more as a character, with some interesting influence from a Chinese society where Dragons are treated very differently compared to their situation in Europe.
The year is 1804. Captain Will Laurence of the Royal Navy and his crew capture a French warship. On board they find a dragon egg; a prize worth a princely sum to the British war effort. The egg hatches and the dragon, whomÂ Laurence names Temeraire, imprints on him as his handler. Laurence must leave the Royal Navy to join the Flying Corps, and entirely foreign environment for him.
His Majesty’s Dragon is a delightful novel, full of whooping-out-loud-inducingÂ adventure set in a period of gentlemen, honour and heroic deeds. There’s a Horatio Hornblower vibe over the story, which dares to be high adventure without dwelling too much over the fact that dragons do exist andÂ are simply part of the world. A somewhat storied and mysticalÂ part, to be sure, but there is noÂ further explanation required or necessary. Ms. Novik doesn’tÂ bend over backwards to make theÂ existence of these beasts plausible, but simply integrates them into history as we know it, making for some striking images. For example, dragon formations crewed with gunners and boarders striking at convoys in the English channel. The entire organization of dragons in battle as couriers, support aircraft or heavy strike beasts depending on size and ability rapidly starts to seemÂ entirely plausible given the historical background. And so, even though it is full of dragons, the novel doesn’t feel very much like fantasy at all, keeping its thematic roots firmly in the historical novel and alternate history camps.
Battle is joined on both of the Alliance’s fronts. In South America, Shinya must hold against the full force of the Dominion counterattack. In Madagascar, Reddy is subject to an avalanche of Grik forces in the newly takenÂ “Grik City”.Â After the leadership issues in Deadly Shores having now been sorted out, what remains is the daunting task of defeating two numerically superior enemies on their respective home soil.
Even after all the successes in previous books, the Alliance is still in dire straits. This may be the tipping point in the war against the Grik, but just as the Grik may be close to breaking, the Alliance is strained to the extreme, with overstretched supply lines and a shortage of personnel. Mr. Anderson conveys the precariousness of both the tactical situations and the overall strategic picture to great effect. Another solid installment in the series.
After the successful relief of the Pete Alden’s Allied Expeditionary Force in India and the start of offensive operations against the Dominion detailed in Storm Surge, the Alliance uses its current strategic momentum to mount a daring raid against the Grik capital on Madagascar. However, muddled leadership and unclear priorities quickly turn what should have been a raid in force into a potential disaster. On the eastern front, Shinya leads the first confrontation with the “home” forces of the Dominion.Â As the Alliance continues to grow rapidly, cracks are showing in the leadership, which makes the story all the more interesting.
Mr. Anderson commendably avoids projectingÂ the rest of the series into a big roll-up of the Grik. New and surprising elements are introduced, and for certain our heroes continue to suffer greatly. On a side note,Â the author alwaysÂ leaves room for chaotic and unexpected events that show the randomness of the world, as well as colourful touches like the little pet lizard-bird Petey. These elements makeÂ the world seem as vast as a real one.
While this is firmly an alternate history and war series, the strong elements of adventure fiction truly make it shine.
Following almost twobooks of plot fragmentation and scope expansion, Storm Surge brings things to a head. The Alliance industrial machine has hit its stride, supporting a gargantuan war effort across three continents. Following the near disastrous invasion of India in Iron Gray Sea, the Allies are ready to strike back in force. Abel Cook and Dennis Silva go looking for the native population of Borno. Finally, the eastern front is properly opened with the first landings on the Dominion home soil.
It took almost the entirety of the two previous books in the seriesÂ to build up to the events in Storm Â Surge, but the payoff was well worth it. While the epic battle to finally conquer Eastern India and rescueÂ Pete Alden’sÂ embattled Allied Expeditionary Force dominates the proceedings, several less significant actions also vie for the spotlight, in particular Cook and Silva’s unexpected encounter.
Mr. Anderson skillfully weaves the complex story, keeping the pace up without bogging down in minutiae. He also continues to throw large wrenches in the works, not fearing to kill off key characters or serving up tragic setbacks. Many series have run out of steam after this many installments, but Destroyermen seems set to continue being captivating.
The Allied First Fleet attacks Grik-held India, while Captain Reddy and Walker go after a powerful Japanese warship.
Certainly the action in India is riveting stuff, but most of the novel felt more like a setup for future installments. Still a fun read but no grand events. The addition of a new player at the very end will hopefully throw a new wrench in the works. Tipping things off balance just when they seem to be working out is something that Mr. Anderson continues to do well in the series.
The main story threads continue to multiply. Silva, Princess Becky and Sandra Tucker are shipwrecked and presumed lost. The invasion of Ceylon begins. The invasion of the British Empire held Hawaiian isles by the Dominion is in full swing. On the home front in Baalkpaan, the industrial buildup is really hitting its stride.
The pacing could well have suffered due to the more fragmented story, but Mr. Anderson makes it work. The actionsÂ on Ceylon and New Ireland especially are well written. Our heroes also suffer some major setbacks that feel like gut-punches. This is especially gratifying as the a common trap in these series is for things to become just a long but unsurprisingÂ slog to victoryÂ when the tide seems to be turning. It was nice to getÂ more ofÂ secondary characters, especially Silva. They certainly add color.
Mr. Anderson has also finally dispensed with the embedded summary of previous installments. This was weighing heavily on the first few chapters in the last few books andÂ I was glad to see it replaced withÂ brief sections designed to jog the memory of returning readers.
The slower pace of Distant Thunderscontinues in the first half of Rising Tides. The story itself is divided between the Allied mission to the Empire of New Britain, salvage efforts on the S-19 submarine and a cargo ship full of fighter planes, the Allied offensive against Rangoon, and finally the adventures of the castaway Silva, Princess Rebecca and Sandra Tucker. This makes for a somewhat scattered narrative.Â However the action soon picks up in the second half with a harrowing climax in the heart of the Empire.
The scope of the overall story arc continues to expand and I was somewhat worried that the whole thing would become too large to retain the focus and excitement of earlier installments. However Mr. Anderson returns as soon as he canÂ to the tight pacing of books one through three. The opening of a second front will also likely keep the story from devolving into a long mop-up ahead ofÂ the final victory.
After the epic events of Maelstrom, the series slows down and goes on a slight sidetrack due to the actions of a certain faction of New Britannic Empire.
While I was initially hesitant about the story decision, I found it ultimately to be a good thing. Adding the wrinkle of both the New Britannic Empire and the power struggles therein makes for a more interesting arc. Meanwhile, the humor and action are still present, making this book yet another worthwhile installment.
After the events of Into the Storm, theÂ humans of Walker and their Lemurian allies prepare their defenses for the inevitable Grik onslaught. Initial optimism is tempered by the realization that the threat is much greater than they initially thought.
While Into the Storm was somewhat tentative, the series hits its stride in this book. A real page turner. Mr. Anderson also gives freer rein to the often comical idiosyncrasies of his characters, adding a note of absurdist humor to the narrative.