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Chef Bourdain’s outrageous and allegedly accurate memoir of a life in the kitchens of New York and environs. Sex, drugs, rock and roll, deceit, mob connections, and of course food. And almost more importantly, the mindboggling logistics of food, from supplier to plate.
Mr. Bourdain’s voice is irreverent, often outrageous, but always entertaining. A book to devour. At times poignant, peppered with dark humour, and often laugh out loud funny, this is a fascinating and very entertaining book.
As with many other of Mr. Stephenson‘s books, it is difficult to summarise this one in a brief paragraph, as there are several rather disparate threads. The main ones involve the Queen of the Netherlands being invited to a secret meeting involving a geoengineering project in Texas to cool the planet, thus counteracting climate change. Another thread is about a Sikh youth from Canada who finds himself entwined in geopolitical strife in the Himalayas. And yet another threat is about a US Army veteran who is on a crusade against marauding wild boar in Texas. Counseling the Queen is an interesting character with Indonesian and Chinese origins. As events unfold and the climate does indeed start changing, clandestine climate wars silently begin, while on the India-China border, performative war is already happening.
Some books manage to change your view of the world. This is one of them. As climate change pushes humanity into an uncertain future, Mr. Stephenson explores some of the possibilities. One of the key takeaways is that stability is an illusion. Don’t hold on to thiings, material or otherwise, if doing so is harmful to your wellbeing. This was as true for Dutch colonists in Indonesia during World War Two as it is for those holding on to their houses in the face of repeated catastrophic weather events. A captivating read, beautifully written in Mr. Stephenson’s trademark ironic tone.
With Dex’s ostensible quest to the Hermitage in the wilderness completed, they and the robot Mosscap venture into human lands, where a robot has not been seen in generations. They are met everywhere with curiosity and wonder as Mosscap asks anyone he meets what they “need”. But the answers are not what it is expecting.
As in the first novella, the characters are on quests that lead them to unexpected places. The second book bookends the story neatly, with the robot as a stranger among humans, while the first book was about the human as a stranger in the wilderness. The story further explores how wonder at the nature of the Universe and existence seem universal regardless of what form consciousness takes. The reader is left feeling happy and full of ponderings.
On the moon Panga, human society is a well-ordered, pleasant, and supportive idyll. Part of a monastic order, Sibling Dex finds themselves yearning for something more, something wild. They obsess over cricket sounds. They abandon the order to become a “tea monk,” traveling around Panga, dispensing tea in return for listening to people’s concerns, fears, and thoughts. A sort of traveling therapist, shoulder to cry on, or friend-on-call. But the wild still calls to Dex, who decides to strike out into actual wilderness. Here he encounters a robot. But robots haven’t been seen in many generations, after they were freed and subsequently left human society entire to live in the wild.
This novella isn’t one of great action or momentous events, but instead an exploration of what it means to be human, and in a wider sense to be alive at all. The interactions between Dex and the robot Mosscap are sublime, as they traverse from awkward metting to awkward companionship to tentative friendship, all the while discussing and debating what it means to be natural versus manufactured, and the purpose of existence. A feel-good story that makes the reader sense a deeper meaning.
As a young Warrant Officer in the US Army, Mr. Mason spent a year flying helicopters in Vietnam. This memoir chronicles his journey from wet-behind-the-ears newbie to grizzled veteran with PTSD. The perspective is very much that of soldiers who are just doing the job, far from any decision-making. They can see the futility of their efforts, but they still go out and fly, despite their fears, facing daily the horrors of mutilation and death.
Chickenhawk is a seminal book about the Vietnam War experience, and also about flying helicopters in combat. The author uses irony and self-deprecating humour to good effect, describing in starkly clinical terms the compendium of horrors he witnessed. The feelings of helplessness and futility from flying the same missions over and over again with little effect on the war effort, while at the same time the generals and politicians spout empty words claiming success is imminent, are explored not directly, but through the naively portrayed eyes of the narrator. A fascinating read whether you are into aviation or not.
Rachel Chu, a Chinese woman who grew up in America, and Nick Young, a Singaporean, are a few years into a relationship while teaching in New York. Nick’s best friend Colin is soon to tie the knot, so he asks Rachel to come to meet his family and tour Asia with him during the summer break. Little does Rachel realise that Nick’s family is one of an elite few, immensely rich, interconnected Singaporean clans. Clans who put family and bloodline above all. Rachel is about to step into a situation she is woefully unprepared for, and Nick seems completely oblivious despite warnings from his cousin.
The novel reads like a love letter to Singapore in some ways, describing in loving and often hilarious details the intricacies of societal ritual, schooling, food, and social events. Nick’s extended family and the network of family connections beyond are scheming, devious, and often plain mean. They commit unscrupulous and cold-hearted acts in the pursuit of longstanding ambitions and goals, plotting over decades to build and maintain their dynasties. Mr. Kwan’s dry wit serves the story exquisitely as it elevates characters with seemingly little connection to reality from mere punchlines into the sublimely tragicomic.
There is a darkness at the core of this story, as Rachel slowly realises that all the family goings-on that Nick sees as normal, are shockingly cruel to someone who, like her, is seen as lacking in the “bloodline” department. That being said, this is, at heart, a romantic comedy, with frequent hilarity and heartwarming moments.
Michael Collins was Command Module Pilot during Apollo XI, the NASA mission that included the first Moon landing. He did not himself land, but kept lonely vigil in Lunar orbit as Neil Armstrong and Buzz Aldrin made their famous landing. As is common with astronaut biographies concerning the early NASA era, this one also begins with an early career in the military. Mr. Collins was an accomplished test pilot, who was accepted by NASA on his second attempt, joining the third group of astronauts. He also flew on Gemini X, performing a spacewalk and perfecting docking manoeuvres.
Mr. Collins’s book stands out from other similar autobiographies I have read, in that it is written in the author’s own voice, as he explicitly states. His love for the English language, perhaps a product of rather a classical education, shines through in poetic passages, and even some poetry. This is not the voice of a clinical and technical test pilot, even though there is a fair amount of technical detail. This is the voice of a poet who lays bare his troubles, annoyances, fears and tribulations like no other astronaut I have read, elevating the text from documentary to something that seeks a deeper significance. We see the inner Collins, or at least more of the inner Collins that I really expected. Other astronauts are treated candidly, and sometimes with a brutal honesty about what the author sees as their character weaknesses. There is no bitterness in these passages, merely observations from a man who long since has gotten over the time when such concerns perhaps seemed all-encompassing.
The epilogue is particularly interesting to read today, almost fifty years after publication. Without rancour and with a great deal of patience, Mr. Collins laments the myopia of politicians, the ongoing damage to our fragile planet, and the general short-sightedness of humanity. He also takes issue with the perceived, but fictitious, conflict between resources devoted to space exploration, and spending on “problems at home”. With only a few detail changes, this chapter could have been written today, as humanity seems to have progressed no further, and such debates continue.
Ariadne and her three crewmates wake at a distant star system after years of transit in slumber aboard the starship Merian. Their multi-year exploration and survey mission takes them to different worlds in the system, each with its individual features and biome. They have dedicated their lives to this mission, for when they return to Earth they will be decades older, and over seventy years will have passed back home. They are a family of sorts, with intermeshing sexual relationships and a strong bond in their motivations. Some time into their mission, news updates from Earth stop arriving. As they are left in limbo, Ariadne and the others must more carefully examine the ethics and significance of not only the mission itself, but also of humanity’s place in the Universe.
Written in Ms. Chambers’s by now trademark gorgeous contemplative prose, the plot is acted out as much in Ariadne’s inner dialogue as in actual action. The drama is intimate, personal, and thoughtful, making the ending that much more poignant. The characters are likeable, pleasant, and very human in their different ways. The lack of interpersonal strife is an interesting narrative challenge, which the author handles with seeming ease. A delightful read.
A man wakes up alone, in a room, groggy and without memories of who he is or why he is there. A medical robot is tending him. It eventually comes to light that he is Dr. Ryland Grace, a high school science who was previously a leading researcher in the field of alien life. Such life was purely speculative until the sun started slowly fading, something that will in time lead to the death of all or most life on Earth.
Grace finds himself deeply involved in Project Hail Mary, a no expense spared global effort to find a solution. Years later, in orbit around a distant star, Grace, finds an ally in his quest. But this ally is not human.
In some ways, it is easy to draw parallels to The Martian. An impossible mission. A snarky and clever protagonist who overcomes difficult challenges. Interesting science problems. But the scope of the story, and the stakes, are both much greater. Project Hail Mary certainly has the same page-turner quality and charming snark as The Martian, making me laugh out loud on multiple occasions. The ending added unexpected gravitas to the story and was a beautiful coda.
The alien is cleverly imagined and imbued with a charming personality despite being so very alien. The fact that the alien’s environment adds to Grace’s challenges doesn’t hurt. How relatively easily communications is established stretches plausibility, but on the other hand, the process is both clever and charming.
The concluding book of the Salvation Sequence tells two stories. One is of the “Saints”, who pass into the Olyix Enclave of slow time, and send their signal to humanity. Ten thousand years later, the Exodus Humans attack the enclave. Since times moves much more slowly inside, only a few weeks have passed for the Saints. And that’s just the beginning of the mind-mending time-warping. Yirella’s neutron star civilisation also manipulates time, allowing its inhabitants to live thousands of years whole only a few decades pass outside.
While the Exodus Humans are evolved, they are still quite recognizably like their forebears, the Corpus Humans of the neutron star are something else entirely, extending their consciousness in multiple bodies. This brings about uncomfortable questions around the similarity to Olyix minds. Could the humans be evolving into the very thing that they are fighting?
The entire third volume is a triumphant climax to a finely crafted story, with multiple, complex storylines scattered across thousands of years. The first two books introduced the effects of concepts of portals, wormholes and time manipulation on the story. The third book takes it all to the next level, challenging the reader to follow along on a wild ride through time and space. The temporal-spatial scale and scope of the story are stupendous, but it always comes down to individual characters making important and sometimes heartbreaking choices.
In a jarringly paradisiacal dystopian future, the small remaining community of humans lives in Sanctuary, a pastoral habitat maintained by an artificial intelligence named CORE. The humans are protected, controlled and helped by servile robots called “units”. It is a gilded cage where CORE is an absolute ruler. A violent insurrection uses a teleporter to transport a clandestine baby and a servile unit far away. But a mistake has been made. Instead of the selected unit, pre-programmed with valuable information about the long term plan, the wrong unit has been sent. This unit, named “Heyoo” (there’s a joke in there) nevertheless rises to the challenge. Together with baby “Wah” (yes, another joke there), Heyoo embarks on an epic quest to save humanity from its misguided captor.
This novel is an absolutely delight. An epic adventure for certain, with action, suspense and buddy comedy vibes. On a deeper level, it is an interesting twin Bildungsroman. In parallel with Wah’s growth from baby to man, Heyoo develops from rather unsophisticated pre-programmed robot into something new; something aspirationally human. A real person. The even deeper theme is that humanity, compassion and sacrifice can be expressed in many ways.
A no holds barred, brutally frank, bloody, tearful, joyous, and hilarious account of life as a junior doctor.
The events, described in short anecdotes, are often somewhat disturbing given how blindly we depend on and trust the medical profession (this very concept is also addressed and deconstructed), but I was nevertheless left impressed with the ethics and selflessness displayed even in difficult situations. While the book is uncompromisingly honest about the failings of the medical profession, it equally is a triumph; a heartfelt homage to those who toil endlessly to save and improve our lives. The understated wit is biting, and I found myself laughing out loud with some regularity. This is truly one of the funniest books that I have ever read. The descriptions of blood-spattered delivery room procedures often made me cringe, which made the laughter even more heartfelt. At the end, I felt drained of emotion, but I was smiling. Mr. Kay’s unrelenting optimism about humanity is charming, and contagious.
After the events of Persepolis Rising, humanity is subject to Laconian rule. On a prosperous colony planet, the new Laconian governor arrives. Laconians seem themselves as descendants of Sparta. Principle and virtue above all. But the new governor’s steadfast principles are about to collide with the reality of life outside Laconia.
An excellent novella. Instead of being constrictive, the limited length of the work is used to great advantage, focusing on a particular time and place, whilst illustrating a wider issue.
Real estate agent Emma reconnects with school friend Carl, who is now a billionaire. Carl wants to build a tower twenty kilometres tall, and he drafts Emma into the project.
The sheer scale of the project described is staggering, and the technical challenges are excellently described. Despite the necessity for such detail, Mr. Stephenson manages to steer this novella away from being a technical treatise, focusing on the human and the personal. A delightful tale of hubris and triumph.
A technical overview of the Apollo program, from hardware to missions, set at a level suitable for the interested layman. The author wisely starts discussions from first principles, from a basic explanation of orbits to the intricacies of stellar navigation.
The book is extremely well researched and clearly written. Mr. Wood has sprinkled the text with actual radio chatter and interviews with the protagonists. This elevates the chapters from a dry, textbook style discussion into something far more real.
A must read for any space program enthusiast.
Laconia’s hegemony seems insurmountable, and yet the scattered remnants of the Rocinante’s crew fight on. Holden is a prisoner on Laconia itself. Amos is missing in action after leaving for a secret mission on Laconia. Naomi lives in a tiny transport container, smuggled from ship to ship and system to system, aboard larger vessels as she coordinates the efforts of the Underground. Alex and Bobbie fight a guerrilla war on a captured warship.
The sense of despair is palpable when the book begins. Is the struggle futile because it seems unwinnable? Or is it worth fighting for a just cause even if it just means eventual defeat? Whilst the greater struggle continues, the authors cleverly make it about the family of the Rocinante, and how their underground war has brought them sorrow because they cannot be together. The familiarity and closeness of family have been replaced with isolation and brooding.
There are shades of The Empire Strikes Back about this novel. Our heroes are on the run and must persevere, while the enemy seems almost invincible. The family of the Roci is destined to reunite, but they will not be the same people as when they separated.
Harvard linguist Melisande Stokes is approached by government operative Tristan Lyons with a request to translate a large number of ancient documents, once she has signed a non-disclosure agreement. As she works through them she notices a large number of references to magic. It turns out that magic actually existed until
The backbone of the narrative is Melisande’s “Diachronicle” (trust a linguist to pun on a
The premise is clever, and more than a bit silly. However, the treatment of the entire situation by the government bureaucracy is most certainly not. And that is one of the important themes of this book. The intersecting shenanigans of bureaucrats, academics and operatives working together make for hilarious passages of dry humour, while at the same time the reader is appalled at the lack of common sense of bureaucrats who spend too little time in the real world. Even the use “official-ese” can change perceptions, and perception is a very important part of this story, on several levels.
Bangkok in the 22nd century. In a post-hydrocarbon economy, rising oceans are kept at bay by seawalls and pumps. Genetic engineering has unleashed disastrous mutations, regularly generating deadly plagues. The world would starve except for the powerful American calorie companies, selling rice and grain to the world; sterile so that the customer remains dependent. Calories are everything, with humans and modified elephants generating power stored in springs for use in everything from ceiling fans
The Kingdom of Thailand seems to have retained a seed bank from before the collapse; an invaluable treasure in a world where crops regularly fail and succumb to ever-evolving blights. Undercover as a Western industrialist, “Calorie Man” Anderson Lake is on a mission to find it and unlock its secrets. Meanwhile, the Thai Environment Ministry and Trade Ministry clash. One protects the crops and people from outside influence, while the other seeks outside contacts. It is a natural rivalry, and in this fierce, bleak and cruel future, the rivalry frequently degenerates into violence.
Emiko is a Japanese “windup girl”, a genetically created “New Person”, an artificial but fully sentient pseudo-human created to aid the
The world-building is stupendous, deep and intricate. While the reader can certainly poke holes in the logic of the technological infrastructure, in
The heritage and tropes of past colonialism and its perhaps inevitable resurgence as the world once again
The novel is full of astute and insightful observations of Thai and Chinese culture, as well as the behaviour of Westerners in East and Southeast Asia. An oftentimes depressing read, but a very impressive novel that stays with the reader for a long time.
In the first two Wayfarers books, the Exodan fleet is an mentioned as background, but now Ms. Chambers takes us on a deep dive into Exodan culture. The great generation ships of the fleet launched centuries prior, as humanity fled a dying Earth. They eventually made contact with the Galactic Commons, and collectively make up a very different human society compared to the Martian one which remained in Sol System and eventually colonised other star systems. The novel follows a few Exodans in what are almost separate short novelettes loosely intertwined.
As with the two previous books, there is no strong plot. Rather, an exploration of interpersonal relationships and a deep dive into a very particular society. Nevertheless, the reader is drawn in, and how! Starting with the often mundane everyday activities of the protagonists, Ms. Chambers weaves a sublime web exploring the nature of existence, meaning and emotional attachment. The funeral scene in particular is a powerful piece of writing which left this reader in tears of both joy and sadness. Key to the stories is how the characters develop and move forward, pushed by both their environment and their own internal motivations.
A planet orbiting a distant star is seeded with life in a grand experiment. Soon after, back in our solar system, the “Old Empire” collapses in civil war, and human civilisation falls, almost to extinction. Thousands of years later, the ark ship Gilgamesh, carrying hibernating refugees from the poisoned and dying Earth, arrives at the seeded planet. Lacking supervision from those who started the experiment, a race of spiders has risen to sentience, and built its own grand civilisation on the one speck of lush green that humans could use as a new beginning.
Mr. Tchaikovsky’s opus divides its time between the desperate humans on the Gilgamesh, trying to find a place to settle before their ship gives up the ghost, and the evolving spider society on the planet. A story about sentient spiders might seem silly, but the author skillfully makes the arachnids come to life. Their society and technology is nothing like that of humans, but the primal struggle for survival is still very much in evidence. In fact, after only a brief while I started enjoying the spider chapters more than the human chapters, though this may be due to the humans acting in general as selfish and somewhat irrational refugees in a desperate situation.
Themes of loss and revival are strong, as well as the not so subtle lesson of history repeating itself by those who do not study history. The historian protagonist lives the tragedy strongest, given that in these dying days of humanity the very reasons for the race’s near-extinction are ignored, with decision makers blithely trundling towards their own doom, almost seeming afraid to take a step back and look at the big picture. A marvellous novel.
Thirty years after Babylon’s Ashes, Earth has rebuilt, while humanity has spread across the thirteen hundred worlds beyond the gates. Comparative peace prevails. The Outer Planets Alliance has morphed into the Transport Union, which despite its own best efforts at trying not to be political, is effectively a governmental organisation. Led by Camina Drummer, Fred Johnson’s former chief of staff, the Union controls trade from Medina Station in the centre of the gate network. The crew of the Rocinante has spent decades together, carrying cargo, prisoners and messages for the Union.
One day, an old enemy re-emerges from Laconia system, where the renegade elements of the Martian fleet have spent thirty years in isolation, their doings unknown to an otherwise occupied human society. The now immensely powerful Laconians have been preparing for this moment, and they make a grand entrance.
The authors’ choice to move the narrative forward by three decades is jarring at first, but soon shows itself to be inspired. While there are no doubt plenty of stories to tell of the intervening period, having a new and powerful antagonist upset the apple cart is a more engaging story. (Nothing says the authors can’t return to the past in future novels and short stories, either.) This instalment is a real nail-biting page-turner, and one of the best books in an already excellent series. More good things should come along in the next book, as the end of this one leaves many things unresolved.
Following after the events of New Moon, the Corta Helio business empire is shattered, with the remaining family members scattered about the Moon seeking safety, solace, or escape into drug-induced oblivion. The Suns and McKenzies now rule the Moon’s business dealing. But Lucas Corta plans revenge.
Just like the first book, this one is a triumph of storytelling and characterisation. Where the first one was slow to start, this one hits the ground running as there is no need to establish the world. As cataclysmic events continues to unfold, the reader is starkly reminded that business is indeed war. The contrast with Earth also shows in an interesting way how new societies can seem utterly strange to old ones, even after only a few generations.
In the second half of the 21st Century, the ship Rockhopper is the base for a crew of hardcore ice miners. Much like the crew of the Nostromo in Alien or the workers of the Deep Core in The Abyss, these are not space heroes but no-nonsense blue-collar worker types. The company sucks them dry but they get the job done.
Janus, a small inner moon of Saturn, is observed to be moving out of its orbit, seemingly of its own power. Rockhopper is the only ship close enough to intercept what can only be alien artifact. As it nears Janus, Rockhopper is caught in a gravitational field from which it cannot escape, carrying it along for years until it reaches a vast alien artifact soon dubbed The Structure.
Mr. Â Reynolds anchors the narrative on two strong women, Bella Lind and Svetlana Barseghian; fast friends who fall out as they disagree on how to deal with the challenges faced by the marooned crew of the Rockhopper. The novel jumps smoothly between discrete events, sometimes separated by decades.
The enigma of The Structure is disturbing on many levels, but before being able to even hope to probe it, the small contingent of humans must ensure their very survival. And so, in an isolated corner of an alien place they know nothing about, humans must thrive despite their factional nature and penchant for disagreement. Despite its often intimidating scope, this novel is a joy to read. Ingeniously plotted, epic in scope, and yet intimate in its exploration of humanity.
Angie Kaneshiro is a Freehold-born high tech vagabond. She crews on commercial vessels trading between the various polities in Williamson’s Freehold Universe. She likes to dance, have sex and see new places. Then the Freehold War breaks out and things turn ugly fast. After barely escaping a major accident on a space habitat, she volunteers with the Freehold covert forces, acting as a guide for a group of elite special forces on covert missions.
Angie’s secret war is terrifying and gut-wrenching. She repeatedly puts her life at risk, is tortured, loses friends and has to kill innocents to protect herself and her team. As the novel progresses, it transforms from the chronicle of a fun-loving, easy going but streetwise woman to a much darker place as Angie sees her grip on sanity crumble away until there is only the mission first, and survival second. This transformation echoes the descent of the war for the Freehold from resistance to an unjustified aggressor to resorting to mass murder in order to survive.
Like The Weapon and Freehold, this book depicts the horrific effects of war on those who fight it without diminishing their heroism and bravery. The personal cost of killing innocents is very high, and in the end it all seems so wasteful.
Side note: There’s a lot of rather graphic sex in this book. In my view, it was not put there to titillate the reader, but because Williamson wanted to show that Freehold society is very matter-of-fact about such things, and more importantly because a female character can love sex without having to be a slut.
Young teen Julian has perfect recall. He finds school difficult because “the stupids” like to bully him. He starts having visions about the life of a man, and becomes obsessed with finding him while he mulls the philosophical implications of time travel and mortality.
Told in the first person, this novella is cleverly crafted and flawlessly told.