Amahle is the captain and sole occupant of the starship Mnemosyne. She is a “light chaser”, travelling on a thousand-year loop to inhabited star systems, the scattered colonies of humanity. She brings “memory collars”, to be worn by selected people and their descendants, until she returns on her next loop to collect them. These gather the life experiences of the wearers for her employers at the end of the loop to enjoy as entertainment. The human worlds are at varying degrees of technological development, but societies seem oddly stable, to the point of stagnation. It eventually dawns on Amahle that things are not as idyllic as they seem.
The premise is clever, intriguing, and novel. The novella format suits it perfectly. Amahle is excuisitely characterised as an aloof de facto demigoddess who slowly realises the truth about her existence. Her sense of betrayal is palpable and visceral. The story is not overlong, and superbly edited to maintain momentum.
Ariadne and her three crewmates wake at a distant star system after years of transit in slumber aboard the starship Merian. Their multi-year exploration and survey mission takes them to different worlds in the system, each with its individual features and biome. They have dedicated their lives to this mission, for when they return to Earth they will be decades older, and over seventy years will have passed back home. They are a family of sorts, with intermeshing sexual relationships and a strong bond in their motivations. Some time into their mission, news updates from Earth stop arriving. As they are left in limbo, Ariadne and the others must more carefully examine the ethics and significance of not only the mission itself, but also of humanity’s place in the Universe.
Written in Ms. Chambers’s by now trademark gorgeous contemplative prose, the plot is acted out as much in Ariadne’s inner dialogue as in actual action. The drama is intimate, personal, and thoughtful, making the ending that much more poignant. The characters are likeable, pleasant, and very human in their different ways. The lack of interpersonal strife is an interesting narrative challenge, which the author handles with seeming ease. A delightful read.
A collection of Alastair Reynolds novelettes and short stories, a few of which also feature in Beyond the Aquila Rift. The anthology is a mix of everything from post-apocalyptic tales to deep deep future wonders.
As ever, Reynolds impresses with his mastery of the short fiction genre. The often mind bending concepts are always refined into their significance on people. This makes them resonate strongly with the reader.
This novella is set decades before the events in the Luna Series., when the Moon was already on its way to losing its status as a frontier. Cariad Corcorian and her “siblings” are part of an arrangement known as a Chain Marriage. When one parent moves out and another is set to marry their “mother”, the teens and pre-teens decide to give them a wedding gift in the form of a picture next to the first footstep on the Moon. A foolhardy adventure ensues.
The story flirts with Young Adult fiction, but nevertheless displays the hallmarks of Mr. McDonald’s prose. Deep dives into the particularities of character, radical social structures, and a laying bare of the truth behind relationships.
After the events of Persepolis Rising, humanity is subject to Laconian rule. On a prosperous colony planet, the new Laconian governor arrives. Laconians seem themselves as descendants of Sparta. Principle and virtue above all. But the new governor’s steadfast principles are about to collide with the reality of life outside Laconia.
An excellent novella. Instead of being constrictive, the limited length of the work is used to great advantage, focusing on a particular time and place, whilst illustrating a wider issue.
Astronaut Gary Rendell is lost in the “crypts”, a dark labyrinth full of horrors. He has been wandering them for an indeterminate amount of time, and is evidently slowly going mad. Through flashbacks, Gary tells the reader about the mysterious artefact which houses the crypts, and how he came to be there.
Mr. Tchaikovsky uses first person narrative to tell the story as if Gary is speaking directly to the reader. In fact, on multiple occasions Gary specifically “speaks” to the reader. This makes the denouement of the narrative quite visceral, as the reader slowly realises why Gary is so despondent. An aura of doom suffuses the story, and the final twist is, if not entirely unexpected by that point, still heartbreaking.
Orfea arrives at the Dyson Sphere Shenzhen, a utopia run by AI. She is attempting to migrate there to escape a turbulent past, but manages to enter under false pretences. She is soon contacted, unexpectedly, by an AI she knows well, and by an old colleague and lover who is a candidate for Haruspex. The Haruspex construct is a melding of a human body and an AI mind, part of a social experiment of sorts being conducted by the AIs running Shenzhen.
Ms. Sriduangkaew plays language like a virtuoso, masterfully constructing passages which flow effortlessly while conveying meaning precisely. The setting draws heavily on Chinese culture and traditions, but even the reader unfamiliar will have no issues following. The crux of the story centres on complex issues regarding machine intelligences, and their relation to the humans from whence they once came. Not an easy thing to weave into a novella with so much action, and this is where the piece falters slightly. On the other hand, the author feels no need to handhold the reader through tedious exposition, and said reader must step up and go along for the ride.
Real estate agent Emma reconnects with school friend Carl, who is now a billionaire. Carl wants to build a tower twenty kilometres tall, and he drafts Emma into the project.
The sheer scale of the project described is staggering, and the technical challenges are excellently described. Despite the necessity for such detail, Mr. Stephenson manages to steer this novella away from being a technical treatise, focusing on the human and the personal. A delightful tale of hubris and triumph.
Short story and essay collection. The fiction runs the gamut from entries in the author’s Freehold Universe, to Victorian fantasy, and a rather interesting novella set in an alternate Bronze Age, pitting sentient humanoid felines against mind-controlling dinosaur-like reptiles. The essays contain some amusing musings on rifle technology, as well as very inappropriate, and often hilarious, cocktail recipes.
While I don’t always agree with Mr. Williamson’s political views, even in his fiction, he offers insightful political and social commentary with a great deal of thought and research behind it. There is a short passage about how his views have developed in the two decades since he published Freehold. This passage provides tantalising glimpse of an interesting mind which does not deny the impact of new data.
The titular “Murderbot” is a robot charged with the defence of a survey expedition on an alien planet. The murderbot has hacked her (his?) governor module and is secretly no longer constrained by her programming. Nevertheless, in a crisis situation, she helps her survey expedition and wins their trust.
This novella is an interesting take on sentient created life. The murderbot, telling the story in the first person, has a humorous narration style, with dry wit used to lay bare questions of purpose in life, and the need for companionship, or not. Unfortunately, the story itself sometimes stumbles into tediousness dueÂ to a clumsy use of contrivedÂ technological constraints used to anchor plot points.
On a future Earth only just recovering from massive ecological disaster and plague, the technologically advanced but environmentally constrained remnants of humanity dwell in overground habs and underground “hells”. Information technology and augmented reality is pervasive. A form of granular capitalism controls the economy, with contracts and debts giving structure. In this context, fluvial restoration specialist Minh is given an opportunity to gather data on the Tigris and Euphrates rivers, by traveling back in time to ancient Mesopotamia.
Ms. Robson drops the reader directly into the deep end of a fully realised world. The sensation is rather dizzying at first, perhaps mirroring how young research assistant Kiki feels about coming of age. The story and themes of this novella are well realised, and leave the reader wanting to read more about this fascinating world.
This novella set in the Kingkiller Chronicle world follows Auri, the girl who lives in the abandoned underground spaces of The University and whom Kvothe befriends. She went insane while a student, and ever since has apparently lurking underground, organizing silent things (inanimate objects) that she finds based on some strange inner logic based on herÂ obsessive compulsion.
This story is very strange. There is but one character (if you don’t count the silent things which, to be fair, the protagonist considers characters) and she is clearly insane. Eight full pages are dedicated to the making of soap. By hand. And yet, I found myself slowly warming to Auri and the little adventures she had while running around with her objects. I enjoyed how some spaces in the underground were frightening,Â some were safe, some were warm and some were uncomfortable. This story works despite every convention it breaks.
The Churn tells the early backstory of Amos Burton, one of our heroes on the Rocinante in Leviathan Wakes and onwards. It is set in the criminal substrate of future Baltimore. Large parts of the city have been submerged by rising sea levels, and it is in general a crappy place to live; a backwater that no one cares very much.
The apathetic attitude of the denizens of Baltimore, and by implication much of Earth,Â is well portrayed. Most are living on Basic, a sort of dole where they get free (bland) food and basic services but do not have to work. Many are unregistered and have no real identity in the eyes of the authorities. They live their lives without purpose or hope for a better future. And they look upwards at Mars and the Outer Planets with a dreamlike wonder, knowing that they are very unlikely to have a chance at a better tomorrow up there.
A college professor and Hemingway enthusiast becomes embroiled in a scheme to forge Hemingway’s lost early manuscripts. So far, a fairly ordinary story. But then things turn unexpectedly into a journey across parallel universes.
Solid work from Mr. Haldeman, but nothing of particular note. The first two thirds are rather enjoyable, but the ending left me somewhat disappointed.
This novella is set several decades before Ishmael’s adventures in Traderâ€™s Tales from the Golden Age of the Solar Clipper. Captain Gunderson and his crew run into a small rock way out in the Deep Dark, leaving the jump engine disabled. They are off the shipping lanes and slowly running out of consumables.
This was enjoyable for the character interactions but nothing groundbreaking. A pleasant diversion.
It is one thousand years since the founding of the Mongol Empire, and it now spans both the Earth and a vast galactic empire. A secret agent is sent to a remote sector to investigate problems with the interstellar transit system used by humanity; a system left behind by an ancient race.
The setting is interesting and the twist is well executed. An entertaining novella.
This Â “companion novella” to the Kris Longknife sagaÂ is set at the same time as FuriousÂ and follows the efforts of Special Agent Foile to assist Kris Longknife in her efforts to stop her grandfather’s trade flotilla.
Note: Shepherd has previously written about our heroineâ€™s great-grandfather Raymond under his real name,Â Mike Moscoe.
Fine reading assuming have read the Kris Longknife books up to this point.
This “companion novella” takes place between Kris Longknife – Daring and the upcoming Kris Longknife – Furious. It is not a fantastic piece but serves as a good way to bring readers up to date. The story focuses on General “Trouble” Tordon, one of Kris’s great-grandfathers, and his involvement in the events on her homecoming from the mission in Daring.
Note: Shepherd has previously written about our heroineâ€™s great-grandfather Raymond under his real name,Â Mike Moscoe.