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This “companion novella” takes place between Kris Longknife – Daring and the upcoming Kris Longknife – Furious. It is not a fantastic piece but serves as a good way to bring readers up to date. The story focuses on General “Trouble” Tordon, one of Kris’s great-grandfathers, and his involvement in the events on her homecoming from the mission in Daring.
Note: Shepherd has previously written about our heroine’s great-grandfather Raymond under his real name, Mike Moscoe.
Book three seamlessly segues from the end of Center of Gravity. Admiral Koenig leads the battlegroup further into Sh’daar territory, towards the enigmatic center of the Sh’daar civilization. Meanwhile Lieutenant Grey’s personal odyssey continues.
I was disappointed with the last book in the trilogy. The action is still good, but it is upstaged by the exploration of the enigma that is the Sh’daar. Wormholes, discussions about transcendence and the evolution of civilizations abound. Douglas has thought the whole thing out quite well and the ending makes sense. Unfortunately it feels as if the more lofty macrostory and themes don’t mix well with the military science fiction setting. Long discussions on the deep future and the deep past of technological civilizations slow the pace down too much. Mind you, these discussions are interesting, but they just don’t fit in well in this book.
On the character side, the developments are not very original, and the dialogue is wooden at best. Grey is a metaphor for humanity itself. Koenig is the consummate military officer. The rest are cardboard cutouts.
Book two starts where Earth Strike left off. Admiral Koenig is set to launch a raid deep into enemy territory, with the aim of scouting, disrupting enemy momentum, and keeping pressure off Earth.
Great action scenes. However the political stuff is quite heavy handed, the message being that politicians are idiots who can’t make rational decisions and military men (well, American military men) know better. A Churchill-like politician would have added greatly to this series.
In this new series by Ian Douglas (AKA William H. Keith, Jr.) Earth and its colonies are on the defensive, hemmed in and attacked by a vast and enigmatic interstellar empire. The action focuses on the Star Carrier America and its fighter spacecraft. The first half deals with a rescue mission on a far-flung colony world, and the second with an attack on Earth itself. Sure, spoilers, but it is right there in the title.
The action is good, clean military science fiction fun, just like in Mr. Douglas’s three connected trilogies dealing with space marines. There are some quite interesting discussions regarding the impact on technology on human society. This goes far deeper than most military science fiction books, which tend to gloss over any impact outside of that on military technologies. The story is very entertaining as it rapidly moves from action scene to action scene. Douglas knows pacing.
The sequel to Princess of Wands sees “Soccermom-osaurus” Mrs. Barbara Everette as an experienced FLUF agent, defending America from evil supernatural and mystic creatures. As in the first book, this one also takes the form of three interlinked stories, the middle one of which is set (sort of) at Dragon*con.
Ringo always delivers thrills and page-turnability. But this time he fell short of the mark. The story is bland. The stakes are nominally high, certainly. but I never felt like I cared that much. The way the author has had to shoehorn belief into some sort of consistent reality makes for too many weird conversations. So a bit of a dud but still eminently readable.
This anthology of short stories deals with armored fighting suits (mecha, what have you) from many different perspectives. Some stories are pure action, while others delve deep into sentient machines and man-machine interfaces. There’s even romance.
The stories range from excellent to passable. And there is quite a bit of thought-provoking stuff.
Once again we join Daniel Leary and Adele Mundy with the crew of the Princess Cecile. A Cinnabar national is inciting rebellion on an Alliance world. With the two nations now at peace, the political situations is sticky. If the rebellion succeeds, it could mean resumption of hostilities, and that would be ruinous for both sides.
Another fun adventure with our friends, this time rather interestingly splitting our two protagonists up for a good long section. While I do enjoy the reading, I get the feeling that Mr. Drake is treading. Leary and Mundy seem so superior to any challenge posed them that there are no real challenges. They are almost ridiculously awesome. Unless Drake puts their back to the wall against real odds again, this series will peter out into dullness.
In the third and final book, Katniss is among the rebels. She has survived The Hunger Games, twice, but she is more and more a broken person. Friends and others want to use her for their purposes. She is no longer a Tribute but she is still a pawn.
Throughout the book, Katniss falls victim to a psychological trauma that has its roots as far back as the first book. The way in which Ms. Collins describes Katniss’s descent into madness is chilling, especially as the narrative is in the first person. The last third of the book is very bleak, as there seem to be no good options. And yet, the pace is kept up, the action moves on. Even in the darkest, most introspective passages the reader still feels carried forward in the story.
A great ending to a great trilogy.
A few months have passed since the events of The Hunger Games. Katniss and Peeta now live as neighbors in the Victor’s Village, along with Haymitch. Things are strained because, despite Katniss’s status as a victor, she is also a symbol of defiance against the capitol. The President would probably like her eliminated, but cannot do so because of her status as a popular public figure. To top things off, she must pretend to be in love with Peeta in public, while Gale now works in the mines and she is in general unsure how she stands with him.
Since this year will be the seventy-fifth Hunger Games, the rules are special. Katniss’s troubles are just beginning.
While it cannot quite reach the level of the first book, Catching Fire is a more than worthy sequel. Yet again, the strict first person perspective forces the reader to see everything through the eyes of Katniss. More importantly, we see the world through the lens of her thoughts and doubts. It is a cruel and dangerous world, and she must make brave decisions in order to protect her loved ones. The action scenes take up less space and are, perhaps, not as gripping. I felt that Ms. Collins could have spent some more time here. In any case this was a page turner just like book one.
The ending leaves little resolved, and book three directly follows.
Katniss Everdeen lives in District 12, quite literally the end of the line of the twelve vassal districts where laborers toil and starve to support the rich Capitol inhabitants in the nation of Panem, located in what seems to be a post-apocalyptic North America. Almost a century ago, the districts rebelled against the Capitol and were brutally repressed. Since then, each district must offer two youngsters, one male and one female, as “Tribute”, every year. The youngsters are chosen through a lottery system. The youths will compete in the titular Hunger Games. To the death. The point being to remind the districts who is boss. Through a series of circumstances, Katniss ends up in the Hunger Games.
Readers familiar with Ender’s Game will feel a strong familiarity with some of the themes. Both books deal with youngsters thrown into cruel and unfamiliar situations beyond their control. There is even some similarity in the sparse style.
The fact this novel is marketed as “Young Adult” should not scare off adult readers. The characters and settings are memorable. Seeing the world through the first person perspective of Katniss means we are forced into her constrained existence. She has no freedom in her world and may not leave District 12. She has no freedom after becoming a Tribute, with her intricate preparations for the games stage-managed by a mentor and a team of stylists. In a bitter irony, she becomes somewhat free to do as she wants in the Hunger Games Arena itself, but the freedom comes at the price of having to fight for her life, often against opponents she has deep affection for.
The pacing is perfect and the action sequences are gripping without reveling in bloodshed or cruelty. Certainly there are strong scenes of violence but the purpose is to convey the horror and evil of the Hunger Games, not to draw readers in with schlock. This novel has that rare compulsive page-turning quality.
The love triangle is somewhat cliché, but clichés can work too. The dilemma of feelings towards someone you may well have to kill, or see killed, is well done.
All in all, a superb novel that I raced through. The ending is a satisfying conclusion but leaves many questions unanswered. And so it is on to book two.
This singleton Assiti Shards novel sees a maximum security prison in southern Illinois get sent back in time, dragging along with it large group of Cherokees from the 19th Century, conquistadors from the 16th century, and Mounds people from prehistoric times.
The idea of dragging a prison back in time is interesting. What do you do with the convicts? How do you keep guarding them? Unfortunately, that is pretty much the only bright point in this novel apart from the action scenes and the fact that it is an easy read and the vaguely interesting historical tidbits. Most characters are so two dimensional and cookie cutter that I had a very hard time remembering who was who. The portrayal of men and women falling in love more or less instantly was naive and plain silly, the argument being that since they had to survive, they’d better pair up.
The subplot with the “present day” scientists was completely superfluous, and seemed to be there mostly to tie in with possible sequels and bring needless exposition. Again, the instant love trope reared its ugly head here.
The third book in A Song of Ice and Fire flows seamlessly from A Clash of Kings. The Seven Kingdoms of Westeros are in chaos due to the “War of Five Kings”. While a lot of the “issues” are resolved, new and bigger issues crop up. And an even greater threat is looming. This has been foreshadowed since the very start of the series, but is very concrete now.
While still a great read, this one was a bit more of a slog in the first half. The seconds half is where everything really goes to hell in a handcart, and is much faster paced.
The characters are more and more scattered, and the stories often do not intertwine. For example, where the heck are Arya and Bran going to end up? They certainly have no interaction with any of the other point of view characters. Even though things are quieter than after book two, many questions remain unanswered.
The sequel to A Game of Thrones picks up right where the previous book left off. Westeros has been plunged into civil war, with five kings clashing for the Iron Throne and for the North. Meanwhile, Daenerys Targaryen continues her quest to find supporters in her bid to return her dynasty to the Iron Throne.
While A Game of Thrones perforce had to spend quite some time detailing background, A Clash of Kings dives straight into the action. Without giving away the story, suffice it to say there are many clever and unexpected twists and turns.
Martin is certainly not afraid of taking characters in a bad situation and making their fate even worse. This is in fact an integral part of what makes the series so good. No one is safe and nothing is holy.
Another interesting aspect is how some characters that seem like “bad guys” in the first installment, most notably Tyrion, now seem quite reasonable. Certainly the reader can root for them. Conversely, “good guys” have very dark sides. Martin, through his clever use of point of view characters in the narrative, allows the reader to “back” opposing sides in the conflict.
Certainly nothing much is resolved in this volume, and so it is on to book three.
A former drug smuggler turned Internet gaming magnate. His adoptive niece. A Russian gangster and his bodyguard. A Chinese computer virus writer. A Hungarian hacker. A British spy. An Islamist terrorist. A tea-selling girl from the Chinese hinterlands. These are some of the characters that inhabit Stephenson’s wide-spanning action thriller Reamde. It is almost impossible to briefly summarize the action, but suffice it to say it involves an attempt to extort money from players of a massively multiplayer role-playing game, a band of international terrorists, and a sprawling extended family from Iowa.
This is a big novel, weighing in at over a thousand pages. Due to Stephenson’s detailed and entertainingly understated descriptions, there are two action scenes which easily take up two hundred plus pages each. The action sprawls from the Pacific Northwest to the Chinese port city of Xiamen as several parties initially chase a conspiracy to extort money, then stumble upon something much more serious. The last quarter of the book is one long and convoluted chase scene, a killer payoff if there ever was one.
The many characters are complex, with rich back stories and believable quirks. The personal journey of the girl Zula, unwilling victim of not one, but two sets of abductors, is a fine base for the many branches of the story. She is a complex and strong character with two very different heritages, the first as a refugee from Eritrea, and the second as the adoptive daughter of a rural Iowan family. Her uncle Richard, the (former) black sheep of said family,  is equally interesting, and an archetypal corporate maverick.
While the main story is well paced and fascinating, Stephenson’s genius lies in his description of detail. Like a good comedian, he seeks out the hilarity in what on the face of it are ordinary situations. For example the disorientation felt by Americans in the sprawling Chinese city of Xiamen is brilliantly described, as are the similar sections where foreigners from other countries end up in the backwaters of Washington State and Idaho. Tangents and datadumps are often long, but Stephenson’s ironic and understated style make them both interesting and entertaining. Some parts of the book take place party in the virtual world of T’Rain, a massively multiplayer online game. These sections could easily have been cheesy and impenetrable to those not familiar with such games, but are written in an easy to understand fashion without reveling in geekiness. As such, they are easily accessible even to the game illiterate.
Rather simplistic novel depicting a mission to Mars. Goes hand in hand with The Case for Mars. A fun light read if you are into the space program.
Subtitled “The Plan to Settle the Red Planet and Why We Must”, this is non-fiction detailing how and why man should colonize Mars. Zubrin is a rocket scientist and the founder of the Mars Society, and thus knows what he is talking about.
Pointless action/adventure novel in which gods and sorcerers walk the present day earth.
Fantasy/Science Fiction hybrid set on a world where one side always faces the sun and the other is always dark. The light side features science while the dark side is the realm of magic. Our hero Jack is a sort of spy/mythic hero and these are his adventures. Zelazny weirdness is all over the writing of this rather lighthearted tale.
Very strange tale of creatures manifesting as ancient Egyptian gods, and the the power games that they play.
Set on a future Earth, a world depopulated and ravaged by war. These are the adventures of Conrad Nomikos, the titular immortal. As usual with Zelazny, weirdness abounds.
The crew of a colony ship has set itself up as the Hindu pantheon, lording it over the descendants of their former passengers by controlling access to superior technology and enacting laws forbidding progress. This works well for a long time, until the Buddha appears.
A deep novel which is sometimes difficult to fathom, it is nevertheless considered a science fiction classic for good reason. The way in which Zelazny uses technology as a metaphor for spirituality is masterful.
So what happened after The Return of the Jedi? This series answers the question. If you are a Star Wars fan, you will want to pick this up. The writing won’t win any literary awards, much in the same way that the movies were not nominated for Best Picture at the Oscars, but who cares? It’s action with all those characters that we have come to know and love. The series consists of :
Set in the same universe as Freehold but preceding it chronologically, this novel follows a group of bodyguards tasked with protecting the president of a nation wracked by civil war. The setting is very much inspired by present day Afghanistan and Iraq. Clan warfare and a lacking sense of national identity make the task of unification and pacification very difficult. To make it worse, the bureaucrats and military organizations of the UN (now a world and multiplanetary government) don’t care one way or another. They simply want their own agendas pushed. When it all hits the fan, the bureaucrats choose to simply “remove” the president, but the bodyguards have other ideas.
From the excellent action scenes to the realistic character studies, Williamson displays his impressive knowledge of military matters. The plot is a bit slow and perhaps even unfocused in the first half, but then picks up speed to end in a huge climax. If you are a fan of Williamson’s other work, you’ll like this one, but it is only really for the hardcore military fiction buff. That’s right, I didn’t say science fiction. In fact, this book could have been set in the present day Middle East with very few changes.
The second sequel to The Scope of Justice finds our two snipers, Monroe and Wade, dropped into the jungles of Indonesia, where they become involved in a power struggle between diverse anti-government factions, consisting both of terrorists and Indonesian Army. In a clever twist to the story, their new commanding officer, a born and bred bureaucrat Colonel, comes with them. Our heroes are Sergeants, but they have vastly superior skills and experience. This poses many challenges as the team attempts to complete its mission in a shifting local political environment.
I was afraid that this third book would be a mere re-hash or the first two in a new locale, but Williamson has managed to make it unique. The overall structure of a covert mission remains in all three books, but the missions themselves vary widely. Williamson also captures well, especially in this last installment, the good and the bad of the military. How some personnel is helpful, how some is annoyingly by the book, how some goes above and beyond. Most military fiction does not go very deeply into these interesting subjects. Overall, a satisfying read.
In the sequel to The Scope of Justice, the two snipers Monroe and Wade, have a new mission: Take out terrorists smuggling explosives through Romania for use in Western Europe. Once in place, they find themselves doing a lot of straight spy work, typically with little or no backup. To further complicate things, they are in place clandestinely, and must also hide from Romanian authorities.
The second book in the series is an improvement over the first. The prose is less stilted and the story flows better overall. The two main action scenes are very good. Williamson describes well how it feels to be a stranger in a strange land, needing to blend in but having a hard time doing so. I found myself caring more for the protagonists as Williamson explored their motivations in more depth. The technical parts about sniping are detailed and fascinating (at least to this reader). An enjoyable read if you have some interest in the subject matter.