In Paris in 1959, private investigator Wendell Floyd is retained to look into the mysterious death of an American woman. In a parallel story thread set hundreds of years in the future, archeologist Verity Auger comes upon a strange map of twentieth-century Paris, with missing details. Is this the same Paris as the one in her history?
The parts of the story set in 1959 Paris, clearly inspired by Casablanca, read somewhat like the plot of a classic detective noir film. The old flame. The gumshoe detective. The uncomfortable relationship with the police. The rain. It is utterly charming and nostalgic. The parts of the story set in the future are pure Reynolds. Unfortunately, they don’t always mesh well. Mr. Reynolds has come up with a fantastic premise, but perhaps due to the setup, the conclusion feels somewhat forced, though the actual ending is quite satisfying. I felt as if the book was perhaps overlong, and some plot aspects which were not revealed until the last third, seemed overly complex.
Nevertheless, Mr. Reynolds’s marvelous prose and rich, three-dimensional characters are always enjoyable.
Chris Bach is a private detective with a sidekick named Sherlock. Sherlock is a genetically enhanced bloodhound with significant intelligence. They live in one of the vast habitats under the Lunar surface. Due to Post Dramatic Stress Disorder, Bach has retreated into a pseudo-fantasy world based on noir films and novels. He wears a fedora, and lives in “Noirtown“, a neighbourhood designed around the aesthetic of the works of Raymond Chandler and Dashiell Hammett. One day, as befitting the stereotype, a mysterious “dame” walks into his office. She needs someone found.
Set in the “Eight Worlds” Universe some time after Steel Beach, the novel sports two very interesting, and very different, protagonists. Bach develops from his past trauma, shown in flashbacks, through his present low, and on to his maturity. More daring by Mr. Varley is to write almost half the narrative in the voice of his canine companion Sherlock. While the concept had the potential to fall flat, it is skillfully delivered, and Sherlock is fully developed as a character, albeit a rather peculiar one. The plot itself is somewhat bare-bones, but with characters like this, it has little impact on the quality of the novel.
Alex Lomax is a private investigator in New Klondike, a frontier town on Mars. The place is a bit of a dump, existing only due to the rush on ancient Martian fossils, and Lomax is its stereotypical gumshoe.Â One day, a beautiful woman walks into his office. She is a “transfer”, a human who has transferred her consciousness into a cyborg body.
The story and setting are a deliberate homage to classic noir detective films and novels. The world-building is solid, and it is a enjoyable and almost wistful readingÂ about New Klondike’s dome and the business of “transfers”. Mr. Sawyer takes the idea of the noir detective to the limits of its stereotype, skirtingÂ deadpan satire. Naturally the protagonist is broke and has an overdueÂ tab at a seedy bar that he frequents. Naturally the local police department is corrupt and lazy. The first half of the book is good fun. Unfortunately the second half degenerates into a confusing mess of myriad double-crosses and plot twists, taking the novel from a pleasant pastime to an often irritating morass.
Harry Dresden is a private investigator of sorts. He is actually a wizard living in modern Chicago. In this novel, a mysterious woman hires him to find her husband. At the same time, in his capacity as police consultant on “unusual” cases, he is called in to assist in investigating a mysterious murder and soon finds himself implicated. To make matters worse, the White Council, a governing body of sorts for wizards, thinks he is guilty of crimes against the laws of magic.