The concluding book of the Salvation Sequence tells two stories. One is of the “Saints”, who pass into the Olyix Enclave of slow time, and send their signal to humanity. Ten thousand years later, the Exodus Humans attack the enclave. Since times moves much more slowly inside, only a few weeks have passed for the Saints. And that’s just the beginning of the mind-mending time-warping. Yirella’s neutron star civilisation also manipulates time, allowing its inhabitants to live thousands of years whole only a few decades pass outside.
While the Exodus Humans are evolved, they are still quite recognizably like their forebears, the Corpus Humans of the neutron star are something else entirely, extending their consciousness in multiple bodies. This brings about uncomfortable questions around the similarity to Olyix minds. Could the humans be evolving into the very thing that they are fighting?
The entire third volume is a triumphant climax to a finely crafted story, with multiple, complex storylines scattered across thousands of years. The first two books introduced the effects of concepts of portals, wormholes and time manipulation on the story. The third book takes it all to the next level, challenging the reader to follow along on a wild ride through time and space. The temporal-spatial scale and scope of the story are stupendous, but it always comes down to individual characters making important and sometimes heartbreaking choices.
In the second book of the trilogy, the full scope of the Olyix’s treachery against humanity becomes apparent, and horrific scenes unfold on an Earth under siege. It is a desperate fight to save as much and as many as possible while keeping open the possibility of ultimate victory, even if it takes thousands of years. The protagonists of the previous volume, now clearly recognised to the reader as the “Saints” so revered by the humans in the far future, scramble to enact a plan that, much as it seems crazy, is perhaps the only rational one. Meanwhile, in the far future, the youngsters from Juloss have traveled light years to preparing a lure for the inevitable arrival of the Olyix. Doubts remain in both times about the possibilities of success.
This is very much that second instalment in a trilogy where everything goes south. It was not quite as engaging as the first book, perhaps because out of necessity so much is setup for the final book. That being said, it is still a very enjoyable read, with new characters being introduced, and new challenges. The themes of despair and sacrifice are expertly infused in the narrative.
Through the use of portals that connect locations at arbitrary distances through quantum entanglement, human society has transformed. Walking to a city on another continent has become as easy as walking to the grocery store. The riches of the Solar System are readily available due to the easy of transporting goods, people, energy, and information. Humanity has expanded to nearby star systems, which, once reached by a starship carrying a portal, are “just one step away”, as the Connexion company slogan goes. While most of humanity live in the dominant “Universal” culture, rather similar to a modern democracy, a significant number live in the “Utopial” culture, an effort aimed at creating an egalitarian post-scarcity society.
A crashed alien starship has been found, and an assessment team of experts is dispatched to investigate. For security reasons, they are cut off from network or portal contact, and must take ground transport, by now a very archaic concept, for the last leg of the journey. During this period, the backstory of the individual protagonists is told in extensive flashbacks, practically novellas in themselves. These flashbacks also serve to paint the backdrop for the current story by filling in details on historical developments. In some ways the entire first book is a prologue for what is to come.
A parallel story thread runs in the far future, on the world of Juloss, where human youngsters are being trained to fight an interstellar war against an implacable enemy. The world is mostly an abandoned ruin as most inhabitants have fled out into the wider galaxy already, leaving only the trainees and their trainers until they, also, will depart.
In classic Hamilton fashion, the scope is epic, with societal changes being driven by technological innovations in interesting directions. The characters feel real and interesting. The prose flows in the author’s signature style, making it easy to devour long chunks in one sitting.
Like many Hamilton novels, this is the first in a series of volumes that form one overarching story. For this reason, most of the story threads are hanging at the end of this volume, the first of three.
Jernau Gurgeh is the best game player the Culture has ever seen. (For clarity, these games areÂ analogous toÂ theÂ board games of today. He writes scholarly papers on them. He takes parts in tournaments. He lives and breathes games. However, he is somewhat bored. The Culture is a post-scarcity society,Â with no want, death, suffering or exploitation. Winning at games is a purely intellectual pleasure. However there are civilizations outside the Culture. Gurgeh is contacted by Special Circumstances, a branch of “Contact”, the Culture’s organizations for dealing with newly contacted civilizations. It seems that in the barbaric Empire of Azad, a monumentally complex game is used to control appointments to government offices, even so far as to decide who becomes emperor.
Writing about a post-scarcity utopiaÂ is difficult. There is no real struggle. The interesting stories come about when there are encounters with the world outside the utopia’s borders. In fact the novel is slow and ponderous until the action reaches the Empire of Azad. The protagonist suffers from ennui but the reader is not left with a strong impression of him. He comes alive once the stakes are real, going through a transformation from happy but docile citizen of the culture to vibrant player, both literally and figuratively, with the means to affect society in very significant ways. The metaphor may be in-your-face but it is still well written.
This short story collection contains mostly previously published material, among others the stellar “Watching Trees Grow“, which it was a pleasure to re-read. There are three more standalones, one of which is a very short vignette. The last three stories are set in the Confederation Universe, with the two longer ones featuring investigator extraordinaire Paula Myo. (The third is Blessed by an Angel.) Myo is a very interesting character and could easily be the protagonist of a novel two of her own. Hamilton’s treatment of clinical immortality and crimes committed in an environment with such is stellar as always.
This is the first volume in Ringo’s vision of a fallen utopia. Mankind is free of want and ill-timed death. People can do what they wish with their long lives. But there is trouble in paradise. The council that rules the “Net”, the information system that provides for mankind, has fallen out in factional disputes that lead to war. Mother, a watchdog AI, does not interfere very much after the fall, but certain restrictions apply. For example, the amount of explosive force that can be applied is limited, making firearms well nigh impossible, as well as high energy industry. Society is back at a very early industrial level. The struggle in the beginning is just survival. but the war is far from over…
Great fun and entertainment in Ringo’s trademark style.
Banks is a best selling author of both Science Fiction and regular fiction. His Sci-Fi universe is known as “The Culture”, referring to the main civilization. Being systematic, I started at the beginning with the very first book of this celebrated series. I was sorely disappointed. Although there are space pirates, BDOs (Big Dumb Objects), interstellar intrigue, great characters and some solid action scenes, I failed to grasp the point of the story. For me, it was just plain dull. Your results may vary. The cover is gorgeous though.
In many cases, when an author tries to tackle an utopian future, in which large parts of humanity are without want (if there is such a thing) and live a very good life, the effort falls flat. During the first fifty pages or so, I was indeed worried. Things soon looked up, however. First of all, there is trouble in paradise, both internal and external. Secondly, there are cool people, such as our hero, superagent Ian Cormac. Thirdly, there are cool gadgets, like self-aware shuriken. Interestingly, most of human society is controlled by AIs, probably since they seem to be doing a better job than humans ever did.
In an unforgettable exchange, it is explained that AIs have the power of self-determination since it is programmed into them.Â On the other hand “biologicals” do not, because they have biological imperatives to breed and so on. I thoroughly enjoyed this one, even though the ending left me a bit puzzled. What the heck was going on there?
This novel is set in Varley’s “Eight Worlds” Universe. It is the story, almost the chronicle, of Hildy Johnson, who also made an appearance in “The Golden Globe”. Steel Beach is the story of how Hildy Johnson didn’t commit suicide. That’s putting it crudely since the actual story is full of wonderful detail and nuance.
Hildy Johnson lives on Luna (the moon), a utopia with very long (perhaps even infinite) life, no real need to work and unprecedented personal freedom. Ironically, this personal freedom comes from having a very advanced Central Computer (the “CC”) run basically everything. Every citizen has a personal interface with he CC and can ask for any information at any time. Sex changes and other surgerical procedures are effortless and painless. Subcultures of all sorts thrive as people pursue what they really want to do. For example, large “Disney’s”, basically theme parks where you can even live, provide their inhabitants with life as it was in, say, an idealized Texas in the late 1800s. So life is pretty good. There’s just one problem: Hildy (who starts the novel as a man and ends it as a woman) keeps trying to commit suicide. The CC has noticed a rash of suicides and is trying to do something about them. He dragoons Hildy into helping him. Little does either know where this will land them or the rest of Luna.
The novel is about this, and much more. It is an exploration into what makes us human. Why do we live, exactly? What do we live for? Hildy is faced with the issue of having more or less infinite life ahead of him but no understanding of what he/she must do with it. The unbridled consumerism of Luna is not enough to give him/her purpose. And so he is endlessly seeking. Steel Beach is a wonderful exploration into the nature of humanity. But it is neither lecturing nor boring. The first person exposition is witty, whimsical, at times laugh out loud funny, while remaining insightful and interesting. I loved this book.
These two books are simply two volumes of the same novel, dubbed the Commonwealth Saga. With the invention of wormhole technology by straight arrow Nigel Sheldon and eccentric Ozzie Isaacs, traditional space exploration (vacuum, spaceships, all that kind of thing) is all but abandoned. Rail lines running between worlds through wormholes are the only means of interstellar transport, and humanity is rapidly expanding to many planets.
Hamilton seems to have been inspired by Richard Morgan’s Altered Carbon when it comes to rejuvenation technology, although there are differences. Practical immortality is available to all but the very poor. Most people pay money into a sort of pension fund which pays for rejuvenation. The more well to do rejuvenate more often, staying forever young. This has brought about a maturing of humanity, where planning is much more long-term. Careers span decades and centuries. The rich can take entire “sabbatical lives”.
These two massive upheavals, longevity and cheap transportation over interstellar distances, have led to an unprecedented period of growth and prosperity for human society. A commonwealth unites the worlds. The Commonwealth is nominally a democracy, but the reins of power are firmly in the hands of dynasties rich enough to own entire planets. A utopia of sorts, but not really a democracy despite outward appearances.
A mysterious stellar event far outside the human sphere of influences forces the construction of a starship. It is the first one ever built. Former astronaut (immortality remember?) Wilson Kime captains the mission, which leads to the escape of the greatest threat humanity has ever faced from its ancient prison. And it soon becomes clear that the escape was not entirely an accident. There are mysterious forces at work inside the Commonwealth.
In the tradition of that other (even more) massive Hamilton opus, Night’s Dawn, this story is a somewhat daunting cornucopia of characters and interweaving subplots. This author can get away with it, since even his explanatory filler is eminently enjoyable. An immensely rich societal backdrop forms the stage for a drama with some very unexpected twists and turns. The most insignificant details come back to haunt the characters in what is obviously a very finely and meticulously crafted story. The end of Pandora’s Star is a massive cliffhanger and the story picks right back up in Judas Unchained, so I would recommend reading the two volumes back to back.
The story is peppered with wondrous things such as the Silfen, an enigmatic race of aliens, and their even more enigmatic forest paths, which lead seamlessly from world to world. Even the enemy is fascinating and an example of a true non-human intellect. There are bizarre, enigmatic and just generally cool characters such as super investigator Paula Myo, slut turned reporter Mellanie Rescorai, the orphan Orion, cult leaders, resistance warriors, criminals and politicians. A tangled web held together elegantly by Hamilton.
The story moves from utopia through gathering storm through all-out chaos and war to a spectacular conclusion, and is finally neatly put to bed in the epilogue. The true genius of Hamilton is that his universe is not populated by 20th Century humans living long lives and using wormholes. Society and its inhabitants are quite different, reflecting the changes in society and culture brought about by technological advances. Motivations, reactions and behaviors are believably described for these “future humans” (and aliens), just as a 17th Century human would behave differently from us.
It should be clear by now that this novel is among the very best I have ever read. Sure, one could criticize the perhaps unnecessarily long road chase in the second volume, or the seeming abandonment of a few supporting characters at the end. But the truth is that it is very very difficult to write something this long, with so many character relationships, and not run into the occasional pacing problem.
So stop reading this and order the books. You will not be disappointed. And if you want more, Hamilton returns to the Commonwealth Universe and many of the characters in the Void Trilogy, set over a thousand years later.