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This graphic novel assumes that the British gained rocketry knowledge after WWII instead of the Americans and Soviets. The British Empire prevails and establishes a substantial space presence. The art is crisp and brings to mind of 1950s space visions. The plot and characters are caricatures of the British. Lots of daring and stiff upper lip. Plenty of fun but it felt a little short.
After the mild disappointment of volumes four and five, Drake is back in good form. Leary is sent on a mission to destabilize what one might charitably call a banana republic in order to relieve pressure from a Cinnabar stronghold. The Bagarian Republic is modeled after South American revolutionary governments, complete with generalissima and corrupt politicians with plenty of unearned decorations. Needless to say, Leary and Mundy manage to perform several daring raids in order to complete the mission.
Clarity returns to the series, then. Leary, Mundy and their companions on the Princess Cecile are as outrageous and entertaining as ever. The action scenes are frequent and of the usual high Drake class. Character development of some of the supporting players is emphasized, definitely a good thing. This book has made me eager once again for the next installment.
At the beginning of the third RCN book, Lt. Leary is beached on half pay after peace has broken out between the Republic of Cinnabar and the Alliance of Free Stars. Through an unexpected turn of events, he is able to once again take command of the Princess Cecile, which has been sold out of navy service but is chartered as a yacht by a wealthy foreign couple who want to venture far into the lawless “north”. Their aim is adventure, gambling, big game hunting, but also a search for an elusive relic, the Earth Diamond.
As is now usual with these books, the main plot is not very linear, with many subplots seemingly there to provide amusement and adventure rather than support the main plot. And as is also usual, I didn’t mind at all. Not totally unexpectedly, Lt. Leary finds a way to return to navy service both himself, his crew, and the Princess Cecile. The action is fast, furious and humorous and maintains the high standards of the previous books.
After the heroic deeds on Kostroma in With the Lightnings, Leary is unexpectedly permitted to retain command of the captured corvette Princess Cecile. Mundy becomes an intelligence officer for Cinnabar’s elusive spy chief, Mistress Sand. Leary and his crew must catch up with a squadron en route to prevent a rebellion on a vassal planet. Through high level machinations, one of their passengers is the putative heir of the planet’s ruling family.
The main plot is not terribly strong, but it doesn’t matter much. This series is about high-flying adventures, exciting locales and interesting characters, not exact plotting. There is a certain disjointed feeling to the story. For example the incident with the pirates could have been a self contained short story and feels like an excuse to provide some amusing action more than a necessary story element. But as mentioned, all that doesn’t really matter. Revisiting Daniel Leary and Adele Mundy is a treat unto itself.
I was put off from reading this for a full eight years mainly due to the horrible cover, but also some misgivings about David Drake. While I loved his Hammer’s Slammers, his writing has often been a bit wooden. The blurb just didn’t do it for me either. Well, I’m so happy to be proven wrong. “With the Lightnings” is quality military SciFi. The RCN series has been likened to the Hornblower books, However Drake himself says they are actually based on the Aubrey/Maturin books. Since those are in themselves inspired by the Hornblower series, I suppose both comparisons are apt.
Lt. Daniel Leary is an officer of the Republic of Cinnabar Navy. Cinnabar is a “great power” opposed by “the Alliance”. As in all good adventure fiction of this stripe, the Alliance is “evil” and Cinnabar is “good”. Leary is a supernumerary on a diplomatic mission to the planet Kostroma. Meanwhile, Adele Mundy, a Cinnabar information specialist in exile, has been hired to set up the ruler’s library on Kostroma. While they are there, the Alliance invades Kostroma. Leary and Mundy join forces and, with the help of a group of Cinnabar ratings, set about attempting to escape.
Swashbuckling action only begins to describe this book. Drake has adapted his technology and political/social structures to mimic the age of sail to a degree that would be ridiculous if it wasn’t such a good background for a story. Leary and Mundy are the perfect characters for this kind of thing. Daring, courageous and humorously cocky, yet by no means arrogantly sure of themselves. The locales are colorful, the characters engaging, the action furious and exciting.
These are sequels to the exciting Heritage and Legacy trilogies. As before, the focus is on the Marine Corps and its role in imagined future conflict. Note: Ian Douglas is a pen name for William H. Keith.
Star Strike
This is the first book in the third trilogy about US Marines. The story jumps ahead about half a millenium. The Xul still threaten humankind, but have been quiescent since the events of Star Marines. As per usual, the Marines are hindered by a misguided politician, then proceed to save the day and win a great victory. There is the usual boot camp training sequence with a new scion of the Garroway line.
While the plots are becoming somewhat formulaic, these novels are still of high quality. The action is gritty, the story is epic, and the books are real page turners. I was afraid that all the “future tech” would somehow make the story less relatable, but this is not so. Douglas manages to explain well how technologies like AIs, direct mind link to computers and virtual spaces change the way humans interact. He also infuses the book with a sense of history, and understands that political entities and priorities can shift dramatically over time.
Galactic Corps
The second book of the trilogy picks up the story about a decade after Star Strike. Once again, there is an annoying politician. The Marines now attempt a blow at the very heartland of the Xul, in the radiation saturated galactic core.
While the first half follows the usual formula, the second half, with operations in the core, is truly excellent. Very exciting and with many elements from “sense of wonder” stories like Ringworld and Rendevous with Rama. These are areas that military Scifi doesn’t usually touch upon but could and should more often. A very strong middle book and another page turner.
Semper Human
After a thousand year “break” in the macrostory, the Marines are back. Revived from a centuries long hibernation (de facto a kind of reserve status), they wake to a radically different galactic society, with a plethora of alien races, as well as new offshoots of the human race. The reason for their awakening is that the Xul seem to be altering reality by subtly influencing human minds through the spooky effects of quantum physics.
After the breakneck action of the previous two books, this one feels very slow to start. A lot of time is spent discussing the changes to galactic society of the past centuries. The usual “Marines are anachronisms” message, only more so, and to excess. Once battle is joined, so to speak, it doesn’t feel anywhere near as visceral as previously. The characters are dull and lack the compelling qualities of those in earlier installments. Douglas redeems himself a bit at the end with some excellent historical vignettes, but it is not enough. Unfortunately, the book becomes one long treatise about why Marines have always pulled mankind’s (and in this case Galactic Society as whole’s) chestnuts out of the fire. While I understand and even agree with the message, it is far too heavy handed. So this ninth, and possibly last, book of the saga unfortunately ends it with a sizzle where there should have been a bang. A big, big bang.
This is the sequel trilogy to the exciting Heritage Trilogy. Set a hundred years further in the future, the books flesh out the backstory significantly and satisfyingly. The Marine Corps focused action remains, improved if anything. Douglas (a pen name for William H. Keith) writes about battles, troops and equipment with a gritty and realistic tone.
Star Corps
Descendants of the An, prehistoric overlords of Earth, have been discovered on a planet in a nearby star system. Suddenly, the delegation sent there is attacked by these “Ahannu”. The Marines send a relief expedition on a ten year voyage (one way) to regain control. This book introduces the Marines featured in the first two books of the trilogy, in particular John Garroway, descendant of the main characters from the Heritage Trilogy. The Ahannu are just a bit player in galactic terms, though.
Battlespace
After a ten year voyage back to Earth, the Marines are sent out again. Their twenty year absence has led to significant problems interacting with society, somewhat similar to what happens in Haldeman’s “The Forever War“. This time, the mission involves securing an alien stargate in the Sirius system, thought to be used by the “Hunters of the Dawn”, a very advanced race that destroys any life that could threaten it. At the gate, the Marines encounter another race, the Oannans/N’mah, which has been fleeing from and fighting the Hunters of the Dawn for millenia. After initial violence due to misunderstading, an alliance is formed.
Star Marines
The action now jumps forward a century and a half, but the main characters are still Garroways. The Hunters of the Dawn, alerted by the destruction of their ship and gate in “Battlespace”, have decided that humans are a threat. A Hunter ship appears in Sol system and attacks. Earth is devastatated. The Marines launch a Doolittle Raid on the enemy, trying to buy the humans time. By the end of the Legacy Trilogy things are still very much up in the air about the future survival of humanity.
While the “Marines rule” theme in these books can sometimes be a bit heavy handed, this is quality military SciFi. The back story, only hinted at in the Heritage Trilogy, is fully fleshed out and well imagined.
The Heritage Trilogy is the first of three connected trilogies about Marines in space, and consists of:
Three very good near future military SciFi stories, loosely connected at the micro level, with a deeper common background. My only small gripe is that Douglas does not concentrate more on the backstory of 
alien visitors in ancient times. Still and all, a very good read.
Note: Ian Douglas is a pen name for William H. Keith.
You know it’s Crichton when the chapter headings are days (all in same two weeks or so). I keep coming back to Crichton despite his rather formulaic plots. The guy is a dialogue genius, and his dependency on describing what is, at the time of writing, cutting edge technology, is always good for nostalgia.
This book is way better than Crichton’s norm. Really quite a gripping page turner. The movie is pretty good too.
Thriller set in the corporate world of Los Angeles. A murder has been committed in the boardroom of a large Japanese corporation, just prior to a major deal. An old detective with “Japanese experience” is teamed up with a younger man to solve the murder. Masterfully told, if a bit dated due to the heavy use of old computer jargon and technology as plot points.
This is the story of a device that disables guns and bombs. It all starts out low key. An accidental discovery in a lab. But as with many such discoveries, it soon takes on a life of it’s own, and leads the inventors (and the reader) to many unexpected places.
Interestingly, this book manages not to preach from either end of the gun-control argument. Without becoming less exciting or interesting, it manages to sum up and discuss the entire issue from the aspect of new technological advances. A great book.
A mysterious giant cylinder is found in space, falling inwards on a trajectory which will take it through the solar system. It is dubbed “Rama”. An expedition is sent to probe it’s contents.
Along with 2001, Rendezvous with Rama is the defining work of Arthur C. Clarke. The book is full of his trademark sense of wonder, and Clarke manages to convey awe at alien things like few others can. The first book is a solo effort. Clarke then teamed up with Gentry Lee to write a sequel trilogy. The whole series consists of:
The follow-up trilogy explores and expands on the Rama concept, and puts forward some very interesting ideas on life in the universe, and how ready we as humans really are to inherit the stars (or Eden). It is an epic tale of destiny, focused around the character of Nicole, a hero if there ever was one. Not an action hero, however. Simply an inspiring figure around which the story swirls and flows. Wonderful stuff, and quite awe-inspiring.
A classic from one of the great masters. The book tells the story of the construction of a space elevator on an island closely based on Sri Lanka. The author also took a bit of license and moved it to the equator in order to make things actually work.
While one might think that the story is only about the technical aspects, it delves much deeper into the spiritual past and future of bridge building. For what is a space elevator if not a bridge to the stars? Clarke skillfully blends the past and the future into a marvelous tale. His famous skill sense of wonder is shown off to great effect, and the book leaves you feeling in awe with humanity and the universe.
Aliens come to Earth to help humanity. The aliens are shrouded in mystery, not even showing their physical selves, until the very last (and very surprising) moment. A true classic.
The fact that it had “been done” did not scare Tom Clancy when he wrote this novel about an attach on Western Europe by the Warsaw Pact. It is pure technothriller with a very heavy military element. Masterfully written and very hard to put down.
The story is mainly set in Rome. A mysterious new weapon of mass destruction stolen (ok, maybe not so mysterious to SciFi buffs). A plot to destroy the Vatican. An ancient conspiracy. Signs and portents everywhere. A well rounded and intelligent hero. A spectacular climax.
I went in expecting a good thriller, but this book hooked me. I couldn’t put it down, and described it to someone as “literary crack”. The imagination displayed by Dan Brown in the creation of his intricate plot is nothing short of astounding. The way he weaves in real historical facts and artifacts to create suspense and thrills is a rare gift. This books also contains the best treatment of the science vs. religion debate as a theme since “Contact“. The downside of the novel is that it is too weighted towards being a page-turner. Despite the subject matter, there seems little depth to the narrative, which serves only to carry the reader to the next exciting situation.
One thing that annoyed me is that Brown should have let an Italian proofread some of his brief conversations in that language. He is never totally off the mark, but sometimes it just sounds wrong.
I read this novel in the original Swedish.
The sequel to Män som hatar kvinnor (The Girl with the Dragon Tattoo) has a slow start. At the newspaper Millenium, new collaborator Dag Svensson is preparing a big exposé on trafficking. A number of policemen, judges and other prominent individuals will be named as having had liaisons with underaged sex slaves. Out of the blue, Dag and his domestic partner are brutally murdered. Lisbeth Salander’s legal guardian (she is declared incompetent) and torturer from the first book is also murdered with the same gun. Lisbeth Salander has just returned to Sweden and, through a series of unfortunate coincidences, finds herself wanted for the murders. The story then follows the police investigation as well as the actions of Lisbeth and journalist Michael Blomkvist. There is a lot of deep diving into Lisbeth’s mysterious background.
While Män som hatar kvinnor (The Girl with the Dragon Tattoo) was a relatively self-contained story, this one is much more wide ranging. The ending does not neatly tie up all loose ends, but distinctly leads into the next novel. The excuisitely crafted character of Lisbeth Salander is further explored, and while Blomkvist was the focus in the first novel, she is very clearly the center of this one. One of the more prominent themes is how society dismisses and discriminates against people with alternative lifestyles. Several of the policemen are extremely resistant to taking Lisbeth (allegedly a bisexual) and Miriam Wu (an ostentatiously lesbian artist) seriously, especially since they are into fem-rock of the darker variety with alleged satanist influences. The mainstream press is no better than the police, feeding the masses with shock headlines instead of reporting the facts. An interesting indictment of the mainstream which rings very true.
I enjoyed this novel almost as much as the first one. The second half is a real page turner. However the story feels a bit more contrived and there is a lack of focus in the first half. A lot of setup, if you will. Still, even if it didn’t satisfy as much as the first one it is very good stuff.
A long distance probe has captured footage of a mysterious moving object in the accretion disc of a collapsed star. It seems to be an energy being. An exploration spaceship travels across the stars to capture this interstellar phenomenon, dubbed a “Star Dragon”. The story played out against the background of the mission is a psychological drama starring the five human and one AI crewmembers of the ship. Adding to the poignancy of their fate is the fact that the ship travels close to the speed of light to SS Cygni, a binary system 245 light years from earth. The trip is only a subjective 2 years for the crew, but when they return five hundred years will have passed on Earth. They have to abandon their entire existence in order to go hunting the mysterious Star Dragon.
This is a very strong story which manages to escape the technobabble trap of many such efforts. The characters are few but strongly threedimensional, each seeking his or her own place in the universe. With technological progress moving fast, they all have to contend with their doubts about what place they will have in the future. Contrasted with medical immortality, this becomes a serious issue. Will the future have a place for the individuality of humanity, or are we doomed to be replaced by AIs that are better than we? And if that happens, will we transcend to a utopian existence free of want? Is that where we want to go? Star Dragon is cautiously optimistic, and yet raises many important questions about our future. It s a vast universe and eternity is a long long time. Who knows what we will find?
There have been many books of the first landing on Mars. If you want a truly epic and far reaching story, read Kim Stanley Robinson’s Mars trilogy. Personally, however, I prefer Bova’s version. It is neither complex nor particularly groundbreaking, but it is solid and has a certain charm in its space buff wish fulfillment. Both books are good, although the first is somewhat stronger.
The Sam Gunn stories are now published in one omnibus edition. They really bring out the best in Bova. His hero Sam Gunn is a sort of space entrepreneur/adventurer, presumably inspired by explorers from human history such as Columbus and Shackleton. I also believe that Sam Gunn is Ben Bova’s alter ego, or the man he wishes he was. Lighthearted and thoroughly enjoyable, I recommend Sam Gunn to any fan of near future stories and space exploration.
Greg Bear can think BIG. Eon is his classic tale of an asteroid that arrives in orbit around the earth. The asteroid is revealed to be simply one endpoint for an endless (?) corridor named The Way. Inside The Way is the city of Thistledown, populated by humans. That human civilization is thousand of years old. Thistledown is the future, and the past. Greg Bear knows how to describe his quantum mechanics, and the non technical reader should not be intimidated. The characters and intrigues of the various factions, as well as the strong characters and fabulous descriptions all combine in a marvelous story.
The sequel, Eternity, is about how mankind must give up it’s manipulation on space-time. After the message of hope brought by the first novel, it is interesting how in Eternity Bear takes humanity back down a notch, not closing the door to the future but simply reminding us that the gods do not take kindly to hubris. And through it all, Bear’s astounding imagination is combined with a gift for good, clear and interesting prose.
This novel starts off rather slowly and without fanfare, with our hero moving to Edinburgh to work on a moon rock. This moon rock is taken out of the lab and lost. It slowly starts to devour the landscape. Weird premise, but Baxter does it well. It’s all about how the humans of today would cope with the Earth literally disappearing under them.
I very much enjoyed how the novel starts small and events snowball into a massive cataclysm by the end. Well worth a look.
Steam Age SciFi from Baxter. In the 19th Century, the British discover a pile of stuff in the Antarctic. This stuff releases fabulous quantities of energy when it comes into contact with other stuff. A whole transportation economy develops based on the so-called Anti-Ice. And there is a mission to the moon. Fun!
Authorized sequel to H.G. Wells’s classic novella The Time Machine. Baxter pulls it off quite well, putting his own touch on the old story. Enjoyable, especially if you like old Steam Age stuff such as Jules Verne and H.G. Wells.
The series consists of seven books. In order of internal chronology with original trilogy shown in bold.
This is truly one of SciFi’s classics. The original trilogy (starting with Foundation) is widely considered to be one of the finest SciFi series ever written. The rest of the books are of equally high quality, except (in my opinion) for Forward the Foundation, which seems more like an attempt to tie up loose ends, something of an obsession with Asimov towards the end of his career. Interestingly enough, the man who is arguably the main character, psychohistorian Hari Seldon, is long dead in most of the books. Few series convey a sense of evolving history as this one does, and at least the original three should be a must read for any Science Fiction fan.
So why not a higher score? Well, I feel that although it is a classic and very good, it did not quite capture my imagination as much as some other books have.