The final novel in the Millennium trilogy concludes the story begun in Flickan som lekte med Elden (The Girl who Played with Fire) and ties up the Salander arc started in MÃ¤n som hatar kvinnor (The Girl with the Dragon Tattoo). The novel picks up right after the dramatic events surrounding the encounter between Zalachenko and Lisbeth Salander. Salander is arrested and spends most of the time in isolation, first in hospital and then in prison. At the same time Blomkvist and his cohorts work to set things straight, proving how the state has committed crimes against her and in the process unraveling a conspiracy deep within the Swedish secret police.
Despite the fact that much of the book consists of spy-novel maneuvering and exposition of past events, it is a total page turner, especially the second half. The suspense as good guys and bad guys try to outmaneuver each other is gripping and masterfully written. The character development of Salander is interesting, particularly her slow realization (helped along by her attorney and others) that if she wants the people around her and the state to consider her a competent adult she has obligations towards these people and the state. The state especially has repeatedly betrayed Salander, and she is thus understandably suspicious of the concept.
Due to the death of Stieg Larsson and the legal disputes surrounding his estate, we may never see the nearly finished fourth novel or six additional novels which he allegedly planned. A shame, perhaps, but the three published works are still rather neatly tied up. And in this way Larsson’s legacy will not be diluted. He will forever be remembered as a novelist at the top of his game, with no slow decline to mar the image.
For the record, I read it in the original Swedish.